British Museum blog

Amara West 2013: a kaleidoscope of life and death in Egyptian Kush

Aerial view of neighbourhood E13, with town wall to rightNeal Spencer, British Museum

Fifty-six days after flying out to Khartoum, I landed this morning at a grey, icy, Heathrow. The temperature gradient – perhaps a difference of 35°C – is but one reminder that our sixth season of fieldwork at Amara West is now complete. Many of the team are still in the dig house today, completing documentation and closing up our house ahead of the next season. I spent yesterday finishing paperwork in Khartoum, while also working with curators Shadia Abdu Rabo and Ikhlas Abdel-Latif to accession our newly-discovered objects into the collection of the Sudan National Museum.

Kite view of neighbourhood E13, with town wall to right

Kite view of neighbourhood E13, with town wall to right

Yet as with all archaeological projects, the end of the season really marks the beginning of the next, and most time-consuming, phase: digitisation, post-excavation work and, trying to make sense of it all. It’s a little overwhelming to consider the kaleidoscope of work undertaken by a team of 20 specialists from nine countries (from Australia to Sudan) over the last weeks. Many thanks to everyone, and also all those in Abri, Ernetta island and Khartoum who made the season possible – amidst sandstorms, plagues of biting flies, chilly mornings, electrical blackouts, dawn boat journeys on the Nile, crocodile sightings and fantastic breakfasts with the workmen….

The town

Within the walls of the ancient town, we continued work in neighbourhood E13. Sarah Doherty and Shadia Abdu Rabo revealed the full plan of E13.5, a medium-sized dwelling at the east end of the block. The inhabitants had fitted out each room with sandstone doorways, many built using re-used blocks from an earlier building, one naming an ‘overseer of the granaries, Horhotep’, presumably one of the high-ranking officials who lived at Amara West. Unlike other houses in the block, the bread ovens, charcoal pits and cereal grinding emplacements were housed in an annex outside the house itself, excavated by Shadia. Despite plans to investigate the phase beneath, we were instead tempted north of the house, where Sarah revealed parts of another house (?) and an area with large ovens or kilns – with tantalising evidence hinting at faience production.

Shadia excavating ovens associated with house E13.5

Shadia excavating ovens associated with house E13.5

Mat Dalton completed the excavation of the communal area E13.13, which provided food processing, and charcoal making, facilities, for the inhabitants of houses E13.3-N and E13.3-S. Returning to the ‘white house’ E13.7, Mat revealed the striking schist and sandstone floor of one of the large storage rooms that characterised the area before it became a block of houses. Mat also spent time taking block samples of floor layers and occupation deposits from the excavated houses: these will be studied as thin sections under high-magnification, revealing ancient activities invisible to the naked eye.

Right in the heart of the neighbourhood – a room rather difficult to find! – Anna Stevens grappled with a small space that provides important evidence for many building phases, how the magazines with vaulted roofs were converted for use as houses. The ancient inhabitants were clearly unhappy with the idea of living in long corridor-like spaces, and went to considerable lengths to change the proportions created by the existing architecture.

The town site beside the Nile, with our tents in foreground

The town site beside the Nile, with our tents in foreground

We managed to empty all previously excavated rooms in the neighbourhood so that Susie Green could capture untold gigabytes of digital images. These will be used to create a 3D model using the concept of ‘Structure from Motion’ – all with the challenge of photographing everything before the sun’s rays created shadows. The stunning kite photographs will not only embellish this visualisation, but also provided us with a new perspective of the site and its landscape.

Outside of the town walls, Rizwan Safir and Vera Michel persevered through layers of wall collapse and roofing remains – further hampered by deep sandpits left behind when the ancient brick walls were mined out. As the season ended, we had gained further insights into the different type of house sought by those who moved beyond the town walls; there may have been more space, but the new households had to cope with more exposure to the elements.

A flying visit from Alexandra Winkels, conservation scientist, allowed her to collect wall plaster samples which will be compared to sites from across Egypt, including Tell el-Amarna.

Cemetery C

The highlight of our third season in cemetery C, led by Michaela Binder, was the discovery of the largest tomb yet found at Amara West: G244. Beneath a low mound (tumulus), the vertical shaft led to two burial chambers, one to the east, one to the west. What was not expected were the three other chambers.

Philip and Michaela at work in Grave 244

Philip and Michaela at work in Grave 244

Patience was needed as the first chamber was meticulously excavated, with remains of painted coffins and a fine ceramic assemblage, being studied by Loretta Kilroe. More work is needed here, but the tomb seems to be late Ramesside in date.

Just to the north, Barbara Chauvet spent most of her season in the eastern chamber of a post-New Kingdom niche grave (G243), where another complicated array of superimposed bodies needed disentangling. Mohamed Saad, archaeologist at the National Corporation for Antiquities and Museums, and participant in the Institute of Bioarchaeology Amara West Field School, excavated the smaller western chamber, as well as a number of niche burials in the southeast of the cemetery.

Faience situla found in Grave 244 (Sudan National Museum SNM 34615).

Faience situla found in Grave 244 (Sudan
National Museum SNM 34615).

Back in the house …

Our expedition house was home to all the necessary tasks of excavation paperwork, processing archaeological samples and of course organising and storing the finds and masses of ceramics. Marie Vandenbeusch documented all the finds from town and tombs, from epigraphic recording of the inscribed blocks in E13.5, matching scarabs with ancient clay impressions, to wondering what to make of enigmatic pieces of worked clay. Alongside rediscovering wonderful wooden objects from our 2009 excavations, with Michaela, Marie also found time to continue work on the roofing fragments from houses – with Vera providing a particularly steady supply from villa D12.5.

The masses of sherds from the town were processed on site by Alice Springuel and Anna Garnett. After an early season handover from Marie Millet (now directing the Louvre excavations at el-Muweis), Anna is studying our town ceramics, particularly the dating and whether certain types of vessel are associated with particular rooms or spaces. Amidst many pottery drawings, Alice managed archaeological illustrations of key artefacts – from scarabs to fertility figurines.

The first weekend saw us host a small workshop on ceramics in New Kingdom Nubia, though discussions ranged well beyond pottery, with colleagues from Kerma, Sai, Sesebi and Tombos.

Copper alloy cobra fitting (F5693), after conservation

Copper alloy cobra fitting (F5693), after conservation

Philip Kevin, British Museum conservator, joined us for the last three weeks, and proved invaluable in recovering remains of headrests and painted coffins from the cemetery, coaxing out hidden inscriptions in the town, and revealing the exquisite decoration on copper alloy cobras (perhaps statue fittings) found by Shadia in the 2012 season.

Last, but not least…

Mark and Jamie pondering ancient Nile histories, in a deep trench

Mark and Jamie pondering ancient Nile histories, in a deep trench

Jamie Woodward and Mark Macklin returned for a third season to investigate the river systems in and around Amara West. Easily outpacing all other team-members in terms of logistical demands, we nonetheless managed two deep trenches which provide fantastic slices through the history of the Nile river in this region. One trench ran across the edge of the ancient island and into the channel bed, north of the temple, the other in the ‘Neolithic Nile’ 2km into the desert. We have the C14 dates already, and await the OSL dates, but a very exciting story is emerging … watch this space.

Returning to the Museum

Unlike nineteenth and early twentieth century excavations conducted by many museums, excavations in Egypt and Sudan no longer lead to the acquisition of objects for collections in other countries. So why does the British Museum still undertake archaeological projects? New techniques – including those outlined above – mean we gain insights into the ancient past, and its people, that were not possible in previous excavations. None of the objects in the British Museum, or indeed any collection, can be fully interpreted without understanding the particular time, place, culture and indeed natural environment experienced and created by those who made the objects. Amara West provides an opportunity to better understand life in Nubia during the late second millennium BC, in a region where the climate was deteriorating. It was an area under the control of the mighty Ramesside state, ruled from the royal residence city of Per-Ramses, far away near the Mediterranean.

An important pharaonic town in a long-occupied land, the inhabitants of Amara West lived in an age of international diplomacy, cosmopolitan taste and competing superpowers. We are building up a picture of how people lived, and treated their dead, at this town, but also the nature of the Egyptian entanglement with local, Nubian, cultures, and the responses to considerable ecological changes. A story very relevant to the present.

Leave a comment or tweet using #amarawest

Follow @NealSpencer_BM on Twitter for updates

Find out more about the Amara West research project
Follow the latest excavation season at Amara West

Filed under: Amara West, Archaeology, Egypt and Sudan, Research,

2 Responses - Comments are closed.

  1. V.H says:

    If we say 2kg or 4ish pounds of food per person per day for 200. We’re talking 144 tons in food. Allowing for fish and wildlife providing the protein and that coming from local sources, it is still a huge amount of provisions. Then you have the fuel for those ovens. And probably fodder for any animals. No matter how you slice it we talking about a huge investment to keep this place going. Why. There seems no discernible defense. And certainly, there seems no projection of force by it position. Looking at the current maps anyway. Nor does it seem a node, for trade from the interior. There are far shorter lines from the uplands and Lake Chad beyond.
    I just cannot fathom the why of the place.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 10,369 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

The next gallery in our #MuseumOfTheFuture series is Room 68, the Citi Money Gallery. The history of money can be traced back over 4,000 years. During this time, currency has taken many different forms, from coins to banknotes, shells to mobile phones.
The Citi Money Gallery displays the history of money around the world. From the earliest evidence, to the latest developments in digital technology, money has been an important part of human societies. Looking at the history of money gives us a way to understand the history of the world – from the earliest coins to Bitcoin, and from Chinese paper money to coins from every nation in the world. You can find out more about what's on display at britishmuseum.org/money The next gallery in our #MuseumOfTheFuture series is Room 67: Korea. The Korea Foundation Gallery is currently closed for refurbishment and will reopen on 16 December 2014. You can find out more about the refurb at koreabritishmuseum.tumblr.com  The unique culture of Korea combines a strong sense of national identity with influences from other parts of the Far East. Korean religion, language, geography and everyday life were directly affected by the country’s geographic position, resulting in a rich mix of art and artefacts.
Objects on display in Room 67 date from prehistory to the present day and include ceramics, metalwork, sculpture, painting, screen-printed books and illuminated manuscripts.
A reconstruction of a traditional sarangbang, or scholar’s study, is also on display and was built by contemporary Korean craftsmen. This is Room 66, Ethiopia and Coptic Egypt. It's the next gallery space in our #MuseumOfTheFuture series.
By the 4th century AD, Christianity was flourishing in both Egypt and Ethiopia. Christian Egyptians became known as the Copts (from the Greek name for Egyptians) and the church maintained strong links with its Ethiopian counterparts. Since antiquity, Ethiopia had been a major trade route, linking Egypt and the Mediterranean with India and the Far East.
The resulting history of cultural exchange and religious diversity is illustrated through objects in Room 66, which reflect the faiths and identities which coexisted in Egypt and Ethiopia. Objects from towns, monasteries and settlements range from decorated textiles and architectural elements to sculpture and ceramics. It's time for our next #MuseumOfTheFuture gallery. This is Room 65, the Raymond and Beverly Sackler Gallery of Sudan, Egypt and Nubia. Ancient Nubia, the Nile Valley upstream of the First Cataract, now straddles the border between Egypt and Sudan. Rich and vibrant cultures developed in this region at the same time as Pharaonic Egypt. Among them was the earliest sub-Saharan urban culture in Africa, which was based at Kerma.
These cultures traded extensively with Egypt and for two brief periods Nubian kingdoms dominated their northern neighbour.
The objects on display in Room 65 illustrate these indigenous pagan, Christian and Islamic cultures and the interaction between Nubia and Egypt. This is our next gallery space in the #MuseumOfTheFuture series. It's Room 64, the Raymond and Beverly Sackler Gallery of Early Egypt. Rapid advances in the technology and social organisation of Egypt during the 5th millennium BC produced a material culture of increasing sophistication. Further innovations followed in about 3100 BC when the separate Predynastic peoples of Upper and Lower Egypt were united under a single ruler. The resulting increase in wealth and strong central control led to dramatic achievements in architecture, writing and fine goods, culminating in the building of the Great Pyramids of Giza in around 2600 BC.
Objects on display in Room 64 illustrate the cultural, technological and political development of early civilisation in Egypt throughout this period. In this picture you can see Gebelein Man, a mummy who was naturally preserved in the desert sands, and who used to have the unofficial nickname of Ginger (although the Museum doesn't use this name). In the background you can see an interactive virtual autopsy of the mummy which was installed in the newly refurbished gallery last year. It's Toulouse-Lautrec's 150th birthday! Here's his poster for a Parisian cabaret 
#history #art #artist #Paris
Follow

Get every new post delivered to your Inbox.

Join 10,369 other followers

%d bloggers like this: