Liam O’Connor, artist
I am creating an archive of audio interviews with the staff of the British Museum, the subject of which is a museum object or space they have developed a significant personal connection with as part of their work.
Between 2010 and 2014 I was artist in residence on the construction of the World Conservation and Exhibitions Centre, a new building at the British Museum. Although my efforts were focused on the building site, I also received a privileged insight into the workings of the place through conversations with a wide variety of people who work at the Museum.
My understanding of particular objects and spaces around the Museum has been greatly enriched by talking to the people who have invested time and emotion in them. I am intrigued by how these objects and spaces that belong to everyone seem to bear a great significance to certain individuals, and believe the stories of how and why are important to capture.
The British Museum, as an idea, is a place where a diverse range of people are brought together for a common purpose, a place and a collection that has endured through many generations of staff and visitors, it is a collection and a building that weaves all those generations together.
The objects and spaces of the Museum are vessels for meaning and memory; they are constantly being adopted into new narratives by staff and visitors. The aim of these interviews is to reveal the small memories, invested in the museum and its collection, that overlap and sustain this fantastic institution through generations reaching back into the past and forward into the future.
Internally, among staff I have discovered a tradition of stories being passed from previous generations to the present – characters and events long since gone are still present within the Museum. It would be amazing if in fifty or a hundred years from now a conservator, curator, security guard could listen to the person give an account of working on that same object or within that same space from today.
The voice is important in this project; the voice of an individual is much more captivating and engaging than a written text, and somehow more immediate than a video combining sight and sound.
The background sounds also provide another layer; the secret door in the Enlightenment Gallery creaking open in Bryony Shepherd’s interview, and the rolling rack revealing the painting in Clarissa von Spee’s interview. These all start to contribute to a soundscape that is another layer in describing the British Museum. This is something I didn’t think about until I started listening back to the interviews; for me this is an exciting discovery.
As part of the interview, I also want to capture the journey that lead each person to working at the Museum. I want to understand the diversity of paths that all lead to the same place. I arrived here purely by chance, approaching the Museum to ask if I could study their building site, I didn’t have any ideas to investigate the Museum itself, but I have received an invaluable education from the place purely through talking to people who work here, it is their enthusiasm for their subjects and objects that has encouraged and strengthened my own enthusiasm for the place.
I like exploring the rituals, patterns and the accumulation of time that bind us to objects and places in physical and imagined ways. This takes the form of revealing meaning or narratives that individuals project onto spaces and objects that otherwise remain hidden to everyone else.
I invest huge amounts of time in single objects or drawings or spaces as part of my work, this repeated attention shown to something creates a deep bond that is hugely important in placing memory and meaning in something physical. I also make drawings and objects that are only the trace or evidence of the actual work, where the work exists in the story of how the object was made or the performance/investment of time in making it.
The Museum’s objects, as beautiful and magnificent as they are, will always rely heavily on the devotion of the people who work with them day to day, the energy they invest in them is infectious, bringing them to life for the rest of us.
I have only recently begun this project, so far I have 10 interviews, but I want to collect many more. I hope this project will provide a rich archive of material for the Museum, which will become more interesting over time, as the Museum changes, but also the interviews are individual pieces of storytelling that could provide an alternative audio guide for museum visitors, that further enrich the mythology of the British Museum.
Liam O’Connor (@liamoconnor919) is currently artist in residence at the Victoria and Albert Museum, making work in response to their Exhibition Road Building Project.