British Museum blog

A hoard from the dawn of Roman Britain

Coin from the hoardEleanor Ghey, curator, British Museum

Sometimes as curators we are lucky enough to be brought the most amazing new finds that through careful study can offer a tantalising glimpse into the ancient past. One such discovery that sheds light on the earliest years of Roman Britain is now on display in the Citi Money Gallery.

Coins from the hoard on display.

Coins from the hoard on display.

In 2010 metal-detector user Jason Hemmings found – in a field in Dorset, southern England – what at first glance seemed to be just a handful of Roman and Iron Age coins. When he reported them to the Portable Antiquities Scheme it soon became apparent he had a hoard that can be closely linked to the years following the Roman conquest of AD 43.

It is a mixed sample of the different coins in use in Britain during these turbulent years. It contains worn silver Roman republican coins that had been in circulation in the Roman Empire for around 150 years and were also valued by local people as a source of silver. There were a few Iron Age staters, base silver coins issued by the native inhabitants of Dorset before the Roman conquest. Finally, and most significantly, there were copper alloy coins of the emperor Claudius issued between AD 41 and 50.

Coin of Emperor Claudius, Roman Imperial, AD 41-50

Coin of Emperor Claudius, Roman Imperial, AD 41-50

Official issues of the emperor Claudius are rare in Britain, although they were later copied in large numbers, probably to meet a shortage of supply. Two of the coins from this hoard are stamped with an official mark of approval found only in Rome and Britain. It is thought that these coins were produced in Rome in order to supply the invading army with useful currency whilst on campaign in Britain and may have even arrived with them. So they are likely to be close in date to the conquest of Britain in AD 43.

If this hoard belonged to a soldier, we can assume he was of lower rank, probably a legionary. At this time a legionary would have received an annual salary of 225 denarii. The hoard represents 4.25 denarii. A hoard of 34 Roman gold coins buried at Bredgar in Kent during the Claudian invasion – a vast amount of money more likely to have belonged to a high-ranking officer – is on display in Room 49. It is easier to imagine these coins from Dorset as the sort of sum carried by an individual: one of the lowest value Roman coins in the hoard would have bought two small sausages in ancient Pompeii!

Roman Republican coin, 100 BC

Roman Republican coin, 100 BC

So how did these coins get into the ground in Dorset? It could be that we are seeing the contents of a purse lost by a Roman soldier as the famous Legio II Augusta advanced through the county in the years immediately following the conquest (under the command of the future emperor Vespasian). Alternatively, the coins could have found their way into local hands, which might explain the presence of local issues alongside Roman ones.

The question of how and why coin hoards were buried in the Roman period is currently being investigated in a new AHRC-funded research project by the British Museum and Leicester University. It will study the large number of hoards now known from Roman Britain (about 2,700) with a view to understanding the circumstances of their burial and what changing patterns of hoarding behaviour tell us about the economy and society of the time.

Coin of Emperor Tiberius, Roman Imperial, AD 14-37

Coin of Emperor Tiberius, Roman Imperial, AD 14-37

For now, we can only speculate as to why these coins ended up where they did; while being grateful, of course, that some 2,000 years later we have the opportunity to try and tell their story.

The Money Gallery is supported by Citi

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Filed under: Archaeology, At the Museum, Money Gallery, Portable Antiquities and Treasure, , , , ,

2 Responses - Comments are closed.

  1. Gabriela Liner says:

    I like your artikel. I look forward to come to London and visit the Brits.
    Greetings from Lewes. Gabriella

    Like

  2. Reanto Mussi says:

    Is it possible to have a photo of a Roman coin of rectangular copper? Last week in the museum, a member of the British had explained that the coin had the value of a farm for a roman soldier. Thank you!

    Like

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For our final #MuseumInstaSwap post we’re highlighting the 'Make Do and Mend' campaign of the Second World War, as told by our partner @ImperialWarMuseums in their #FashionontheRation exhibition.

The campaign was launched to encourage people to make their existing supplies of clothes last longer. Posters and leaflets were circulated with advice on subjects including how to prevent moth damage to woollens, how to make shoes last longer or how to care for different fabrics. As the war went on, buying new was severely restricted by coupon limits and no longer an option for many people. The ability to repair, renovate and make one's own clothes became increasingly important. Although shoppers would have to hand over coupons for dressmaking fabric as well as readymade clothes, making clothes was often cheaper and saved coupons. ‘Make Do and Mend’ classes took place around the country, teaching skills such as pattern cutting. Dress makers and home sewers often had to be experimental in their choice of fabrics. Despite disliking much of the official rhetoric to Make Do and Mend, many people demonstrated great creativity and adaptability in dealing with rationing. Individual style flourished. Shortages necessitated imaginative use of materials, recycling and renovating of old clothes and innovative use of home-made accessories, which could alter or smarten up an outfit. Many women used furnishing fabrics for dressmaking until these too were rationed. Blackout material, which did not need points, was also sometimes used. Parachute silk was highly prized for underwear, nightclothes and wedding dresses.

We've really enjoyed working with and learning from our friends at @imperialwarmuseums this week. You can catch up on all our posts and discover many more stories from London’s museums with #MuseumInstaSwap. © IWM (Art.IWM PST 4773 For #MuseumInstaSwap we’re discovering the street style of the Second World War in the #FashionontheRation exhibition at @ImperialWarMuseums. In this archive photo a female member of the Air Raid Precautions staff applies her lipstick between emergency calls.

In wartime Britain it was unfashionable to be seen wearing clothes that were obviously showy, yet women were frequently implored not to let 'standards' slip too far. There was genuine concern that a lack of interest in personal appearance could be a sign of low morale, which could have a detrimental impact on the war effort. The government's concern for the morale of women was a major factor in the decision to continue the manufacture of cosmetics, though in much reduced quantities. Make-up was never rationed, but was subject to a luxury tax and was very expensive. Many cosmetics firms switched some of their production to items needed for the war effort. Coty, for example, were known for their face powder and perfumes but also made army foot powder and anti-gas ointment. Make-up and hair styles took on an increased importance and many women went to great lengths to still feel well-dressed and stylish even if their clothes were last season's, their stockings darned and accessories home-made. As with clothing, women found creative ways around shortages, with beetroot juice used for a splash of lip colour and boot polish passing for mascara.

Discover more stories from London’s museums with #MuseumInstaSwap © IWM (D 176) In the @ImperialWarMuseums exhibition ‘Fashion on the Ration: 1940s street style’ we can see how men and women found new ways to dress while clothing was rationed. Displays of original clothes from the era, from military uniforms to utility underwear, reveal what life was really like on the home front in wartime Britain.

Despite the limitations imposed by rationing, clothing retailers sought to retain and even expand their customer base during the Second World War. Britain's high street adapted in response to wartime conditions, and this was reflected in their retail ranges. The government intervened in the mass manufacture of high street fashions with the arrival of the Utility clothing scheme in 1942. Shoppers carefully spent their precious clothing coupons and money on new clothes to make sure their purchases would be suitable across spring, summer and autumn and winter. Despite the restrictions, the war and civilian austerity did not put an end to creative design, commercial opportunism or fashionable trends on the British home front.

#FashionontheRation exhibition runs @imperialwarmuseums until 31 August.

Discover more stories from London’s museums with #MuseumInstaSwap. For our final day of #MuseumInstaSwap we’re learning about the Second World War @ImperialWarMuseums, and discovering the impact of the war on ordinary people. 
Clothes were rationed in Britain from 1 June 1941. This limited the amount of new garments people could buy until 1949, four years after the war's end. The British government needed to reduce production and consumption of civilian clothes to safeguard raw materials and release workers and factory space for war production. As with food rationing, which had been in place since 1940, one of the reasons for introducing civilian clothes rationing was to ensure fairness. Rationing sought to ensure a more equal distribution of clothing and improve the availability of garments in the shops.

As this poster shows, the rationing scheme worked by allocating each type of clothing item a 'points' value which varied according to how much material and labour went into its manufacture. Eleven coupons were needed for a dress, two needed for a pair of stockings, and eight coupons required for a man's shirt or a pair of trousers. Women's shoes meant relinquishing five coupons, and men's footwear cost seven coupons. When buying new clothes, the shopper had to hand over coupons with a 'points' value as well as money. Every adult was initially given an allocation of 66 points to last one year, but this allocation shrank as the war progressed. © IWM (Art.IWM PST 8293) This week on @instagram we’ve joined up with other London museums to highlight our shared stories. Our partner is @imperialwarmuseums, whose incredible collection brings people’s experiences of modern war and conflict to life. Follow #MuseumInstaSwap to discover some of the intriguing historical connections we have found, as well as insights into everyday life during wartime. As part of our #MuseumInstaSwap with @ImperialWarMuseums, we’ve been given special access to the Churchill War Rooms – located deep below the streets of Westminster.
This is Prime Minister Winston Churchill’s bedroom, which includes his private desk, briefcase and papers, his bed and chamber pot and even an original cigar! The bedroom is located close to the Map Room, keeping Churchill as close as possible to the epicentre of Cabinet War Rooms.
Following the surrender of the Japanese Forces the doors to the War Rooms were locked on 16 August 1945 and the complex was left undisturbed until Parliament ensured its preservation as a historic site in 1948. Knowledge of the site and access to it remained highly restricted until the late 1970s when @ImperialWarMuseums began the task of preserving the site and its contents, making them accessible to as wide an audience as possible and opening them to the public in 1984.
Discover more stories from London’s museums with #MuseumInstaSwap
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