British Museum blog

The Beau Street Hoard: the view from Bath

A gallery display at the Roman Baths Museum, Bath


Stephen Clews, Manager, Roman Baths and Pump Room

The Beau Street hoard was found in the old spa quarter of Bath, where a nineteenth century hospital building is being converted into a five star hotel next to the city’s modern spa and close to the heart of the old Roman town of Aquae Sulis.

The site is very close to two of the city’s three hot springs. Excavations in the nineteenth century in advance of the hospital revealed evidence of a Roman bath house adjacent to one of these springs, so it was expected that some interesting Roman archaeology might be revealed by excavations here. But a large hoard of coins was completely unexpected.

The excavation of the Beau Street Hoard. © Cotswold Archaeology

The excavation of the Beau Street Hoard. © Cotswold Archaeology

There are no other large hoards of Roman coins known from Bath. Nor is there anything about the known archaeology of the site or indeed any other evidence from Bath that would lead us to expect the discovery of what is now the largest hoard of Roman coins yet discovered from an urban context in Britain.

The Roman Baths intends to acquire this hoard through the Treasure process and put it on prominent display in a gallery devoted to the story of Aquae Sulis. Here it will be seen by the around a million visitors who come to see what is already one of Britain’s principal Roman sites every year.

At the moment, we’re working to raise money for the acquisition and would like it to be a process in which we can celebrate the discovery of the hoard and use it as a spring board for a wide range of learning and cultural activities inspired by it. Together with the British Museum and several other organisations we are working up ideas for a programme that will run alongside the conservation, acquisition and display of the hoard.

The Roman Baths Museum. © Bath & North East Somerset Council

The Roman Baths Museum. © Bath & North East Somerset Council

Although there will be opportunities to take part in these events and see many of the coins in advance our target is to put the hoard on permanent display towards the end of 2014.

But, for now, with each coin that emerges, we’re trying to work out why the hoard was buried in the first place. So far the latest coin discovered dates to 274 AD, and although this was a time of great unrest in the Roman Empire there has been no indication of this in the archaeological record from Bath. Troubled times are not always the reason for the deposition of hoards, but they are an obvious reason to consider.

Burial of the coins as an offering to the gods seems unlikely in this case – as just a few yards away more than 12,000 coins have been recovered from excavations of a Sacred Spring where they were thrown in as offerings directly to the Goddess Sulis Minerva. In Bath that was the obvious way to make an offering.

Objects found at a sacred spring in Bath. © Bath & North East Somerset Council

Objects found at a sacred spring in Bath. © Bath & North East Somerset Council

The hoard was buried in a stone-lined box set into the floor of a Roman building. It was presumably covered over, perhaps by wooden boards or a piece of furniture to hide its presence. Whatever the means, it certainly seems to have achieved its object. A personal loss of a family fortune? Perhaps an elderly batchelor living alone with his inheritance hidden safely away? In which case the hoard may have been buried some years later than its youngest coin suggests.

We could imagine many other scenarios to account for the hoard. Whatever the reason, the hoard that now survives has brought a new dimension and a new story to our thinking about the development of Roman Bath that ranks with many of the other great discoveries made here.

The 300-year-dig at Bath that began with the discovery of the gilt bronze cult statue of the goddess Sulis Minerva in 1727 is still giving up secrets!

Find out more about the Beau Street hoard and the Roman Baths Museum fund-raising campaign.

If you would like to leave a comment click on the title

Filed under: Beau Street Hoard, Conservation

2 Responses - Comments are closed.

  1. ritaroberts says:

    This tremendous discovery is awe inspiring to say the least.Im sure there must be more to discover.The conservation of the hoard is a long task indeed and one where I would love to be present while this is taking place. Bath is one of my favourite archaeological sites that I must visit again when in England. Thanks to the British Museum for sharing your work.

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For our final #MuseumInstaSwap post we’re highlighting the 'Make Do and Mend' campaign of the Second World War, as told by our partner @ImperialWarMuseums in their #FashionontheRation exhibition.

The campaign was launched to encourage people to make their existing supplies of clothes last longer. Posters and leaflets were circulated with advice on subjects including how to prevent moth damage to woollens, how to make shoes last longer or how to care for different fabrics. As the war went on, buying new was severely restricted by coupon limits and no longer an option for many people. The ability to repair, renovate and make one's own clothes became increasingly important. Although shoppers would have to hand over coupons for dressmaking fabric as well as readymade clothes, making clothes was often cheaper and saved coupons. ‘Make Do and Mend’ classes took place around the country, teaching skills such as pattern cutting. Dress makers and home sewers often had to be experimental in their choice of fabrics. Despite disliking much of the official rhetoric to Make Do and Mend, many people demonstrated great creativity and adaptability in dealing with rationing. Individual style flourished. Shortages necessitated imaginative use of materials, recycling and renovating of old clothes and innovative use of home-made accessories, which could alter or smarten up an outfit. Many women used furnishing fabrics for dressmaking until these too were rationed. Blackout material, which did not need points, was also sometimes used. Parachute silk was highly prized for underwear, nightclothes and wedding dresses.

We've really enjoyed working with and learning from our friends at @imperialwarmuseums this week. You can catch up on all our posts and discover many more stories from London’s museums with #MuseumInstaSwap. © IWM (Art.IWM PST 4773 For #MuseumInstaSwap we’re discovering the street style of the Second World War in the #FashionontheRation exhibition at @ImperialWarMuseums. In this archive photo a female member of the Air Raid Precautions staff applies her lipstick between emergency calls.

In wartime Britain it was unfashionable to be seen wearing clothes that were obviously showy, yet women were frequently implored not to let 'standards' slip too far. There was genuine concern that a lack of interest in personal appearance could be a sign of low morale, which could have a detrimental impact on the war effort. The government's concern for the morale of women was a major factor in the decision to continue the manufacture of cosmetics, though in much reduced quantities. Make-up was never rationed, but was subject to a luxury tax and was very expensive. Many cosmetics firms switched some of their production to items needed for the war effort. Coty, for example, were known for their face powder and perfumes but also made army foot powder and anti-gas ointment. Make-up and hair styles took on an increased importance and many women went to great lengths to still feel well-dressed and stylish even if their clothes were last season's, their stockings darned and accessories home-made. As with clothing, women found creative ways around shortages, with beetroot juice used for a splash of lip colour and boot polish passing for mascara.

Discover more stories from London’s museums with #MuseumInstaSwap © IWM (D 176) In the @ImperialWarMuseums exhibition ‘Fashion on the Ration: 1940s street style’ we can see how men and women found new ways to dress while clothing was rationed. Displays of original clothes from the era, from military uniforms to utility underwear, reveal what life was really like on the home front in wartime Britain.

Despite the limitations imposed by rationing, clothing retailers sought to retain and even expand their customer base during the Second World War. Britain's high street adapted in response to wartime conditions, and this was reflected in their retail ranges. The government intervened in the mass manufacture of high street fashions with the arrival of the Utility clothing scheme in 1942. Shoppers carefully spent their precious clothing coupons and money on new clothes to make sure their purchases would be suitable across spring, summer and autumn and winter. Despite the restrictions, the war and civilian austerity did not put an end to creative design, commercial opportunism or fashionable trends on the British home front.

#FashionontheRation exhibition runs @imperialwarmuseums until 31 August.

Discover more stories from London’s museums with #MuseumInstaSwap. For our final day of #MuseumInstaSwap we’re learning about the Second World War @ImperialWarMuseums, and discovering the impact of the war on ordinary people. 
Clothes were rationed in Britain from 1 June 1941. This limited the amount of new garments people could buy until 1949, four years after the war's end. The British government needed to reduce production and consumption of civilian clothes to safeguard raw materials and release workers and factory space for war production. As with food rationing, which had been in place since 1940, one of the reasons for introducing civilian clothes rationing was to ensure fairness. Rationing sought to ensure a more equal distribution of clothing and improve the availability of garments in the shops.

As this poster shows, the rationing scheme worked by allocating each type of clothing item a 'points' value which varied according to how much material and labour went into its manufacture. Eleven coupons were needed for a dress, two needed for a pair of stockings, and eight coupons required for a man's shirt or a pair of trousers. Women's shoes meant relinquishing five coupons, and men's footwear cost seven coupons. When buying new clothes, the shopper had to hand over coupons with a 'points' value as well as money. Every adult was initially given an allocation of 66 points to last one year, but this allocation shrank as the war progressed. © IWM (Art.IWM PST 8293) This week on @instagram we’ve joined up with other London museums to highlight our shared stories. Our partner is @imperialwarmuseums, whose incredible collection brings people’s experiences of modern war and conflict to life. Follow #MuseumInstaSwap to discover some of the intriguing historical connections we have found, as well as insights into everyday life during wartime. As part of our #MuseumInstaSwap with @ImperialWarMuseums, we’ve been given special access to the Churchill War Rooms – located deep below the streets of Westminster.
This is Prime Minister Winston Churchill’s bedroom, which includes his private desk, briefcase and papers, his bed and chamber pot and even an original cigar! The bedroom is located close to the Map Room, keeping Churchill as close as possible to the epicentre of Cabinet War Rooms.
Following the surrender of the Japanese Forces the doors to the War Rooms were locked on 16 August 1945 and the complex was left undisturbed until Parliament ensured its preservation as a historic site in 1948. Knowledge of the site and access to it remained highly restricted until the late 1970s when @ImperialWarMuseums began the task of preserving the site and its contents, making them accessible to as wide an audience as possible and opening them to the public in 1984.
Discover more stories from London’s museums with #MuseumInstaSwap
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