British Museum blog

Renaissance under review

Hugo Chapman, Exhibition Curator

Andrea Mantegna, Allegory of the Fall of Ignorant Humanity

I’ve just got back to my desk from the press launch of the exhibition and although it’s just gone midday I feel exhausted. I gave a 10 minute speech to the assembled journalists in the Reading Room and then fielded a few questions. Thankfully the grandeur of the setting, with Sidney Smirke’s Pantheon-inspired vault above us and the beauty of the Renaissance drawings, had a calming effect.

Only time will tell whether this will wear off once they return to their computers to write their reactions to the exhibition. So far the reviews have been excellent, but will the drawings of Verrocchio, Leonardo and the others conquer all?

Tonight it’s the launch party with hundreds of guests invited. Sadly all the curators at the Uffizi in Florence, who I was so looking forward to showing around the exhibition, have been prevented from coming by the volcanic ash. It’s a subject worthy of a Renaissance allegorical painting: Vulcan trampling on Mercury (the gods of volcanoes and the arts respectively) but with Fame blowing a trumpet, and perhaps the party loving Bacchus, providing a more positive spin on events.

In the exhibition there’s an eye-catching, if somewhat bleak, allegory of this kind showing mankind, represented by a blind woman, being led to a precipice by a variety of dodgy characters including Deceit, Ignorance and Folly. This is definitely an image one should keep in mind during this election period.

I imagine it will feel a little odd to be in the exhibition with quite so many people. Over the last weeks I’ve grown used to the space with just a handful of people putting up the drawings. An exhibition that has for the past three years existed first in my head, and then in the evolving plans of the designer, will finally be viewed.

Aside from the predicted laid-back and unimpressed reactions of my two teenage sons, I hope that the opening crowd like what they see.

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Image caption: Andrea Mantegna, Allegory of the Fall of Ignorant Humanity (‘Virtus Combusta’) About 1490-1506

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Gilded bronze figure of Śākyamuni, the historical Buddha. Nanjing, China, Ming dynasty, Yongle mark and period, 1403–1424. It’s only 3 days until #Ming50Years opens! Have you booked your tickets? The Museum’s #AfricanRockArt project has now added over 4,000 digital photographs of rock paintings and engravings from the Sahara to the Museum’s online database. You can explore more of these stunning images on the project’s new interactive website http://www.britishmuseum.org/africanrockart Born #onthisday in 1890: author Agatha Christie. The British Museum held an exhibition in 2001–2002 called ‘Agatha Christie and Archaeology: Mystery in Mesopotamia’. It presented a fascinating look at the secret life of one of the world's most popular writers. Christie originally became interested in archaeology on a visit to the site of Ur (in modern Iraq) in 1928. It was there where she met her future husband, the archaeologist Max Mallowan, and became involved in excavation of the sites in Iraq and Syria that were to make his name. Watch curator Irving Finkel's documentary on The Real Noah's Ark on Channel 4 tonight at 20.00! #history #cuneiform #bible #noah #ark #tv #channel4
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