British Museum blog

Horse power day on Saturday 30 June


Laura Service, Education manager and
Rosie Jones, Events manager: Adult Programmes

On Saturday 30 June the Museum will be saddling up (yes, really) for Horse power day, an exciting day of free activities for all ages. Come and pat a real pony, dress up as a jockey for the photo booth, play pin the tail on the craft-y donkey and much more. Here’s a full list of everything happening on the day. Whilst here, take the opportunity to see the free exhibition The horse: from Arabia to Royal Ascot.

As event organisers, we want Horse power day to celebrate the links between the horse and popular culture, and the creative impetus that this amazing animal has given to artists across thousands of years. All of our meetings about the event have had a sense of fun, and we are hoping this will come through on the day!

A source of inspiration for the day was the wonderful painting, The Derby Day (1856-58), by William Powell Frith, on display in the exhibition. This painting captures the crowds at a nineteenth-century race day. It demonstrates the vibrant culture that sprang out of race days (not that many of the crowd in the painting are watching the race) and that’s something we’ve considered with the activities on Horse power day. Visitors will be able to make fascinators, a tribute to the popular focus on fashions on display at Ladies’ days at the races, and listen to popular music from the eighteenth and nineteenth century recreating the atmosphere of the first great Thoroughbred races at courses like Ascot and Epsom – including a song specially recreated for the event, not heard in its original version for 250 years, but which survives as a folk song even now!

An Arabian horse on the East Lawn of the British Museum

A particular challenge we’ve faced is bringing live horses onsite. We plan to host, weather permitting, a horse parade on the forecourt of the Museum. Mark Griffin (from Griffin Historical) will compere the parade, giving visitors an opportunity to learn about the attributes of different horses, and the roles they undertake according to their physical traits.

Colleagues across the Museum have contributed ideas for the day, and many will be taking part. Nigel Tallis, co-curator of the exhibition will be answering your questions about curating the exhibition, and about the horses he has been discovering whilst putting together the show as part of ‘ask the expert’.

Working on this event has shown us the huge respect and compassion that humans have for horses. Everyone involved has been excited about the opportunity to celebrate the horse, and that has really sparked our imaginations.

We hope you’ll be able to join us, and share our excitement, as we gallop around the Museum on the day!

Remember to share your day
Tweet using #horsepower and @britishmuseum
Tag your photos on Instagram and Flickr with #horsepower
‘Blinker Tailor Soldier Spy’ Tweet us your best #horsefilm

 

Horse power day is on Saturday 30 June, 11.00–16.00. It is free, just drop in, some events may be ticketed on the day. Full programme for Horse power day.

The horse: from Arabia to Royal Ascot is free and open from 24 May to 30 September 2012.

The exhibition is supported by the Board of Trustees of the Saudi Equestrian Fund, the Layan Cultural Foundation and Juddmonte Farms. In association with the Saudi
Commission for Tourism & Antiquities.

If you would like to leave a comment click on the title

Filed under: The horse: from Arabia to Royal Ascot, , , ,

3 Responses - Comments are closed.

  1. Coach Sue says:

    What an inventive way to share a horse’s life

    Like

  2. Andrea Brown says:

    Really Cool

    Like

  3. Lorraine Rinard says:

    My husband and I will be arriving in London Sunday September 30. WE are sorry to miss this event, but will come to see your museum! I have a Morgan mare and live in California, and have been a horse LOVER for 50 years!! Lorraine RInard

    Like

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We welcome nearly 7 million visitors a year to the Museum and this photo by @zoenorfolk wonderfully captures the movement of people around the Great Court. Completed in 2000, the Great Court also features a quote by Tennyson: 'and let thy feet millenniums hence be in the midst...’
#repost #regram
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum In 2000, the Queen Elizabeth II Great Court designed by Foster and Partners transformed the Museum’s inner courtyard into the largest covered public square in Europe. We love this striking photo by @adders77 showing this incredible space at night #regram #repost
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum This wonderful photo by @what_fran_saw captures the stunning Great Court #regram #repost
The two-acre space of the Great Court is enclosed by a spectacular glass roof made of 3,312 unique pieces!
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum The roaring lions on the walls of King Nebuchadnezzar II’s palace represented the Babylonian king himself and were intended to astonish approaching visitors. Nebuchadnezzar commissioned major building projects in Babylon to glorify the capital of his empire. Glazed bricks in bright shades of blue, yellow and white were favoured for public monuments in order to emphasise both divine and royal power. These works displayed the might of the city and its king, who commanded unlimited resources.
Glazed brick panel showing a roaring lion from the Throne Room of Nebuchadnezzar II, 605–562 BC. From Babylon, southern Iraq. On loan from Vorderasiatisches Museum, Berlin.
Share your photos using #mybritishmuseum and tagging @britishmuseum.
#lion #art #history #BritishMuseum Lions have perhaps been adopted as a symbol more than any other animal. They are seen as proud, fierce and magnificent – characteristics that made kings and countries want to associate themselves with these charismatic big cats. As well as being the national symbol of England and Scotland, the lion is in many ways the symbol of the British Museum. Lions guard both entrances to the building. At the Montague Place entrance are the languid lions carved by Sir George Frampton, and on the glass doors of the Main entrance are the cat-like beasts designed by the sculptor Alfred Stevens in 1852.
This lion can be found on the wooden doorframe at the south entrance to the Museum, and its nose is polished smooth by the many visitors who rub it for luck on their way in. Share your photos using #mybritishmuseum and tagging @britishmuseum This colossal lion in the Great Court is one of the most photographed objects in the Museum. It weighs more than 6 tons and comes from a tomb in the ancient cemetery of Knidos, a coastal city now in south-west Turkey. The tomb stood on the edge of a cliff overlooking the approach to Knidos harbour. The building was 18 metres high and the lion was on top of its pyramid roof. The hollow eyes of the lion were probably originally inset with coloured glass, and the reflection of light may have been an aid to sailors navigating the notoriously difficult coast. It is carved from one piece of marble, brought across the Aegean Sea from Mt Pentelikon near the city of Athens. Opinions vary as to when it was built. One suggestion is that it commemorated a naval battle off Knidos in 394 BC.
We’ll be sharing more lovely lions this week! Share your photos using #mybritishmuseum and tagging @britishmuseum.
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