British Museum blog

Tracing racing history


Steve Slack, writer, British Museum

If you’re a fan of horses and horse-racing you may well have been following the action at Royal Ascot last week. The highlight of this year’s meet was the Diamond Jubilee Stakes – named after HM The Queen’s milestone which was marked earlier this month.

Her Majesty is also the royal patron of the British Museum’s current temporary exhibition The horse: from Arabia to Royal Ascot. As part of the 5,000 year story of the domesticated horse, the exhibition explains the origins of what we now know as the modern Thoroughbred racehorse and the role of the Arabian horse.

It’s a little known fact that all modern Thoroughbreds can trace their lineage back to just three prodigious stallions which were imported into Britain from the Middle East around 300 years ago: the Byerley Turk (1680s), the Darley Arabian (1704), and the Godolphin Arabian (1729).

The winning horse in Saturday’s race was Black Caviar, who can trace her ancestry back to the Darley Arabian. And if you’re interested in tracing the history of other Thoroughbreds, there’s a panel in the exhibition with some of the most famous race horses descended from the Darley Arabian.

Grand Stand Ascot (Gold Cup Day 1839). This shows the first grandstand built at Ascot, with a capacity of 3000, which opened in 1839. The etching also shows Queen Victoria in attendance. The horse Caravan, a descendent of the Darley Arabian via Eclipse, won the Gold Cup that year.

 

The horse: from Arabia to Royal Ascot is free and open from 24 May to 30 September 2012.

The exhibition is supported by the Board of Trustees of the Saudi Equestrian Fund, the Layan Cultural Foundation and Juddmonte Farms. In association with the Saudi
Commission for Tourism & Antiquities.

Filed under: The horse: from Arabia to Royal Ascot

One Response - Comments are closed.

  1. Really sorry that we missed this exhibition, we were unable to get to London during it’s run but we did attend Royal Ascot and have made the pilgrimage to see the grave of The Godolphin Arab near Newmarket . Enjoyed your article.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 11,809 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

You can now explore #AfricanRockArt from #Chad with new images available online at www.britishmuseum.org/africanrockart 
Chad has thousands of rock art engravings and paintings, some up to 7,000 years old! 
Throughout the caves, canyons and shelters of the Ennedi Plateau in Chad, thousands of images have been painted and engraved, comprising one of the biggest collections of rock art in the Sahara. A series of engravings at Niola Doa of groups of life-sized human figures have become especially renowned for their singularity and quality.
#art #rockart #Africa #Chad #engraving #painting This week we’re highlighting the #AfricanRockArt project, cataloguing 30,000 years of rock art.
Did you know that some rock art in #Niger is thought to be several thousand years old? Find out more about the rock art in Niger with new images online at www.britishmuseum.org/africanrockart
These spectacular life-size engravings of giraffe can be found at Dabous in Niger. Thought to date from between 6,000 and 8,000 years ago, the engravings cannot be seen from ground level and are only visible by climbing onto the boulder.
#RockArt #Africa #giraffe #art #history Here’s an exquisite chalk drawing by Renoir, born #onthisday in 1841.

Renoir began his career as a painter of porcelain in Limoges, aged thirteen, before studying with Sisley and Monet at the École des Beaux-Arts in Paris. His early work flitted between sober academic painting and freer, more colourful en plein air ('open-air') work. He was, with Monet, at the forefront of the movement that became known as Impressionism. The two artists painted side-by-side on occasion, most famously for their paintings of the popular bathing-spot La Grenouillère (1869), then just outside Paris on the banks of the Seine.

His later works concentrate on the female nude and he tended to emphasize simple forms and solidity, as well as relishing pink and orange flesh, as this study illustrates. Several versions of this pose survive, all probably intended as finished pieces rather than sketches for grander work.

Crippled by rheumatism in his last years, Renoir continued to paint with brushes jammed between his fingers. 'If painting were not a pleasure to me I should certainly not do it'.
#art #artist #Renoir #impressionism #history #drawing Charles Le Brun, who painted many of the ceilings at #Versailles, was born #onthisday in 1619. Here's one of his studies for a section of ceiling in the Galerie des Glaces at Versailles.
#art #drawing #history George Frederick Handel was born #onthisday in 1685. Here’s a portrait of the Baroque composer by British artist Richard Phelps
#history #music #composer Watching the #Oscars2015? You too can be inspired by Greek art in #DefiningBeauty @TheAcademy
Follow

Get every new post delivered to your Inbox.

Join 11,809 other followers

%d bloggers like this: