British Museum blog

A new world in a familiar setting


Philippa Edwards, Project Manager, British Museum

2012 is my fifth year working at the British Museum and also sees me working on my fifth forecourt Landscape project. During these five years I have not only learnt lots of about the habitats and plants of four different continents (Asia, Africa, Australia and now North America) but I have also honed my project management skills. I feel like I have set up enough meetings, taken enough minutes and updated enough schedules to last for another five years!

But when I see the first bit of soil turned and the West Lawn rapidly transforming into another far-off habitat it seems all worthwhile. I am currently watching a piece of North America be installed in front of me, with the boardwalk over the swamp taking pride of place, many of the woodland trees planted (which are going to look amazing in autumn/fall), and the prairie grasses will soon be rustling in the Bloomsbury breeze.

Boardwalk in the North American Landscape

Quite a few people have asked me over the years how we make the decision of which theme the next Landscape will feature, and in particular how we decided on North America this year. We always try to tie the Landscapes in with the public programmes of both Kew and the BM, and also look for ways to highlight the wonderful work Kew is doing around the globe. North America was a region not yet covered in our series of Landscapes, and this Landscape gives us the ability to showcase some of the spectacular and unique flora of this continent and highlight the relationships between British Museum and Kew objects, and Kew’s work addressing threats to North American habitats.

As the Museum forecourt continues to be transformed over the next few (soggy) days I will continue to hold meetings and circulate minutes, happy in the knowledge that every time I pop outside I will be one step closer to escaping to a whole new continent, without even leaving work…

North American Landscape: Kew at the British Museum is open from 10 May to 25 November 2012. Follow the build

In partnership with the Royal Botanic Gardens, Kew
Supported by the American Express Foundation

Filed under: North American Landscape: Kew at the British Museum

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US artist John Sloan was born #onthisday in 1871. 
John Sloan, painter, printmaker and teacher, first took up etching as a self-taught adolescent.  Moving to New York in 1904, he became part of a group of eight artists, better known as “The Ashcan School”, who focused on creating images of urban realism. Between 1891 and 1940 Sloan produced some 300 etchings. He was also one of the first chroniclers of the American scene and wrote about printmaking and the etching technique.
This etching comes from the series of 10 prints entitled 'New York City Life', recording the lives of the ordinary inhabitants in less affluent areas of Manhattan. The prints had a mixed reception at the time and a number were rejected from an exhibition of the American Watercolor Society as ‘vulgar’ and ‘indecent’. #August is named after the Roman emperor Augustus. Before 8 BC the Romans called it Sextilis! 
This head once formed part of a statue of the emperor Augustus (ruled 27 BC – AD 14). In 31 BC he defeated Mark Antony and Cleopatra at the battle of Actium and took possession of Egypt, which became a Roman province. The writer Strabo tells us that statues of Augustus were erected in Egyptian towns near the first cataract of the Nile at Aswan and that an invading Kushite army looted many of them in 25 BC.
Although Roman counter-attackers reclaimed many of the statues, they did not reach Meroë, where this head was buried beneath the steps of a native temple dedicated to Victory. It seems likely that the head, having been cut from its statue, was placed there deliberately so as to be permanently below the feet of its Meroitic captors.
The head of Augustus appears larger than life, with perfect proportions based upon Classical Greek notions of ideal human form. His calm distant gaze, emphasised with inset eyes of glass and stone, give him an air of quiet, assured strength. Coins and statues were the main media for propagating the image of the Roman emperor. This statue, like many others throughout the Empire, was made as a continuous reminder of the all-embracing power of Rome and its emperor. English sculptor Henry Moore was born #onthisday in 1898.
Drawing played a major role in Henry Moore's work throughout his career. He used it to generate and develop ideas for sculpture, and to create independent works in their own right.
During the 1930s the range and variety of his drawing expanded considerably, starting with the 'Transformation Drawings' in which he explored the metamorphosis of natural, organic shapes into human forms. At the end of the decade he began to focus on the relationship between internal and external forms, his first sculpture of this nature being 'Helmet' (Tate Collections) of 1939.
This drawing titled ‘Two Women: Drawing for sculpture combining wood and metal’ was based on a pencil study entitled ‘Ideas for Lead Sculpture’. It reflects his awareness of surrealism and psychoanalytical theory as well his abiding interest in ethnographic material and non-European sculpture; the particular reference in this context is to a malangan figure (malangan is a funeral ritual cycle) from New Ireland province in Papua New Guinea, which had attracted his interest in the British Museum. 
Henry Moore, Two Women: Drawing for sculpture combining wood and metal. England, 1939. Here's another fabulous view of the Great Court captured by @whatinasees at our instagramer event #regram #repost
Check out all of the photos at #emptyBM Vincent van Gogh died #onthisday in 1890. Here's a print of his only known etching. It depicts his doctor, Dr Paul Gachet, seated in the garden of his house.
#vanGogh #etching Beatrix Potter was born #onthisday in 1866. Here are some of her flopsy bunnies! 🐰
#BeatrixPotter
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