British Museum blog

Creating sound histories at the British Museum

Students at the Royal Northern College of MusicToby Smith, Director of Performance and Programming, Royal Northern College of Music (RNCM)

Sound Histories is the latest and largest yet in the RNCM’s series of site-specific installations created to animate iconic public spaces with music. Having previously collaborated with the Imperial War Museum North, Manchester Piccadilly Station and Victoria Baths, Sound Histories sees us working in London for the first time, our stimulus and partner being the British Museum, our national museum and home to the most visited collection in the UK.

Students at the Royal Northern College of Music

Students at the Royal Northern College of Music. Image courtesy RNCM

For me, Sound Histories is all about using music to tell some of the stories of the objects and the galleries of the British Museum; bringing to life in sound the interweaving histories of cultures across the world and drawing upon almost two million years of human history.

We are currently weeks away from the show, which will take place between 18.00 and 21.00 on Friday 5 July, as part of the British Museum Lates series. We’ve been working for over a year now with the British Museum’s Adult programmes team to create an ambitious evening of music to be performed across most of the ground floor, embracing the collections focusing on Greece, Assyria and Egypt, Asia, Africa, North America, Mexico and much of the Pacific Rim. 200 musicians will be involved, together performing over 120 pieces, with music for strings, winds, chorus, guitars, harps and saxophones, including solos, duos, chamber music and ensemble pieces that span the last six centuries.

Spear thrower made from reindeer antler, sculpted as a mammoth. Found in the rock shelter of Montastruc, France. Approximately 13,000–14,000 years old

Spear thrower made from reindeer antler, sculpted as a mammoth. Found in the rock shelter of Montastruc, France. Approximately 13,000–14,000 years old

Over the next weeks I’ll be looking in more detail on the RNCM blog at just a few of the elements that will make up Sound Histories. I’ll look at just some of the 50 pieces that RNCM composers have written in response to a particular object in the collection, from an Ice Age spear holder carved in the form of a mammoth to El Anatsui’s cloth sculpture for the Africa gallery. I’ll also pick out just a few of the highlights from the rest of the programme – music ancient and modern, and most things in between as well. And we’ll take a look at how we will draw everything together with a specially-commissioned finale for the Great Court, a space that sits at the heart of the British Museum site, and at the heart of the world cultures that surround it.

The Enlightenment gallery at the British Museum

The Enlightenment gallery at the British Museum

We’ll start by looking at the Enlightenment gallery, a space we will be programming with music from the year 1828 to reference the creative world of the men who drew together the British Museum collection at this time.

In the meantime, do spread the word – as with all the Museum’s Lates, the event is free, and as it will only be happening once it’s certainly worth saving the date – Friday 5 July, 18.00 – 21.00.

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This post was first published on the Royal Northern College of Music blog.
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This is Room 69, Greek and Roman life. It's the next gallery space in our #MuseumOfTheFuture series.
Room 69 takes a cross-cultural look at the public and private lives of the ancient Greeks and Romans. The objects on display have been chosen to illustrate themes such as women, children, household furniture, religion, trade and transport, athletics, war, farming and more. Around the walls, supplementary displays illustrate individual crafts on one side of the room, and Greek mythology on the opposite side. This picture is taken from the mezzanine level, looking down into the gallery. The next gallery in our #MuseumOfTheFuture series is Room 68, the Citi Money Gallery. The history of money can be traced back over 4,000 years. During this time, currency has taken many different forms, from coins to banknotes, shells to mobile phones.
The Citi Money Gallery displays the history of money around the world. From the earliest evidence, to the latest developments in digital technology, money has been an important part of human societies. Looking at the history of money gives us a way to understand the history of the world – from the earliest coins to Bitcoin, and from Chinese paper money to coins from every nation in the world. You can find out more about what's on display at britishmuseum.org/money The next gallery in our #MuseumOfTheFuture series is Room 67: Korea. The Korea Foundation Gallery is currently closed for refurbishment and will reopen on 16 December 2014. You can find out more about the refurb at koreabritishmuseum.tumblr.com  The unique culture of Korea combines a strong sense of national identity with influences from other parts of the Far East. Korean religion, language, geography and everyday life were directly affected by the country’s geographic position, resulting in a rich mix of art and artefacts.
Objects on display in Room 67 date from prehistory to the present day and include ceramics, metalwork, sculpture, painting, screen-printed books and illuminated manuscripts.
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By the 4th century AD, Christianity was flourishing in both Egypt and Ethiopia. Christian Egyptians became known as the Copts (from the Greek name for Egyptians) and the church maintained strong links with its Ethiopian counterparts. Since antiquity, Ethiopia had been a major trade route, linking Egypt and the Mediterranean with India and the Far East.
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These cultures traded extensively with Egypt and for two brief periods Nubian kingdoms dominated their northern neighbour.
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