British Museum blog

Filling the British Museum with sound

A recent musical performance by Anna Neale, as part of the 'Up Late in Pompeii' event. Image: Benedict JohnsonDaniel Ferguson, Head of Adult Programmes, British Museum

The Royal Northern College of Music (RNCM) first approached us in July 2012 with the proposal that eventually became Sound Histories. It was an enticing proposition from the very beginning.

A recent musical performance by Anna Neale, as part of the 'Up Late in Pompeii' event. Image: Benedict Johnson

A recent musical performance by Anna Neale, as part of the ‘Up Late in Pompeii’ event. Image: Benedict Johnson

We are open late every Friday evening at the Museum and it is our chance to host events that explore our permanent collection and temporary exhibitions. As well as a high profile lecture programme, we aim to shed new light on the Museum’s material and bring the collection alive for new audiences.

The idea of inviting students to compose original pieces directly in response to objects from the Museum collection, and for these pieces to be performed as part of a larger programme across the space of one evening, was exactly the interesting interpretive approach and scale of ambition that we aspire to.

Part of the attraction of this idea was the sense that the music would ‘take over’ the Museum for an evening, challenging our visitors with how they engage with the incredible objects displayed across the ground floor, while showcasing contemporary art works that have been inspired by them.

This is emphatically not a recreation of a concert performance in a Museum. There is no comfortable seating for the audience, no sense that someone has planned your programme for you. On 5 July something far more unique will occur. Musical interpretations will be performed across the ground floor galleries over two-and-a-half hours and it will be for the visitor to choose whether they drop in on a piece inspired by one of the Easter Island statues, the Sutton Hoo helmet or one of the Benin plaques.

Our partnership with the RNCM has meant we can bring a whole new layer of interpretation to our collections for one evening; an unforgettable experience for both new audiences and those who have known the Museum for much of their lives. Sound Histories showcases the very best of what is possible and unique in live events programming and I’d like to thank Toby Smith, all staff at the RNCM and, most importantly, the composers and musicians, for making this project possible.

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Read more about Sound Histories on the Royal Northern College of Music blog

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US artist John Sloan was born #onthisday in 1871. 
John Sloan, painter, printmaker and teacher, first took up etching as a self-taught adolescent.  Moving to New York in 1904, he became part of a group of eight artists, better known as “The Ashcan School”, who focused on creating images of urban realism. Between 1891 and 1940 Sloan produced some 300 etchings. He was also one of the first chroniclers of the American scene and wrote about printmaking and the etching technique.
This etching comes from the series of 10 prints entitled 'New York City Life', recording the lives of the ordinary inhabitants in less affluent areas of Manhattan. The prints had a mixed reception at the time and a number were rejected from an exhibition of the American Watercolor Society as ‘vulgar’ and ‘indecent’. #August is named after the Roman emperor Augustus. Before 8 BC the Romans called it Sextilis! 
This head once formed part of a statue of the emperor Augustus (ruled 27 BC – AD 14). In 31 BC he defeated Mark Antony and Cleopatra at the battle of Actium and took possession of Egypt, which became a Roman province. The writer Strabo tells us that statues of Augustus were erected in Egyptian towns near the first cataract of the Nile at Aswan and that an invading Kushite army looted many of them in 25 BC.
Although Roman counter-attackers reclaimed many of the statues, they did not reach Meroë, where this head was buried beneath the steps of a native temple dedicated to Victory. It seems likely that the head, having been cut from its statue, was placed there deliberately so as to be permanently below the feet of its Meroitic captors.
The head of Augustus appears larger than life, with perfect proportions based upon Classical Greek notions of ideal human form. His calm distant gaze, emphasised with inset eyes of glass and stone, give him an air of quiet, assured strength. Coins and statues were the main media for propagating the image of the Roman emperor. This statue, like many others throughout the Empire, was made as a continuous reminder of the all-embracing power of Rome and its emperor. English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter
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