British Museum blog

London, a world city in 20 objects: Ilkurlka by Simon Hogan

Ilkurlka by Simon HoganPolly Bence, British Museum

This painting is one of almost 6,000 objects from Australia and the Torres Strait Islands in the British Museum. This is a growing collection; the Museum continues to acquire contemporary Indigenous Australian objects, including contemporary art works.

Ilkurlka by Simon Hogan

Ilkurlka by Simon Hogan

Ilkurlka was painted by Simon Hogan, a senior custodian of Linka, the place where he was born and raised in Western Australia, known as Spinifex country. The Spinifex people or Pila Nguru live in the Great Victoria Desert of Western Australia, adjoining the border with South Australia.

Hogan’s paintings tell stories from his land, depicting specific places within Spinifex country. As is often characteristic of this genre, the painting collapses time: it shows several successive events on top of each other. The large U-shape in the painting is a rockhole with water in it known as Ilkurlka and the trees are mulga trees (wanarii). When describing this painting Hogan explained: ‘those trees belong to that place’.

The painting tells the story of a man who was camping at this rockhole. He woke up and travelled to another place where there was a very powerful watersnake that he was trying to capture.

In describing the painting the artist explained that in it the man is trying to eat the snake and at the same time he has eaten it – he is both a man and a snake. The oval shape depicts the man lying down, feeling sick having eaten the snake – but the man now has a great deal of power.

During the atomic tests at Maralinga in western South Australia during the mid-1950s, the Spinifex people were driven from their homelands. Many found themselves dispersed and others were forcibly relocated to mission stations hundreds of miles away. In the 1980s people returned to their land to find that specific settlement areas had been designated for them and some areas had been selected for mining.

The 1990s saw an arduous and lengthy period of negotiations over land rights and native title claims, and it was during this period that the Spinifex Arts Project was developed to help the group document and illustrate their Native Title claims. This decade of discussion culminated in 2000 with ground-breaking legislation and a new understanding: Spinifex people were finally recognised as the traditional owners of 55,000 square kilometres of land in Western Australia. Spinifex artists produce work to demonstrate and share their complex history and traditions.

The British Museum is working towards a major Indigenous Australian exhibition which will open in 2015, which will include Spinifex paintings.


This was first published in the London Evening Standard on 7 February 2013.

Ilkurlka by Simon Hogan is on display in Room 37

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  1. Very interesting. I hope to be able to see the upcomming exhibition of Indigenous Australian artwork.

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Odilon Redon was born #onthisday in 1840. This is one of Redon's (1840-1916) most famous coloured pastels, and was first shown in the gallery of Durand-Ruel - the favoured dealer of the Impressionists - in 1894. There it was seen by Tatiana Tolstoy, the daughter of the great Russian novelist Leo Tolstoy, who noted in her diary: 'One of them whose name I could not make out-something like Redon-had painted a face in blue profile. On the whole face there is only this blue tone, with white-of-lead.' Tolstoy quoted this in his diatribe against contemporary art, 'What is Art?', first published in 1898, as irrefutable evidence of the degenerancy of modern art.

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