British Museum blog

A new kind of museum: a new kind of citizen

The British Museum, June 2013Neil MacGregor, Director, British Museum

On this day, 260 years ago, the British Museum – as we know it – came into being: on 7 June 1753, the first British Museum Act received royal assent, and the first public national museum in the world was established.

It’s worth pausing to reflect on what a revolutionary moment this was. Until that June day in 1753, collections of objects like ours were the preserve of royalty, or private gentlemen. The decision by the British Parliament to acquire and display the collection of some 80,000 objects collected by the physician Sir Hans Sloane was truly extraordinary. And it’s a point worth celebrating 260 years later.

The British Museum, June 2013

The British Museum, June 2013

Parliament was proclaiming the right of every citizen to information. Everybody was to be enabled to explore their place in the world, in a collection which embraced the whole world, free of charge. Knowledge was no longer to be the privilege of a few. And this knowledge should not be controlled by Government. So the British Museum was to be governed by independent Trustees.

The result of this new institution, it was believed, would be a new kind of citizen – free, informed and equipped for independent thought. This was what a British citizen ought to be and so Parliament called it the British Museum, the private possession of every citizen. It was the first Parliamentary institution to be called British.

Sir Hans Sloane

Sir Hans Sloane, whose collection – bequeathed to the nation – led to the formation of the British Museum

These founding principles are as true today as they were over two and a half centuries ago. The Museum remains a repository of the ‘history of the world’ with objects dating from two million years ago to the present day.

The Museum has grown exponentially over that period, from 80,000 objects in the original bequest to around eight million today, covering all countries of the world throughout time. The collection continues to grow to reflect our contemporary world. It remains a collection available to a global citizenship, and they do use it. From 5,000 visitors in 1759, to around six million walking through the doors last year, not to mention around 27 million virtual visits to the Museum’s English, Chinese and Arabic websites.

Since its foundation the British Museum has witnessed the reigns of 10 monarchs, experienced five royal Jubilees, and has survived – more or less unscathed – numerous wars, revolutions and civil disturbances and financial crises. The original collection has spawned two other great institutions; the Natural History Museum and the British Library.

But what is it about the Museum collection that makes it so enduring and relevant after 260 years? For me it’s the perspective it allows on the world today. The collection is witness to the long history of human endeavour. Thus it can shed light on present-day Iran or Syria by showing their long and complex histories. Closer to home the work of the Portable Antiquities Scheme reminds us of the diversity of the UK’s national identity, literally uncovering the treasures beneath our feet, the discovery of which often re-writes history – such as the Vale of York Hoard or the Hallaton helmet.

British Museum conservator, Marilyn Hockey with the helmet

British Museum conservator, Marilyn Hockey with the Hallaton helmet

Everyone has their favourite memory of the Museum or an object in the collection which is particularly resonant. I remember being brought as a child to see the Rosetta Stone. An uninspiring lump of rock to look at perhaps, about that most boring of subjects – tax – but the key to an entire civilisation and rightly one of the most famous objects in the collection.

But there are a host of other less well known treats to discover, from the Tree of Life made from decommissioned weapons from the Mozambique civil war, to the extraordinary Mughal Jade Terrapin and the cinematic Perry scroll commemorating the moment that Japan opened up to trade with the West in the nineteenth century.

Detail from the Perry scroll

Detail from The Mission of Commodore Perry to Japan, 1854

Today the British Museum has become truly Britain’s Museum serving global citizens across the UK, something which Parliament in the eighteenth century could not have dreamed of. This map shows the extent of the Museum’s work across the country last year.

Every object seen at the Museum and further afield tells multiple stories and histories and provides insights into our complex but fascinating world. This is the power of the British Museum and it is worth celebrating.

This post was updated on 7 June to include visitor numbers for all the Museum’s websites.

If you would like to leave a comment click on the title, or tweet using #BM260

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12 Responses - Comments are closed.

  1. I also want to go to the British Museum, which has been a great desire for several years … I hope to have the opportunity to visit there very soon! :-)


  2. Conor Neill says:

    My favourite place in London. I could spend days exploring inside.


  3. Héctor Eduardo González says:

    An excelent place in London


  4. avaneesh pandey says:

    I think this place is heaven of and my wish always sees this


  5. gypsymamakas says:

    Another place on my Bucket List


  6. Roger says:

    Congratulations. One of meuseums of the world. Long may you prosper. To me it is like a very old ,but bright and interesting friend ,to be visited on my London trips.I made my first visit when I was 8 and now am76 so we go back a long way.


  7. José Luis Puertas says:

    Congratulations. One of my favourite places to enjoy world’s art.


  8. Luiz Carlos says:

    Congratulations !


  9. julie j says:

    It is on my bucket list. I live in Australia and wish we had a museum like the British Museum.


  10. vanbraman says:

    Definitely a place that I would like to visit again. Next time with a plan to look for specific articles :-).


  11. Paul Halsall says:

    My favourite item is the disco thrower. I did an MA at Birkbeck and used to drop in twice a week just to look at it.


  12. samantha says:

    Reblogged this on Wunderkammers and commented:
    Happy Belated Birthday (Anniversary?) to the British Museum!

    In this reblogged post, Director Neil MacGregor shares some thoughts on the history of this truly incredible institution. I was fortunate to visit the British Museum in 2010 while visiting a friend in London, and I still remember the unreal feeling of seeing the Rosetta Stone! Have you been to the British Museum?


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Vanished beneath the waters of the Mediterranean, the lost cities of Thonis-Heracleion and Canopus lay at the mouth of the Nile. Over the last 20 years, world-renowned archaeologist Franck Goddio and his team have excavated spectacular underwater discoveries using the latest technologies. They will be seen alongside fascinating objects from major Egyptian museums for the first time in the UK in this blockbuster exhibition.

Book now for #SunkenCities, opening 19 May 2016

#archaeology #history #ancientegypt 
Christoph Gerigk © Franck Goddio/Hilti Foundation Discover the remarkable relationship between the major ancient civilisations of Egypt and Greece, unveiled in our monumental new exhibition #SunkenCities – announced today! 300 outstanding objects will be brought together in this blockbuster exhibition, including many Egyptian objects shown in the UK for the first time. Preserved and buried under the sea for over a thousand years, the stunning objects range from magnificent colossal statues to intricate gold jewellery. They tell stories of political power and popular belief, myth and migration, gods and kings. Journey through centuries of encounters between two celebrated cultures, meeting iconic historical figures such as Alexander the Great, Cleopatra, Hadrian and Antinous on the way.

Book now for #SunkenCities, opening 19 May 2016

#archaeology #ancientegypt #history 
Christoph Gerigk © Franck Goddio/Hilti Foundation We are delighted to announce our first major exhibition on underwater archaeology! Submerged under the sea for over a thousand years, two lost cities of ancient Egypt were recently rediscovered. Their amazing discovery is transforming our understanding of the deep connections between the great ancient civilisations of Egypt and Greece.

Book now for #SunkenCities, opening 19 May 2016
#archaeology #ancientegypt #history
Christoph Gerigk © Franck Goddio/Hilti Foundation You can now discover thousands of British Museum objects in partnership with @googleartproject at We’ve asked staff members to highlight their favourites and explain what makes them special. Chris Spring, Curator of Africa Collections, describes why he finds the ‘Throne of weapons’ so powerful. ‘This war memorial celebrates the ordinary people of Mozambique, many of them unarmed, who stood up to a culture of violence. It represents both a human tragedy and a human triumph. The Throne's essential humanity is suggested right away by its anthropomorphic qualities - it has arms, legs, a back and most importantly a face - actually two faces. My first reaction was that these faces are crying in pain, though they could also be seen as smiling faces finally freed from conflict. These anthropomorphic qualities also link it immediately to the arts of Africa, in which non-figurative objects such as chairs, stools, weapons, pots etc are seen as - and described as - human beings. The Throne has toured the world, taking its message of peace to schools, churches, shopping centres and even prisons – and of course, to museums and galleries.’ #MuseumOfTheWorld We’re celebrating our partnership with @googleartproject, and have asked curators to tell us about their favourite objects. Hugo Chapman, Keeper of Prints and Drawings, explains why he chose this chalk drawing by Michelangelo. ‘One of the things I love about drawings is the way they sometimes allow a glimpse into the private, behind the scenes world of an artist, one unseen in finished works in paint or stone. An example of that is a red chalk drawing by Michelangelo of grotesque heads in red chalk that reveal that the Florentine Renaissance artist had a lively, if caustic, sense of humour. The three heads were probably drawn to amuse but at the same instruct his pupils, as the three studies show how slight changes can radically alter the reading of an image with the character and mood of each figure (paranoid anxiety; vacuous joy; and depressive gloom) signalled by the position and erectness of their donkey-like ears.  I wish my ears were as expressive.’ Discover many more incredible works of art in the Google Cultural Institute at

#Michelangelo #art To celebrate our partnership with @googleartproject, we’ve asked members of British Museum staff to highlight their favourite objects and explain what makes them special. Jill Cook, Deputy Keeper of Britain, Europe & Prehistory, chose this stone chopping tool from an early human campsite in Olduvai Gorge, Tanzania. ‘Holding this 2 million year old African tool in my hand I am reminded that whatever differences exist between people now, we are united by our common origin in Africa. The discovery of this piece by Louis Leakey in 1931 began to change our understanding of what makes us human. It illustrates the beginning of a transition from an ancestral ape that walked upright on two legs within the confines of a limited ecological niche to humans with more complex brains capable of changing and eventually dominating the world around us by making tools and weapons. This chopping tool is one of the seeds from which all human cultures and societies have grown.’ Discover the stories of thousands of objects in the Google Cultural Institute at


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