British Museum blog

Searching the British Museum collection

Badges in the British Museum collection


Matthew Cock, Head of web, British Museum

When the British Museum first opened in 1759, free admission was granted to all ‘studious and curious persons’. In 2007 we took that idea a step further with the launch of our collection online. A gradual process has seen this facility grow since then from about 300,000 objects available to over two million.

Badges in the British Museum collection

Badges in the British Museum collection

We know from looking at visitor statistics that many thousands of people use the collection online, accounting for about a third of our web traffic – around 15.5 million page views a year. As well as building on this amazing resource by releasing a semantic web endpoint and creating online research catalogues that tap into it, we’re working to improve and update the search itself to make it easier to use.

Through surveys and talking to regular users inside and outside the Museum – and of course, using it ourselves – we are very aware that the current search could be improved. So a team of staff from the web, programming and collection documentation teams, together with Museum curators, have been working on improvements to the interface.

This process has coincided with a re-design of the whole website that incorporates several strands – wider pages, larger images and bigger text for example. We’re currently half way through the process of updating the collection search, and have made available a Beta release to give you the opportunity to try it out alongside the old version, and let us know what you think.

You can let us know whether you approve of the changes (or not!) and if there are any bugs in what we have done. We’d like your feedback so we can make adjustments to improve it before we finalise it.

But, it’s important to note that the release at this stage only shows about half of the overall work we’re undertaking. So far we’ve updated the search results page, with larger thumbnails and a revised design; the object record page, with a revised design and – again – larger images, and we’ve added an image gallery for when an object has more than one image.

These pages are currently only available from a straightforward keyword (“free text”) search, and there are no sorting options for the results at the moment. Work is currently ongoing to develop the interface on the “advanced search” facility and to add the sorting options that users can currently apply to their results.

We’d like your feedback as comments to this post, so that you can see what others have commented already – and we can feed back if useful on comments and questions for the whole user community to see.

The beta release of the new Collection online is available here: britishmuseum.org/system_pages/beta_collection_introduction.aspx

The current version that it will replace is available here: britishmuseum.org/collection

If you’d like to email any comments, you can send them to web@britishmuseum.org with COL BETA in your subject line.

If you would like to leave a comment click on the title

Filed under: At the Museum, Collection, Research

5 Responses - Comments are closed.

  1. Putalia says:

    Amazing! Congratulations for the initiative!

    Like

  2. Rosina Buckland says:

    All very exciting! On the results page, the larger thumbnails and arrangement in horizontal rows are a big improvement. In the object record, I really appreciate having the image gallery (especially useful for handscrolls and Japanese illustrated books).

    The Advanced Search is already very powerful, so I look forward to seeing the improvements to that. The provenance search seems to have disappeared at present, but on that it would greatly help for the results to be displayed as in the normal search (i.e. with thumbnails), and not in a list.

    Keep up the good work!

    Like

  3. Ryan Wallace says:

    The new interface looks very clean. Nice work.

    Are there plans to include links to images in the semantic endpoint? I’m hoping to use it to integrate items from your collection into the Reciprocal Research Network (http://www.rrncommunity.org/).

    Like

  4. Rosina Buckland says:

    Is it possible to have an ‘AND NOT’ option? This would be useful for narrowing down results.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 12,971 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

It’s World #PenguinDay! This handsome King Penguin on display in the Enlightenment Gallery is on loan from the @natural_history_museum
#penguin #museum #BritishMuseum Born #onthisday in 1599: Oliver Cromwell. Here’s a terracotta portrait bust from around 1759
#history #Cromwell #art #bust Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods This beautiful watercolour of Tintern Abbey is by J M W Turner, thought to have been born #onthisday in 1755.

Even before he had entered the Royal Academy schools at the age of 14, Turner had worked as an architectural draughtsman. This training is evident in his fascination with the details of the famous ruins of this twelfth-century Cistercian Abbey in Monmouthshire, which he visited in 1792, and again in 1793. Tourists of the time were as much impressed by the way that nature had reclaimed the monument as by the scale and grandeur of the buildings. Turner's blue-green washes over the abbey's far wall blend stone and leaf together, and on the near arch the spiralling creepers seem to make the wind and light tangible. 
#art #artist #Turner #history #watercolour ‪#IndigenousAustralia is now open. Discover a remarkable 60,000 years of continuous culture in our new special exhibition.
This show is the first major exhibition in the UK to present a history of Indigenous Australia through objects, celebrating the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders. See spectacular objects like Torres Strait Islander masks alongside significant paintings.
Organised with the National Museum of Australia, ‪the exhibition also includes important international loans.
#history #Australia #museum #BritishMuseum Happy #StGeorgesDay! Here he is killing the dragon and rescuing Lady Una on a medieval pilgrim badge
#history #StGeorge #dragon
Follow

Get every new post delivered to your Inbox.

Join 12,971 other followers

%d bloggers like this: