British Museum blog

Going berserk: the Lewis chessmen in New York


James Robinson, curator, British Museum

Thirty four of the Lewis chessmen have travelled to the Cloisters Museum and Gardens in New York. This is the largest number ever to have left the British Isles since their discovery on the Isle of Lewis in 1831.

The Cloisters is a truly exceptional museum devoted entirely to medieval art and architecture and the chessmen look perfectly at home. They occupy five cases in the Romanesque Hall, a space that resembles a great medieval hall where a lord – or King – might once have played with chesspieces just like these.

The Lewis chessmen fire our imagination because they are miniature people carved with great skill and intricacy from walrus tusks. They are generally considered to be mournful, grumpy or comic because of their squat forms, protuberant eyes and down-turned mouths but they are also works of great beauty. This is especially evident from the seated figures of the kings, queens and some of the bishops, all of whom occupy elaborately decorated thrones.

SBerserker pieces in the British Museum collection

Berserker pieces in the British Museum collection

One of the most significant pieces on loan to the Cloisters is the Berserker. This unusual character may not be recognisable to most players of chess but at the time the Lewis chessmen were made in the twelfth century, the Berserker took the place of the modern day rook. He stands armed with a sword and exposes his huge teeth with which he bites into his shield. It is this gesture that identifies him as a Berserker – a fierce warrior drawn from Norse mythology that bites his shield in a self-induced frenzy prior to battle.

The Berserker has been imaginatively used in the merchandise on sale at the Cloisters where T-shirts emblazoned with the Berserker’s features broadcast “Berserk for Chess’ – I’ll be wearing mine in London!

The Cloisters exhibition, The Game of Kings: Medieval Ivory Chessmen from the Isle of Lewis, opens on 15 November and runs until 22 April 2012 during which time New Yorkers will undoubtedly develop Lewis chessmen frenzy.

Find out more about the Lewis chessmen on the British Museum website

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Treasures of Heaven

James Robinson, Exhibition Curator

Next month, over 120 sacred relics (the physical remains or belongings of saints) will begin arriving at the British Museum from across Europe and the USA for the forthcoming exhibition Treasures of Heaven: saints, relics and devotion in medieval Europe. As curator of the exhibition, I will be one of the first to see these amazing objects coming out of their travelling cases – and I can’t wait.

But why am I so excited about seeing a bunch of old bones? In the medieval period the relics of saints were enshrined in the most precious and valuable materials. These containers, known as reliquaries, were made by the finest craftsman of the age. Gleaming gemstones and luminous enamels were placed in sublime combinations with precious metals to speak to the viewer of the reliquaries sacred contents. It is these containers that will be showcased in the exhibition.

Medieval Christians believed that the physical remains of saints provided a tangible link to the divine. Saints sat beside God in heaven and could be petitioned to ask God for help. If I were suffering from plague in the Middle Ages I would want to pray to and venerate the relics of St Blaise, an expert in healing the plague. St Blaise might then ask God to help me and I might be miraculously healed. Some Christians hold similar beliefs today. In 2009 over 90,000 pilgrims came to Westminster Cathedral in London to venerate the travelling relics of French nun St Thérese of Lisieux.

Reliquary bust of an unknown female saint, probably a companion
of St Ursula. South Netherlandish, c. 1520–1530.
© The Metropolitan Museum of Art, New York.

In researching this exhibition we have discovered some extraordinary medieval legends. One is the story of the English princess Ursula who before her marriage went on pilgrimage to venerate relics in the Holy Land. She never got there and was captured and martyred along with her 11,000 virgin travelling companions by pagans in Cologne. This captivating reliquary made from delicately painted wood would once have contained the skull of one her companions.

We still have a lot of work to do before the exhibition opens but I couldn’t resist giving a sneak peak at these unusual stories and astounding objects.

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Treasures of Heaven: saints, relics and devotion in medieval Europe opens on 23 June 2011. Book tickets online or become a Member and gain free entry to all special exhibitions.

Treasures of Heaven: saints relics and devotion in medieval Europe is sponsored by John Studzinski.

Filed under: Exhibitions, Treasures of Heaven, , ,

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