British Museum blog

Peering into the Iron Age through the Portable Antiquities Scheme

An extremely rare late Iron Age helmet from near Canterbury, Kent. Courtesy of the Portable Antiquities Scheme

David Prudames, British Museum

This helmet is Iron Age (over 2,000 years old), and was found in Kent, in southern England, by a metal-detectorist in October 2012. It had been upturned and used to hold a human cremation – the first accompanied by a helmet to have been found in Britain. In fact only a handful of Iron Age helmets are known from Britain at all.

An extremely rare late Iron Age helmet from near Canterbury, Kent. Courtesy of the Portable Antiquities Scheme.

An extremely rare late Iron Age helmet from near Canterbury, Kent. Courtesy of the Portable Antiquities Scheme.

On the north-western edge of Europe, the mid-first century BC was a time of war, travel, communication, connections and change. Caesar was at war in Gaul (modern France) and mercenaries from Britain had travelled to join the fighting, so it’s possible that the person who owned this helmet might have fought in Gaul – perhaps against the Romans, or even alongside them.

Before Gaul fell, Caesar would make his first expedition to Britain, landing on the shores of Kent not far from where this helmet was found. I find it quite appealing to imagine that the owner, or the people who placed it in the grave, may have lived through the beginning of the story of Roman Britain.

The 2011 Portable Antiquities Scheme (PAS) and Treasure annual reports, launched on 3 December at the British Museum, make for a slightly mind-blowing round-up of finds made by members of the public last year. There were 97,509 unearthed in England and Wales last year, not to mention 970 cases of Treasure – that’s gold and silver objects, and groups of coins from the same finds over 300 years old, as well as prehistoric base metal objects.

Such numbers give a very real sense that the ground beneath our feet is teeming with chapters in the story of its human occupation. Many of these chapters are being found and told thanks to the PAS, whose website – www.finds.org.uk – now includes 820,000 finds with nearly 400,000 images.

Invariably the finds are made – often while metal-detecting – and reported by members of the public, and this growing project is an incredible contribution to the archaeological record, with the potential to transform what we know about the past in England and Wales.

Here are some more of the amazing things discovered recently:

An important hoard of Viking Age gold and silver metalwork found in the Bedale area, North Yorkshire. Courtesy of the Portable Antiquities Scheme.

An important hoard of Viking Age gold and silver metalwork found in the Bedale area, North Yorkshire. Courtesy of the Portable Antiquities Scheme.

The Bedale Hoard

An iron sword pommel inlaid with gold foil plaques, four gold hoops (from the hilt of the sword), six small gold rivets (probably from the pommel or hilt), four silver collars and neck-rings, a silver arm-ring, a silver ring fragment, a silver penannular brooch, and 29 silver ingots.

Found in May 2012 on farmland in the Bedale area, North Yorkshire, some of the objects, which date to the late ninth to early tenth centuries, are decorated in late Anglo-Saxon style, or reflect Hiberno-Scandinavian forms and ornament.

Boar mount associated with  Richard III. Courtesy of the Portable Antiquities Scheme.

Boar mount associated with Richard III. Courtesy of the Portable Antiquities Scheme.

A boar mount associated with Richard III

A copper-alloy mount in the form of a boar, found on the foreshore of the River Thames in London. Badges in the form of a boar were ordered for use at Richard III’s coronation (in July 1485) and also for the investiture of his son, Edward, as Prince of Wales (in September). It is not certain what the mount from London came from, maybe a piece of furniture or used to decorate an item of leather once owned by a supporter of Richard III, or possibly even the king himself.

The second largest hoard of Roman solidi (gold coins) ever found in Britain. Courtesy of the Portable Antiquities Scheme.

The second largest hoard of Roman solidi (gold coins) ever found in Britain. Courtesy of the Portable Antiquities Scheme.

The St Albans Hoard

Altogether, 159 gold, Roman solidi coins dating to the late fourth to early fifth century AD, the second largest such hoard found in the UK.

The dating of the coins suggests their burial could have been associated with the turbulent separation of Britain from the Roman Empire in about AD 410. Gold solidi were extremely valuable coins and under Roman law couldn’t be spent in everyday marketplace situations. They would have been used for large transactions such as buying land, or goods by the shipload, and were an especially handy source of portable wealth for travellers (in much the same way as gold sovereigns were to Britons abroad prior to traveller’s cheques or internationally accessible bank accounts). Therefore it is likely that the ancient owners of these coins were very rich, typically Roman elite, merchants or soldiers receiving bulk pay.

The Bedale Hoard (Room 2) and the St Albans Hoard (Room 68) are on display at the British Museum from 4 December 2012.

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  1. simonhamer says:

    Reblogged this on Simon Hamer and commented:
    Looking back on our past gives us clues to our future.

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Happy 134th birthday @natural_history_museum! Here’s the British Museum before the natural history collection moved to South Kensington
#giraffe #history #BritishMuseum #museum Most Greek sculpture that survives from antiquity is carved from white marble, of which the Mediterranean has many natural sources. A relationship has often been assumed between the pure white of freshly cut marble and the idealism of Greek art. In fact, the opposite is true. Colour was intrinsic to ancient ideas of beauty. For centuries this has been a subject of fascination and controversy. The great Italian Renaissance sculptor Michelangelo revived the Greek idea of the human body but denied the use of colour. This was partly due to negative associations with the painted saints of the medieval period. During the European Enlightenment of the 1750s onwards, and increasingly into our own time, the preferred aesthetic was a truth to materials. Painting and gilding were seen as unnecessary and undesirable.

Sculpture in antiquity was often adorned not only with colour but also with different materials. The Greek marble statue of an archer reconstructed here was drilled and fitted with metal attachments. The figure originally held a bronze bow and arrow and a quiver was fixed to his left hip by a metal dowel. Individual locks of hair were made of lead. The colourful design of the man’s knitted all-in-one garment, often worn by peoples from the east, is clearly seen weathered into the marble surface under controlled lighting.

You can see this wonderful object in our exhibition #DefiningBeauty, until 5 July 2015.
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Plaster cast of archer with reconstructed paint, based on a Greek original of about 490–480 BC, from the Temple of Aphaia at Aigina. Staatliche Antikensammlung und Glyptothek, Munich. Uta Uta Tjangala's masterpiece Yumari is a highlight of‪ #IndigenousAustralia, opening a week today
#exhibition #art #history #BritishMuseum #Australia #museum Hans Sloane's collection also ended up as the basis of the @natural_history_museum and the @britishlibrary!
To make more room for the increasing collections held by the British Museum, the natural history collections were moved to a new building in South Kensington in the 1880s. This eventually became the Natural History Museum. These images show some of the natural history specimens on display, including giraffes and a mastodon!
In 1997, the library departments left the Museum to be re-housed at the new British Library in St Pancras.
#history #BritishMuseum #collection #animals #books Hans Sloane's encyclopaedic collection became the cornerstone of the British Museum.
This drawer was once part of the materia medica - a sort of pharmaceutical cabinet - in the collection of Sloane. The cabinet had several drawers, each carefully constructed to keep out destructive insects. Some drawers had small compartments like this example, others contained glazed boxes with seeds, fruit, bark, roots, gums and resins inside. Each had a label written by Sloane with a catalogue number. The botanical or medicinal name of the subtance, where it came from and who collected it were then recorded in his catalogues of his collection.
As Sloane's interest in natural history grew along with his income, he was able to widen the scope of his collection from being primarily medical to being more encyclopaedic, representing the widest possible variety of substances and artefacts for his own reference and for others to consult.
© 2003 The Natural History Museum @natural_history_museum 
#history #BritishMuseum #collection #museum Our founder, Sir Hans Sloane, was born ‪#onthisday in 1660.
This engraving after a portrait  by T Murray shows him at the age of 68. The inscription at the bottom can be translated as: 'Sir Hans Sloane, baronet / Pres[ident]. of the College of Physicians of London and the Royal Society. etc.'
Sloane was born in Ireland in 1660, and trained as a doctor of medicine. At the age of 27 he went to the West Indies as personal doctor to the Governor of Jamaica and while living there he began to form his great collection of natural history specimens. For the rest of his long life he collected plants, fossils and minerals, as well as objects from ancient Rome, Egypt and Assyria. He also amassed an impressive collection of books, manuscripts, prints and drawings.
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