British Museum blog

Amara West: season six is nearly upon us….

Looking down a 3,000 year-old alley at Amara West (2012)Neal Spencer, British Museum

In the next few days, our sixth excavation season begins.

Amara West was the pharaonic capital of conquered Upper Nubia in the late second millennium BC. Thus far, we have gained important insights into how houses were modified over time to suit individual needs, religious practises in the home, but also the impact of a changing landscape.

Looking down a 3,000 year-old alley at Amara West (2012)

Looking down a 3,000 year-old alley at Amara West (2012)

Analyses undertaken by a range of specialists, both inside the British Museum and at universities involved in the project, are casting light on plant exploitation practises, technologies for producing ceramics, the presence of luxurious imports from afar, and the complex array of funerary traditions evident in the cemeteries, including pyramid tombs and funerary masks, but also Nubian tumulus graves.

Faience necklace (F6436) from a house at Amara West (2012)

Faience necklace (F6436) from a house at Amara West (2012)

Highlights from Amara West will continue to be featured on this blog, as in previous years, but for more regular updates as the season progresses – the discovery of buildings, objects, burials that shed light on life in a pharaonic town in occupied Nubia – follow our dedicated project blog: blog.amarawest.britishmuseum.org.

So far, you can read a preview of upcoming excavations in the ancient town, including excavation of a villa outside the town wall, and of the last house remaining in neighbourhood E13.3. And, across a now-dry Nile channel, Michaela Binder describes the excavations she will be leading in cemetery C, a burial ground providing fascinating insights into the mixture of Egyptian and Nubian funerary cultures in the early first millennium BC.

Follow @NealSpencer_BM on Twitter for further updates from the excavations.

Leave a comment or tweet using #amarawest

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This is Room 69a, our next #MuseumOfTheFuture gallery space. It's used for small temporary displays by the Coins and Medals Department – the current one is all about trade and exchange in the Indian Ocean. You can see the entrance to the Department in the background of this pic – it's designed like a bank vault as the Coins and Medals collection is all stored within the Department. Born #onthisday in 1757: poet and printmaker William Blake. This is his Judgement of Paris Happy #Thanksgiving to our US friends! Anyone for #turkey? This is Room 69, Greek and Roman life. It's the next gallery space in our #MuseumOfTheFuture series.
Room 69 takes a cross-cultural look at the public and private lives of the ancient Greeks and Romans. The objects on display have been chosen to illustrate themes such as women, children, household furniture, religion, trade and transport, athletics, war, farming and more. Around the walls, supplementary displays illustrate individual crafts on one side of the room, and Greek mythology on the opposite side. This picture is taken from the mezzanine level, looking down into the gallery. The next gallery in our #MuseumOfTheFuture series is Room 68, the Citi Money Gallery. The history of money can be traced back over 4,000 years. During this time, currency has taken many different forms, from coins to banknotes, shells to mobile phones.
The Citi Money Gallery displays the history of money around the world. From the earliest evidence, to the latest developments in digital technology, money has been an important part of human societies. Looking at the history of money gives us a way to understand the history of the world – from the earliest coins to Bitcoin, and from Chinese paper money to coins from every nation in the world. You can find out more about what's on display at britishmuseum.org/money The next gallery in our #MuseumOfTheFuture series is Room 67: Korea. The Korea Foundation Gallery is currently closed for refurbishment and will reopen on 16 December 2014. You can find out more about the refurb at koreabritishmuseum.tumblr.com  The unique culture of Korea combines a strong sense of national identity with influences from other parts of the Far East. Korean religion, language, geography and everyday life were directly affected by the country’s geographic position, resulting in a rich mix of art and artefacts.
Objects on display in Room 67 date from prehistory to the present day and include ceramics, metalwork, sculpture, painting, screen-printed books and illuminated manuscripts.
A reconstruction of a traditional sarangbang, or scholar’s study, is also on display and was built by contemporary Korean craftsmen.
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