British Museum blog

The Hockley Pendant: from an Essex field to the British Museum

The Hockley pendantNaomi Speakman and Lloyd de Beer,
curators, British Museum

A chance discovery in an Essex field by a four year-old boy has led to the latest addition to the British Museum’s medieval collection. Beautiful, both in its simplicity and elegance, the Hockley Pendant is a diamond-shaped reliquary dating from the beginning of the sixteenth century, and would have been worn by a wealthy individual as a discreet statement of piety.

The Hockley Pendant

The Hockley Pendant

As a result of the Treasure Act, and the reporting of finds through the Portable Antiquities Scheme, this is just one of many treasures acquired by museums across the country in the past year, so that such finds can be enjoyed by all.

The decoration on this piece reveals the dual nature of religious jewellery in the early sixteenth century, as a decoration and a holy amulet. The pendant is an excellent example of the intertwining of the secular and the religious in the Middle Ages. The front shows a sombre Saint Helena supporting the cross, while the back shows the Five Wounds of Christ, from his hands, feet and heart. Around the rim are inscribed the names of the Three Magi (or Wise Men): Casper, Melchior and Balthazar.

The pendant on its side, showing the inscription of the name Balthazar.

The pendant on its side, showing the inscription of the name Balthazar.

At just over three centimetres high, the pendant displays a stunning level of evocative detail. The cross shows flecked grains of wood and the Five Wounds of Christ weep blood shaped like tears, which rain down the pendant.

Originally the pendant would have looked slightly different, with the flowers, wounds and names of the Magi all filled with painted enamel. This interplay between gold and enamel was a particularly dramatic feature of late medieval metalwork, and gives us an indication of the high level of skill involved in creating such an intricate piece of jewellery.

The interior of the pendant is now empty, but it would once have held a relic, possibly of the True Cross, which was said to have been brought by St Helena to Constantinople from the Holy Land, and was thought to be the cross on which Christ was crucified.

This object allows us to better understand the enduring physical relationship between the living and the dead in the Middle Ages and the amazing depth and vibrancy of the material culture from this fascinating period in history.

If you would like to leave a comment click on the title

The Hockley Pendant is now on display in Room 40: Medieval Europe

The acquisition of the Hockley Pendant was made possible through the generosity of the British Museum Friends and the Art Fund

Filed under: At the Museum, Collection, Portable Antiquities and Treasure

7 Responses - Comments are closed.

  1. John M says:

    Stunning find! A 25mm (1 inch) gold pendant would hardly be considered a “discreet” show of piety, even by today’s standards. Thanks for posting!

    Like

    • Tim says:

      The media in the U.S.A. has lead some to belive that the gold pendant one was owned by King Richard , and there for the high value in British Pounds. What would a such an object be valued at if it had once belonged to a former King of the England in the middle ages ?? same pendent ?

      Like

      • @ Tim,
        Thank you for your comment about the Hockley Pendant. There is no evidence to suggest that this object was owned by royalty, and its size and decoration suggest that it was most likely owned by a member of the upper classes.
        Lloyd de Beer & Naomi Speakman, British Museum

        Like

  2. Bill Armstrong says:

    The finder will be a metal detectorist for life after this!! Now that we have an excellent Reported Finds Scheme in place –together with advances in technology, means that we are doubtless going to unearth more fabulous treasures like this, and the Middleham Jewel was another example!
    Well Done
    Bill Armstrong

    Like

  3. As a resident of the small village of Hockley its nice to finally have something that puts us on the map. I’m curious, as this found at the place known as “the mount”?

    Like

    • Thanks for your comment Steve – such an amazing find doesn’t come around all that often so it’s great to be able to share it with as many people as possible. As far as the location of the find goes, in order to preserve the integrity of sites where archaeological discoveries are made, for possible further investigation and to deter trespassers, we do not publicly disclose the precise location.

      David Prudames, British Museum

      Like

  4. acsilver says:

    What a fantastic find! (also some great comments above) I (like Steve) was hoping to know where the pendant was found, simply out of curiosity. However it makes complete sense why this can’t be divulged. Such religious jewellery pieces are certainly rare and this has such wonderful decoration to the pendant.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 11,795 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

You can now explore #AfricanRockArt from #Chad with new images available online at www.britishmuseum.org/africanrockart 
Chad has thousands of rock art engravings and paintings, some up to 7,000 years old! 
Throughout the caves, canyons and shelters of the Ennedi Plateau in Chad, thousands of images have been painted and engraved, comprising one of the biggest collections of rock art in the Sahara. A series of engravings at Niola Doa of groups of life-sized human figures have become especially renowned for their singularity and quality.
#art #rockart #Africa #Chad #engraving #painting This week we’re highlighting the #AfricanRockArt project, cataloguing 30,000 years of rock art.
Did you know that some rock art in #Niger is thought to be several thousand years old? Find out more about the rock art in Niger with new images online at www.britishmuseum.org/africanrockart
These spectacular life-size engravings of giraffe can be found at Dabous in Niger. Thought to date from between 6,000 and 8,000 years ago, the engravings cannot be seen from ground level and are only visible by climbing onto the boulder.
#RockArt #Africa #giraffe #art #history Here’s an exquisite chalk drawing by Renoir, born #onthisday in 1841.

Renoir began his career as a painter of porcelain in Limoges, aged thirteen, before studying with Sisley and Monet at the École des Beaux-Arts in Paris. His early work flitted between sober academic painting and freer, more colourful en plein air ('open-air') work. He was, with Monet, at the forefront of the movement that became known as Impressionism. The two artists painted side-by-side on occasion, most famously for their paintings of the popular bathing-spot La Grenouillère (1869), then just outside Paris on the banks of the Seine.

His later works concentrate on the female nude and he tended to emphasize simple forms and solidity, as well as relishing pink and orange flesh, as this study illustrates. Several versions of this pose survive, all probably intended as finished pieces rather than sketches for grander work.

Crippled by rheumatism in his last years, Renoir continued to paint with brushes jammed between his fingers. 'If painting were not a pleasure to me I should certainly not do it'.
#art #artist #Renoir #impressionism #history #drawing Charles Le Brun, who painted many of the ceilings at #Versailles, was born #onthisday in 1619. Here's one of his studies for a section of ceiling in the Galerie des Glaces at Versailles.
#art #drawing #history George Frederick Handel was born #onthisday in 1685. Here’s a portrait of the Baroque composer by British artist Richard Phelps
#history #music #composer Watching the #Oscars2015? You too can be inspired by Greek art in #DefiningBeauty @TheAcademy
Follow

Get every new post delivered to your Inbox.

Join 11,795 other followers

%d bloggers like this: