British Museum blog

Amara West excavations 2013: the past from above

Aerial photograph of a house undergoing excavationNeal Spencer, British Museum

After a test flight over Ernetta and our dig house, Susie Green – working with us to create three-dimensional visualisations of the town’s architecture – flew her photographic kite over the Ramesside town, occupied between 1290 and around 1000 BC, at Amara West on Sunday. The brisk breeze – Beaufort scale 2-3 according to our trusted weather forecast – and crisp morning light made it a perfect day.

The kite above villa D12.5

The kite above villa D12.5

The camera rig sits well below the kite itself, and needs to stay in range of the remote control. Susie controlled the camera (rotating 360 degrees horizontally, or 90 degrees vertically) and triggered the shutter, as I did my best to walk the kite around the site in an attempt to provide a full coverage of the excavation areas… the results are spectacular.

The town of Amara West

Aerial photograph showing the town of Amara West with the River Nile in the background

Amara West sits on the north bank of the Nile, where a line of tamarisk trees prompts the formation of sand dunes. Villa D12.5, still being excavated, lies in the centre of the photograph. Villa E12.10 is near the bottom, excavated in 2009, partly engulfed in windblown sand. The distinctive Jebel Abri (‘Abri mountain’) is on the horizon.

The cemetery

The low mounds of cemetery C mark graves, with the town in the background, before the Nile

The low mounds of cemetery C mark graves, with the town in the background, before the Nile. The low lying sandy area in between cemetery C and the town is an ancient river channel, now dry but probably flowing during some of the period the town was inhabited. The white and blue tarpaulin in the middle of the image is the location of tomb G243, now being excavated.

Excavating in the town

The two areas under excavation

The two areas under excavation. Outside the town wall, at the bottom of the image, villa D12.5 features a large courtyard, and rooms partly filled with sand during recent windy days. At the top, inside the wall, lie the houses of neighbourhood E13, under excavation since 2009. In the centre of the image, the white sandstone west gate of the town can be seen.

Unearthing a house

House E13.5, with Shadia Abdu Rabo standing in the front room, next to the hearth

House E13.5, with Shadia Abdu Rabo standing in the front room, next to the hearth. A low bench, or mastaba, can be seen to the right, and the six large ovens in the annex. Sandbags protect the front of the house from sand, while a photographic ladder lies on the ground, for use in taking more gravity-bound views of the excavation.

We’ve only a few days excavation left at Amara West, in which we hope to answer some questions about the early history of the villa, complete photography for three-dimensional visualisations, explore further an area perhaps used for faience production, finish work in the western part of the multi-chamber tomb, conserve delicate wooden objects from the cemetery… the list of things still to do is, in reality, much longer!

Leave a comment or tweet using #amarawest

Follow @NealSpencer_BM on Twitter for updates

Find out more about the Amara West research project
Follow the latest excavation season at Amara West

Filed under: Amara West, Archaeology, Egypt and Sudan, Research, , , ,

6 Responses - Comments are closed.

  1. Mandy Crook says:

    What a clever idea! It gives such fantastic results as well. Keep up the fantastic work.

    Like

  2. Taissa says:

    Loving the mixture of hi-tech and lo-tech, old and new!

    Like

  3. ritaroberts says:

    Reblogged this on Ritaroberts's Blog and commented:
    I reblogged this in case anyone has been following The Amara West Excavation.

    Like

  4. Is Barry Kemp still at Amarna?? wonderful idea shows how vast a project this

    Like

  5. Asif Verania says:

    Nice way to show mixture of Old & New !

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 13,009 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Writer and women's rights advocate Mary Wollstonecraft was born #onthisday in 1759.
#history #art #portrait The Roman emperor Marcus Aurelius was born #onthisday in AD 121.

Marcus Aurelius (AD 161-80), who appears on the coin set in this ring, is best known for his philosophical work, The Meditations. Although he was the most powerful man in the Roman Empire, he dwelt on the emptiness of glory: 'Shall mere fame distract you? Look at the speed of total oblivion of all and the void of endless time on either side of us and the hollowness of applause... For the whole earth is but a point, and of this what a tiny corner is our dwelling-place, and how few and paltry are those who will praise you.' It is ironic that such sentiments as these have preserved his fame to this day.
#ancientRome #emperor #history #museum #BritishMuseum Good luck to all in the #LondonMarathon today! Be inspired by this Spartan running girl from 520-500 BC, which features in our exhibition #DefiningBeauty It’s World #PenguinDay! This handsome King Penguin on display in the Enlightenment Gallery is on loan from the @natural_history_museum
#penguin #museum #BritishMuseum Born #onthisday in 1599: Oliver Cromwell. Here’s a terracotta portrait bust from around 1759
#history #Cromwell #art #bust Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods
Follow

Get every new post delivered to your Inbox.

Join 13,009 other followers

%d bloggers like this: