British Museum blog

The new Citi Money Gallery is open


Catherine Eagleton, curator, British Museum

The new Citi Money Gallery is now open. Seeing those words in front of my eyes on the computer screen still feels a little strange! Time has flown by, and I can hardly believe that I am writing this last blog post about the redisplay project.

The objects are installed, the graphics and video are up and running, online content is live, and it’s all looking stunning. There’s an amazing moment as a curator when you see the display you’ve been working on for over a year take shape. Even more wonderful is seeing the first visitors in the gallery looking at the objects, reading the labels, and taking photos of what they see. The first reactions have been incredibly positive – and in fact one case is so popular that it’s getting covered with fingerprints already, as people look at it, and point things out to the people they’re visiting with. While this may not be such great news for the people who will now have to clean the glass daily, for me it’s a real source of pride, and a sign that people are really looking closely at the objects on display.

Senior Museum Assistant, Amanda Gregory installing objects in the new Money Gallery

Senior Museum Assistant, Amanda Gregory installing objects in the new Money Gallery

Now, then, all there is left to do is think about what I should wear to the opening event. Well, not quite. The exciting thing about the Citi Money Gallery project is that we will continue to work on the displays in the gallery after opening.

Various sections of the gallery are designed to be flexible, and allow the new stories of money to be displayed in the coming years, and I’ll be handing over to a new gallery curator soon. Working alongside him will be an education specialist who will be developing programmes and using the themes of the gallery to teach topics including financial literacy and numeracy. So, in the coming months you will occasionally hear from my new colleagues about what they are doing.

If you visit the gallery and have ideas for new technologies of money that you think we should look into adding to the gallery in the next few years, do let us know.

The Money Gallery project is supported by Citi and opens in June 2012.

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Filed under: Collection, Money Gallery, ,

2 Responses - Comments are closed.

  1. andy logan says:

    This is pretty amazing. I’d like to see more photographs, not necessarily just of the money, but of the exhibition in general that you’ve put up! : )

    Like

  2. Definitely going to visit the gallery!

    Like

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Discover some of the amazing wearable treasures in our new #Waddesdon gallery on @Pinterest at pinterest.com/britishmuseum
The Grenville Jewel. Dating from about 1635–1640, this superb locket contains a portrait by David Des Granges of Sir Bevil Grenville, a Cornish Royalist General who died during the English Civil War in 1643. The case is a bravura demonstration of enamelling on gold. Minute pansies, marguerites and green leaves stand out against a black background. A large square sapphire adorns the centre, surrounded by rubies, opals and diamonds. A pendant pearl in an enamelled setting completes the piece.
Gold enamelled pendant jewel with a ruby-studded parrot. The top of the base is enamelled with shields and flowers. Two pendant pearls complete the jewel. The parrot itself may have 16th-century Spanish origins, but the rest of the jewel is largely a 19th-century construction by the French jeweller Alfred André (1839–1919). A similar parrot pendant is in the Museo Arqueológico Nacional, Madrid, where the bird is also modelled in the round and white enamel used to highlight the eyes. Here's another great photo from our instagramer event, a #tired_portrait in the Great Court by @zoecaldwell.
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This etching comes from the series of 10 prints entitled 'New York City Life', recording the lives of the ordinary inhabitants in less affluent areas of Manhattan. The prints had a mixed reception at the time and a number were rejected from an exhibition of the American Watercolor Society as ‘vulgar’ and ‘indecent’. #August is named after the Roman emperor Augustus. Before 8 BC the Romans called it Sextilis! 
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Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM
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