British Museum blog

Sir William Hamilton and the wreck of the HMS Colossus

Red-figured wine bowl (volute-krater), attributed to the Baltimore Painter, Greek, around 325 BCIan Jenkins, curator, British Museum

Sir William Hamilton (1730-1803), if remembered at all, is primarily known as the person who shared his second wife Emma with Admiral Lord Nelson in the late eighteenth century. Their ménage a trois was a notorious target for British satirists of the time. It ended with the death of Sir William in 1803, and two years later in 1805 the tragic death of Nelson at the Battle of Trafalgar.

Jasper ware portrait plaque of Sir William Hamilton, by Josiah Wedgwood I and Thomas Bentley, Etruria factory, Staffordshire, England, AD 1779

Jasper ware portrait plaque of Sir William Hamilton, by Josiah Wedgwood I and Thomas Bentley, Etruria factory, Staffordshire, England, AD 1779

Hamilton is celebrated in the British Museum for his collection of Greek and Roman artefacts, which acquired by the Museum in 1772, changed its course from its origins as a rather old-fashioned cabinet of curiosities to starting it on the way to becoming the great collection of world cultures it is today. The founding collection of Sir Hans Sloane had very few ancient objects of merit, but Sir William’s vision for the Museum would change that and for this reason he has his own showcase in the Enlightenment Gallery.

The story of the wreck of the HMS Colossus and the loss of its cargo occurred in the dramatic last years of Sir William’s life. He had been British Ambassador to the court of the king of Naples and Sicily for 34 years. However, when Napoleon’s army occupied Rome in 1796, Sir William was forced to evacuate Naples and return home with Emma to Britain.

One of his last acts was to oversee the packing of his vase collection. But back in England, Sir William not only had to suffer the wrench of his sudden departure from his beloved Italy, but also had the appalling news that his vase collection was lost at sea. It had been packed in an unfit vessel, which grounded off the Scilly Isles where it broke up, and the packing cases washed overboard.

Red-figured wine bowl (volute-krater), attributed to the Baltimore Painter, Greek, around 325 BC

Red-figured wine bowl (volute-krater), attributed to the Baltimore Painter, Greek, around 325 BC

But fortune smiled on the old knight as by accident his finest vases were not on the HMS Colossus. When another vessel arrived laden with Sir William’s property, he discovered the collection he thought he’d lost, and he delighted in preparing them for sale.

Sir William died in 1803 with Emma and Nelson at his bedside.

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Britain’s Secret Treasures is broadcast on ITV 1 Thursdays at 20.30, 17 October – 5 December 2013

Filed under: Archaeology, Portable Antiquities and Treasure

2 Responses - Comments are closed.

  1. Reblogged this on History of Britain and commented:
    #AceHistoryNews says ” Sir William Hamilton and the Wreck of the HMS Colossus ” #History2Research

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  2. Peter Donnelly says:

    “The” His Majesty’s Ship Colossus? You ought to know better.

    Like

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Happy #Thanksgiving to our US friends! Anyone for #turkey? This is Room 69, Greek and Roman life. It's the next gallery space in our #MuseumOfTheFuture series.
Room 69 takes a cross-cultural look at the public and private lives of the ancient Greeks and Romans. The objects on display have been chosen to illustrate themes such as women, children, household furniture, religion, trade and transport, athletics, war, farming and more. Around the walls, supplementary displays illustrate individual crafts on one side of the room, and Greek mythology on the opposite side. This picture is taken from the mezzanine level, looking down into the gallery. The next gallery in our #MuseumOfTheFuture series is Room 68, the Citi Money Gallery. The history of money can be traced back over 4,000 years. During this time, currency has taken many different forms, from coins to banknotes, shells to mobile phones.
The Citi Money Gallery displays the history of money around the world. From the earliest evidence, to the latest developments in digital technology, money has been an important part of human societies. Looking at the history of money gives us a way to understand the history of the world – from the earliest coins to Bitcoin, and from Chinese paper money to coins from every nation in the world. You can find out more about what's on display at britishmuseum.org/money The next gallery in our #MuseumOfTheFuture series is Room 67: Korea. The Korea Foundation Gallery is currently closed for refurbishment and will reopen on 16 December 2014. You can find out more about the refurb at koreabritishmuseum.tumblr.com  The unique culture of Korea combines a strong sense of national identity with influences from other parts of the Far East. Korean religion, language, geography and everyday life were directly affected by the country’s geographic position, resulting in a rich mix of art and artefacts.
Objects on display in Room 67 date from prehistory to the present day and include ceramics, metalwork, sculpture, painting, screen-printed books and illuminated manuscripts.
A reconstruction of a traditional sarangbang, or scholar’s study, is also on display and was built by contemporary Korean craftsmen. This is Room 66, Ethiopia and Coptic Egypt. It's the next gallery space in our #MuseumOfTheFuture series.
By the 4th century AD, Christianity was flourishing in both Egypt and Ethiopia. Christian Egyptians became known as the Copts (from the Greek name for Egyptians) and the church maintained strong links with its Ethiopian counterparts. Since antiquity, Ethiopia had been a major trade route, linking Egypt and the Mediterranean with India and the Far East.
The resulting history of cultural exchange and religious diversity is illustrated through objects in Room 66, which reflect the faiths and identities which coexisted in Egypt and Ethiopia. Objects from towns, monasteries and settlements range from decorated textiles and architectural elements to sculpture and ceramics. It's time for our next #MuseumOfTheFuture gallery. This is Room 65, the Raymond and Beverly Sackler Gallery of Sudan, Egypt and Nubia. Ancient Nubia, the Nile Valley upstream of the First Cataract, now straddles the border between Egypt and Sudan. Rich and vibrant cultures developed in this region at the same time as Pharaonic Egypt. Among them was the earliest sub-Saharan urban culture in Africa, which was based at Kerma.
These cultures traded extensively with Egypt and for two brief periods Nubian kingdoms dominated their northern neighbour.
The objects on display in Room 65 illustrate these indigenous pagan, Christian and Islamic cultures and the interaction between Nubia and Egypt.
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