British Museum blog

Through time: the history behind your watch

detail of watchDavid Thompson, former Curator of Horology, British Museum

Do you own a watch? What does your watch look like? Is it a traditional mechanical watch made by one of the leading Swiss watch manufacturers or is it perhaps a cheap everyday item which you use just to tell the time? There is no doubt that even today, where smartphones have become a popular way of keeping time; watches are still very personal items. For many they are birthday, Christmas or anniversary presents. For others they have been specifically chosen as suitable for the owner to wear and to show to others. A person’s watch might equally have been chosen to suit a particular fashion, or in time-honoured tradition might be a retirement gift donated by work colleagues. For everyone they are an elegant combination of technology, design and decoration.

MS Gilt-brass tambour cased watch

MS Gilt-brass tambour cased watch. South Germany, around 1560

Anonymous gold and niello cased cylinder watch with digital dial and en-suite chain and key

Anonymous gold and niello cased cylinder watch with digital dial and en-suite chain and key, Geneva, Switzerland, around 1830

Louis Vautier gold and enamel cased verge watch. Blois, France, around 1630–38

Louis Vautier gold and enamel cased verge watch. Blois, France, around 1630–38

How many people, however, have any knowledge of the history behind the watch they wear? Few people probably realise that this innocent machine has a history of more than five hundred years since its first appearance at the beginning of the 16th century in South Germany. At the beginning, and for the first two centuries, watches were inaccurate timekeepers worn as items of fashion or as demonstrations of wealth. Just as today, fashions changed and watches became obsolete unless they were handed down as heirlooms from generation to generation. Then, in about 1660, the pocket in clothing came into existence and the pocket watch became an item of everyday wear. Just a little later, the introduction of the balance spring or hair spring made the watch a far more accurate and reliable machine making it an essential asset for organising the day. That is for those who could afford them, for it was not until the last years of the 19th century that cheap affordable watches became available for those with less money to spend – this thanks to the ingenious efforts in America and Switzerland which enabled watches to be machine manufactured in huge numbers at low cost.

Robert H. Ingersoll & Bro wristwatch. USA, 1915

Robert H. Ingersoll & Bro wristwatch. USA, 1915

Over the centuries, fashions changed and the technology in the watch improved making it ever more accurate and reliable. Towards the end of the 19th century, the wrist watch appeared and following the First World War, became the normal way for the watch to be worn, although to this day, there are still a few stalwarts who insist on wearing a pocket watch. In more recent times, the introduction of quartz technology has made the watch a very precise machine. Today, a radio-controlled watch has, in theory, the same accuracy as the atomic clocks used to determine the international time standard – one second in 300 million years – assuming the batteries last that long.

An interesting reference to opulent watches comes from the inventories of Queen Elizabeth I:

Item. A watch of agate made like an egg garnished with gold. Item. a little watch of crystal slightly garnished with gold with her majesty’s picture in it.
Item. a little watch of gold enamelled with sundry colours on both sides alike.

Sadly no examples of these jewelled watches are known to survive today, but there is no doubt that someone somewhere is wearing a modern watch which might have a similar description.

If you own a watch, make sure you look after it, as it will serve you well, and when you look at it bear in mind the amazing history behind it.

Ingersoll Ltd pin pallet lever watch. Ystradgynlais and London, 1952

Ingersoll Ltd pin pallet lever watch. Ystradgynlais and London, 1952

A new edition of David Thompsons’ Watches is available online from the British Museum shop at £16.99, Members’ price £15.29. The book explores the history of watches, based on the British Museum’s extensive watch collection which spans over 500 years. All the major makers of Europe and America are represented. Examples included range from 16th-century early stackfreed watches to modern 19th- and 20th-century watches made by companies such as Waterbury and Ingersoll.

Clocks and Watches (Room 38–39), The Sir Harry and Lady Djanogly Gallery

Animation: How does a mechanical watch work?

Filed under: Collection, Room 38-39 Clocks and Watches Gallery, , , , , , , , , , , , ,

Receive notifications of new posts by email.

Join 15,614 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

In 2000, the Queen Elizabeth II Great Court designed by Foster and Partners transformed the Museum’s inner courtyard into the largest covered public square in Europe. We love this striking photo by @adders77 showing this incredible space at night #regram #repost
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum This wonderful photo by @what_fran_saw captures the stunning Great Court #regram #repost
The two-acre space of the Great Court is enclosed by a spectacular glass roof made of 3,312 unique pieces!
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum The roaring lions on the walls of King Nebuchadnezzar II’s palace represented the Babylonian king himself and were intended to astonish approaching visitors. Nebuchadnezzar commissioned major building projects in Babylon to glorify the capital of his empire. Glazed bricks in bright shades of blue, yellow and white were favoured for public monuments in order to emphasise both divine and royal power. These works displayed the might of the city and its king, who commanded unlimited resources.
Glazed brick panel showing a roaring lion from the Throne Room of Nebuchadnezzar II, 605–562 BC. From Babylon, southern Iraq. On loan from Vorderasiatisches Museum, Berlin.
Share your photos using #mybritishmuseum and tagging @britishmuseum.
#lion #art #history #BritishMuseum Lions have perhaps been adopted as a symbol more than any other animal. They are seen as proud, fierce and magnificent – characteristics that made kings and countries want to associate themselves with these charismatic big cats. As well as being the national symbol of England and Scotland, the lion is in many ways the symbol of the British Museum. Lions guard both entrances to the building. At the Montague Place entrance are the languid lions carved by Sir George Frampton, and on the glass doors of the Main entrance are the cat-like beasts designed by the sculptor Alfred Stevens in 1852.
This lion can be found on the wooden doorframe at the south entrance to the Museum, and its nose is polished smooth by the many visitors who rub it for luck on their way in. Share your photos using #mybritishmuseum and tagging @britishmuseum This colossal lion in the Great Court is one of the most photographed objects in the Museum. It weighs more than 6 tons and comes from a tomb in the ancient cemetery of Knidos, a coastal city now in south-west Turkey. The tomb stood on the edge of a cliff overlooking the approach to Knidos harbour. The building was 18 metres high and the lion was on top of its pyramid roof. The hollow eyes of the lion were probably originally inset with coloured glass, and the reflection of light may have been an aid to sailors navigating the notoriously difficult coast. It is carved from one piece of marble, brought across the Aegean Sea from Mt Pentelikon near the city of Athens. Opinions vary as to when it was built. One suggestion is that it commemorated a naval battle off Knidos in 394 BC.
We’ll be sharing more lovely lions this week! Share your photos using #mybritishmuseum and tagging @britishmuseum. Our next special exhibition will explore the remarkable story of Sicily. Discover an island with a cosmopolitan history and identity – a place where the unique mix of peoples gave rise to an extraordinary cultural flowering.
Norman Sicily was a centre of multiculturalism and its art reveals a unique mix of influences. The Norman kings invited Byzantine mosaicists from Constantinople to decorate their cathedrals and palaces. Spectacular golden mosaics can still be found in Roger II’s palace chapel and the cathedrals at Cefalù and Monreale. This mosaic, depicting the Virgin Mary, is all that remains of the extensive mosaics that once decorated Palermo Cathedral.
Book now for #SicilyExhibition, opening 21 April 2016 at britishmuseum.org/sicily 
Mosaic of the Madonna originally from Palermo Cathedral. Sicily, AD 1130–1189. © Museo Diocesano di Palermo.
#Sicily #Italy #art #mosaic #exhibition #BritishMuseum
Follow

Get every new post delivered to your Inbox.

Join 15,614 other followers

%d bloggers like this: