British Museum blog

Virtual autopsy: discover how the ancient Egyptian Gebelein Man died

Scan of Gebelein Man shown on an autopsy tableDaniel Antoine, Curator of Physical Anthropology,
British Museum

In recent months the naturally-preserved mummy known as Gebelein Man (on display in Room 64, the Early Egypt gallery at the British Museum) has been revealing some of his long-held secrets.

Gebelein Man, Predynastic period, around 3500 BC

Gebelein Man, Predynastic period, around 3500 BC

He was buried in about 3500 BC (if not earlier) at the site of Gebelein in Upper Egypt. Direct contact with the hot, dry sand naturally mummified his body, making him one of the best-preserved individuals from ancient Egypt. He has been in the British Museum collection for over 100 years and in 2012 he was taken out of the Museum for the first time to be CT scanned.

On the morning of 1 September this year, Gebelein Man was carefully packed and taken to the Bupa Cromwell Hospital in London. The detailed images and 3D models created from the high resolution X-rays taken there have allowed us to look inside his body and learn more about his life and his death in ways never before possible. As far as I’m aware, this is the first time that a well-preserved Predynastic mummy has ever been CT scanned.

Not only have we been able to discover that Gebelein Man was young when he died (18-21 years) but, unexpectedly, we have also learned that he died because he was stabbed in the back. The analysis of ancient human remains rarely reveals the cause of death but the cut on his back, as well as the damage to the underlying shoulder blade and rib, are characteristic of a single, fatal, penetrating wound.

With the help of the Interactive Institute, a virtual autopsy table (a new state-of-the-art interactive exhibit based on medical visualisation technology) is on show in Room 64 for a limited time (16 November to 16 December 2012) and will let visitors explore this natural mummy for themselves, using the interactive touchscreen and the gesture-based interface. Information points at relevant locations guide visitors to the more significant discoveries we have made.

Exploring the scans of Gebelein Man on the interactive screen

Exploring the scans of Gebelein Man on the interactive screen

Come and explore Gebelein Man for yourself using the autopsy table and perhaps you will spot something we’ve missed.

Virtual autopsy: explore a natural mummy from early Egypt is on display in Room 64 until 3 March 2013
Tweet using #murder3500BC and @britishmuseum
If you would like to leave a comment click on the title

Filed under: Archaeology, At the Museum, Collection, Egypt and Sudan, Research, , , ,

10 Responses - Comments are closed.

  1. That looks amazing! I wish Iived on the same continent.

    Like

  2. ritaroberts says:

    This is fantastic. So much to be learned now we have modern technology.

    Like

  3. ritaroberts says:

    Reblogged this on Ritaroberts's Blog and commented:
    So much to be learned now we have modern technology. This is a very interesting story.

    Like

  4. A fine exhibit. I have little hope, however, that the case will ever be solved.

    Like

  5. Lana says:

    i saw this with my school

    Like

  6. I heard the clip on BBC’s Click Online this morning, what an amazing use of this technique in archaeology. A sorry I will miss the exhibit!

    Like

  7. Tindal Sam says:

    Hi – is it too late to visit this? The text says the interactive display is on show until 16 Dec but the bit below about Twitter says until 3 March 2012 – which is right, or can just some of it be seen now?

    Like

  8. Tindal Sam says:

    sorry – meant 3 March 2013!

    Like

  9. afaf wahba says:

    sorry it is late, but it is amazing, finely the man tells us his story and some of his secrets. we need to know more about him.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 10,191 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Next in our #MuseumOfTheFuture series of gallery spaces it's Room 53, the Raymond and Beverly Sackler Gallery of Ancient South Arabia. Ancient South Arabia was centred on what is now modern Yemen but included parts of Saudi Arabia and southern Oman. It was famous in the ancient world as an important source of valuable incense and perfume, and was described by Classical writers as Arabia Felix ('Fortunate Arabia') because of its fertility.
Several important kingdoms flourished there at different times between 1000 BC and the rise of Islam in the 6th century AD. The oldest and most important of these was Saba, which is referred to as Sheba in the Bible.
Room 53 features highlights from the Museum’s collection, which is one of the most important outside Yemen. The display includes examples of beautiful carved alabaster sculptures originally placed inside tombs, incense-burners and a massive bronze altar. You can see the East stairs in the background of this picture. We've reached Room 52 on our #MuseumOfTheFuture series of gallery spaces – the Rahim Irvani Gallery of Ancient Iran. Iran was a major centre of ancient culture. It was rich in valuable natural resources, especially metals, and played an important role in the development of ancient Middle Eastern civilisation and trade. Room 52 highlights these ancient interconnections and the rise of distinctive local cultures, such as in Luristan, during the age of migrations after about 1400 BC.
During the 6th century BC, Cyrus the Great founded a mighty Persian empire which eventually stretched from Egypt to Pakistan. Objects on display from this period include the Cyrus Cylinder (in the centre of the picture) and the Oxus Treasure (in the case to the left of the picture). Monumental plaster casts of sculptures from Persepolis are also displayed in Room 52 and on the East stairs.
The later periods of the Parthian and Sasanian empires mark a revival in Iranian culture and are represented through displays including silver plates and cut glass. The next gallery space in our #MuseumOfTheFuture series is Room 51, Europe and Middle East 10,000–800 BC. Farming began in the Middle East around 12,000 years ago, making possible the social, cultural and economic changes which shaped the modern world. It arrived in Britain around 6,000 years ago bringing a new way of life. This change in lifestyle meant people competed for wealth, power and status, displaying these through jewellery, weapons and feasting.
The objects on display in Room 51 show how the people of prehistoric Europe celebrated life and death and expressed their relationship with the natural world, the spirit world and each other. The object in the centre of this picture is the Mold gold cape, found in Flintshire in 1833 and dating to around 1900–1600 BC. This is Room 50, Britain and Europe 800 BC–AD 43, the next gallery space in our ongoing #MuseumOfTheFuture series. The Iron Age was a time of dramatic change for the people of Britain and Europe. Iron replaced bronze as the material used to make tools and weapons, while religion, art, daily life, economics and politics changed dramatically. The story of these civilisations (known to the Greeks and Romans as Britons, Celts, Germans and Iberians) and their distinct material cultures, is told through decorated Iron Age artefacts known as 'Celtic art' and more everyday objects. In the foreground of this picture you can see a selection of torcs and to the right is the Battersea shield, found in the River Thames in the 1850s. Next up in the #MuseumOfTheFuture gallery series it's the Weston Gallery of Roman Britain – Room 49. The Roman occupation of Britain between AD 43 and 410 dramatically transformed the material culture of the province. Imported goods and settlers from Europe, the Middle East and North Africa created a richer, more diverse society and a wealth of mosaics, wall paintings, sculpture, glassware and metalwork was produced.
The laws, administration, currency, architecture, engineering, religion and art of Rome met Britain’s Iron Age societies to create a distinctive 'Romano-British' identity, which is illustrated in Room 49 through a variety of objects and artworks including the Mildenhall treasure, the Hoxne Hoard and the Hinton St Mary mosaic. Born #onthisday in 1600: Charles I. During the Civil War this medal was worn in support of the King
#history #medal #king
Follow

Get every new post delivered to your Inbox.

Join 10,191 other followers

%d bloggers like this: