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This blog aims to share some of the things going on behind the scenes here at the Museum and offer a platform for discussion. Please join in by leaving your comments.

Before you do, please read our comment guidelines.

Also, please be aware that while the majority of British Museum blog posts are written by authors at the Museum, occasionally they will be written by guest bloggers. The views expressed by guest bloggers here (and elsewhere) are their own and do not necessarily reflect the views of the Trustees of the British Museum or their staff.

Comment guidelines

We have a short list of guidelines that all participants on any British Museum online public forum are expected to follow.

By submitting a comment on the British Museum blog, you are confirming that you have read, understood and agreed to these guidelines. The Museum may revise them from time to time, so, please check them regularly.

The British Museum is the sole arbiter of the content of its blog, and therefore retains the right, though not the obligation, to place, edit, classify, or remove any content posted here.

  1. Comments must contribute to the discussion taking place within the thread and be written in a civil and dispassionate manner. Content or a user name which is obscene, defamatory, offensive, harassing, off-topic or otherwise objectionable or unlawful is not acceptable.
  2. No spamming.
  3. No repeated submission of the same (or very similar) contributions.
  4. Content submitted to advertise or promote goods and services is not allowed.
  5. All blog contributions must be in the language used in the original post.
  6. No impersonation of someone else.
  7. Blog submissions must not include URLs (web site addresses), unless directly relevant to the blog topic and part of a longer contribution.
  8. Repeated complaints about a single issue or the vexatious use of the complaint facility are not permitted.

Any user who feels a posted message violates these guidelines should contact web@britishmuseum.org

Comments which are perceived to be breaching the guidelines will be removed.

To keep discussions fresh and topical, comment facilities on individual posts will normally be closed two weeks after the date of publication.

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Some more #Halloween fun: this ‘unlucky mummy’ in the collection was thought to bring bad luck to anyone who owned it!
#mummy #curse Our free exhibition #WitchesAndWickedBodies is a #Halloween delight, examining the portrayal of #witches and #witchcraft from the Renaissance to the 19th century. Explore the exhibition in Room 90, until 11 Jan 2015. Happy #Halloween! Today we're sharing all things spooky and scary! Check out some Halloween #Pinspiration at 
www.pinterest.com/britishmuseum Room 8, Nimrud, is the next #MuseumOfTheFuture gallery in our series. It contains stone reliefs from Neo-Assyrian King Ashurnasirpal II’s magnificent Northwest Palace at Nimrud and two large Assyrian winged human-headed lions. The next gallery in our #MuseumOfTheFuture series is Room 7. It features a series of remarkable carved stone panels from the interior decoration of the Northwest Palace of the Neo-Assyrian King Ashurnasirpal II (883–859 BC). The panels depict the king and his subjects engaged in a variety of activities. Ashurnasirpal is shown leading military campaigns against his enemies, engaging in ritual scenes with protective demons and hunting, a royal sport in ancient Mesopotamia.
#museum #london #gallery Room 6, Assyrian sculpture and Balawat Gates, is the next gallery in our #MuseumOfTheFuture series. This room contains large stone sculptures and reliefs which were striking features of the palaces and temples of ancient Assyria (modern northern Iraq). Also in the gallery are two colossal winged human-headed lions, which flanked an entrance to the royal palace of King Ashurnasirpal II (883–859 BC) at Nimrud and replicas of the huge bronze gates of Shalmaneser III (858–824 BC) from Balawat.
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