British Museum blog

A loan from Berlin: a lion from Babylon

Staff at the Vorderasiatisches Museum, Berlin, sorting fragments of glazed bricks excavated by Robert Koldewey at Babylon between 1902 and 1914
Alexandra Fletcher, curator, British Museum

As the weather turns colder and the days shorter the Museum has been loaned a reminder of warmer, sunnier climes, which is helping to beat the mid-winter chill. The Department of the Middle East is preparing to display a panel of glazed bricks that has been generously loaned to us by the Vorderasiatisches Museum, part of the Staatliche Museen zu Berlin group.

Complete reconstructed panel from Nebuchadnezzar’s throne room on display at the Vorderasiatisches Museum, Berlin. Pacing lions emphasized the power and might of the Babylonian king. © Vorderasiatisches Museum - SMB, photograph by Olaf M. Teßmer

Complete reconstructed panel from Nebuchadnezzar’s throne room on display at the Vorderasiatisches Museum, Berlin. Pacing lions emphasized the power and might of the Babylonian king.
© Vorderasiatisches Museum – SMB, photograph by Olaf M. Teßmer

The panel shows a pacing, roaring lion and once was part of King Nebuchadnezzar II’s throne room in his palace in the ancient city of Babylon, Iraq. Nebuchadnezzar II reigned from 605-562 BC, and supposedly had the hanging gardens of Babylon built for his queen. Although there is little evidence to confirm his passion for gardening, it is certain that Nebuchadnezzar commissioned other major building projects in Babylon, to glorify the capital of his empire. Inscriptions stamped on bricks reveal the extent of these works. In the city of Babylon, glazed bricks in bright shades of blue, yellow and white were used to create public monuments that emphasised the power of the king and the gods. In Nebuchadnezzar’s throne room the roaring lions emphasized the power and might of the Babylonian king, whose empire stretched from the Persian Gulf to the Mediterranean and from the Caucasus to northern Arabia.

Staff at the Vorderasiatisches Museum, Berlin, sorting fragments of glazed bricks excavated by Robert Koldewey at Babylon between 1902 and 1914

Staff at the Vorderasiatisches Museum, Berlin, sorting fragments of glazed bricks excavated by Robert Koldewey at Babylon between 1902 and 1914
© Vorderasiatisches Museum – SMB

Finds excavated by Robert Koldewey at Babylon between 1902 and 1914 came to Berlin packed in crates. Staff spent years painstakingly joining fragments of glazed brick together to recreate Nebuchadnezzar’s Ishtar Gate and Processional Way, in Berlin. The panel loaned to the British Museum has been similarly pieced together from bricks the Vorderasiatisches Museum has in store and so is being seen complete for the very first time in London.

The lion panel being installed in Room 55

The lion panel being installed in Room 55

The panel will be displayed in Room 55 (Mesopotamia 1500–539 BC) from 20 December 2013

Filed under: Room 55 (Mesopotamia 1500–539 BC), , ,

4 Responses - Comments are closed.

  1. M.A.Peacock says:

    Why do you talk about the lions and not the Sirrush!!!!!

    Like

  2. Melissa says:

    How long is it at the museum??

    Like

  3. HI Melissa, This very generous loan from the Vorderasiatisches Museum, Berlin, will be at the Museum for ten years.

    Like

  4. Reblogged this on Ace History News and commented:
    #AHN2014

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 12,407 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

For #AprilFools today, here are some interesting (and true!) stories about the Museum. 
Did you know there was a merman (actually part monkey, part fish!) on display in the Enlightenment Gallery (Room 1)? This ‘merman’ was donated by HRH Prince Arthur of Connaught (1883–1938), grandson of Queen Victoria, and was said to have been 'caught' in Japan during the 18th century. It was given to Prince Arthur by an individual named Arisue Seijiro. 
The British Museum’s ‘merman’ is displayed in the Enlightenment Gallery as an example of the kind of ‘curiosity' that was found in early collections before the more encyclopaedic and reasoned approach to collecting that evolved through the 1700s. In this context it helps to show how museums changed during the 18th century from cabinets of curiosity to the type of museums we are more familiar with today.
#merman #mermaid For #AprilFools today, here are some interesting (and true!) stories about the Museum. 
This is Mike the cat, who assisted in keeping the Main Gate at the British Museum from Feb 1909 to Jan 1929. When he died, the former Keeper of Egyptian and Assyrian Antiquities, Sir E A Wallis Budge, wrote a whole pamphlet about him. His obituary was featured in both the London Evening Standard and Time magazine! Find out more about Mike the cat at britishmuseum.tumblr.com
#cat #Museum #AprilFools! April actually derives from the Latin word aperire, meaning to open (i.e. spring).
Here's #April at Kew Gardens, part of a series by Thomas Robert Way.
#spring #print #AprilFoolsDay #April is named after Aprillis, the Roman goddess of mischief The Eiffel Tower officially opened ‪#‎onthisday in 1889.
This 1928 print by French artist Jean Émile Laboureur depicts the Gardens of Trocadéro with the Eiffel Tower beyond.
#EiffelTower #Paris #print #art #history We are excited to announce that our exhibition #8mummies is now extended until 12 July 2015! Here are the 8 mummies you'll encounter in this groundbreaking exhibition #MummyMonday
#history #exhibition #mummy
Follow

Get every new post delivered to your Inbox.

Join 12,407 other followers

%d bloggers like this: