British Museum blog

Amara West: season six is nearly upon us….

Looking down a 3,000 year-old alley at Amara West (2012)Neal Spencer, British Museum

In the next few days, our sixth excavation season begins.

Amara West was the pharaonic capital of conquered Upper Nubia in the late second millennium BC. Thus far, we have gained important insights into how houses were modified over time to suit individual needs, religious practises in the home, but also the impact of a changing landscape.

Looking down a 3,000 year-old alley at Amara West (2012)

Looking down a 3,000 year-old alley at Amara West (2012)

Analyses undertaken by a range of specialists, both inside the British Museum and at universities involved in the project, are casting light on plant exploitation practises, technologies for producing ceramics, the presence of luxurious imports from afar, and the complex array of funerary traditions evident in the cemeteries, including pyramid tombs and funerary masks, but also Nubian tumulus graves.

Faience necklace (F6436) from a house at Amara West (2012)

Faience necklace (F6436) from a house at Amara West (2012)

Highlights from Amara West will continue to be featured on this blog, as in previous years, but for more regular updates as the season progresses – the discovery of buildings, objects, burials that shed light on life in a pharaonic town in occupied Nubia – follow our dedicated project blog: blog.amarawest.britishmuseum.org.

So far, you can read a preview of upcoming excavations in the ancient town, including excavation of a villa outside the town wall, and of the last house remaining in neighbourhood E13.3. And, across a now-dry Nile channel, Michaela Binder describes the excavations she will be leading in cemetery C, a burial ground providing fascinating insights into the mixture of Egyptian and Nubian funerary cultures in the early first millennium BC.

Follow @NealSpencer_BM on Twitter for further updates from the excavations.

Leave a comment or tweet using #amarawest

Filed under: Amara West, Archaeology, Egypt and Sudan, Research, , ,

One Response - Comments are closed.

  1. V.H says:

    Was it a settlement or a colony. In that a settlement would have a core of survivability while a colony would need constant victualing.

    Like

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Happy birthday to #QueenElizabeth II, who is 89 today! Here’s a photo of her visiting the Museum in 1957
#history #Museum #BritishMuseum #Queen Odilon Redon was born #onthisday in 1840. This is one of Redon's (1840-1916) most famous coloured pastels, and was first shown in the gallery of Durand-Ruel - the favoured dealer of the Impressionists - in 1894. There it was seen by Tatiana Tolstoy, the daughter of the great Russian novelist Leo Tolstoy, who noted in her diary: 'One of them whose name I could not make out-something like Redon-had painted a face in blue profile. On the whole face there is only this blue tone, with white-of-lead.' Tolstoy quoted this in his diatribe against contemporary art, 'What is Art?', first published in 1898, as irrefutable evidence of the degenerancy of modern art.

One of many studies of female profiles in Redon's work, La Cellule d'Or ('The Golden Cell') suggests introspection, its golden glow embodying the power of thought. The intense colour and strict composition recall the portraits of the early Florentine Renaissance. Here however, the feeling dominates over objective representation; the blue and gold halo are the traditional colours of the Virgin Mary, but no further religious message intrudes.

The drawing is made on paper in oil paint over a white ground, which gives the colour its luminous intensity.
#art #history #drawing #artist Construction of St Peter’s Basilica began #onthisday in 1506. It was completed 120 years later. This print by Giuseppe Vasi was made in 1774
#print #art #history #Rome #Italy Happy 134th birthday @natural_history_museum! Here’s the British Museum before the natural history collection moved to South Kensington
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Sculpture in antiquity was often adorned not only with colour but also with different materials. The Greek marble statue of an archer reconstructed here was drilled and fitted with metal attachments. The figure originally held a bronze bow and arrow and a quiver was fixed to his left hip by a metal dowel. Individual locks of hair were made of lead. The colourful design of the man’s knitted all-in-one garment, often worn by peoples from the east, is clearly seen weathered into the marble surface under controlled lighting.

You can see this wonderful object in our exhibition #DefiningBeauty, until 5 July 2015.
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Plaster cast of archer with reconstructed paint, based on a Greek original of about 490–480 BC, from the Temple of Aphaia at Aigina. Staatliche Antikensammlung und Glyptothek, Munich. Uta Uta Tjangala's masterpiece Yumari is a highlight of‪ #IndigenousAustralia, opening a week today
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