British Museum blog

Amara West 2012: coffin mask emerges from a pyramid tomb


Michaela Binder, Durham University

Painted plaster mask on a coffin lid, as revealed in G309.

Painted plaster mask on a coffin lid, as revealed in G309.

There is a general rule in archaeology, the most important finds always come at the very end of the season… and why should it be any different at Amara West?

In the western chamber of pyramid tomb G309, Åshild Vågene has started to reveal a Ramesside coffin made of wood and decorated with painted plaster.

So far, we have exposed most of the red-painted face of a coffin mask, shown with large yellow earrings and a black wig.

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Amara West 2012: mid-season report from the cemetery


Michaela Binder, Durham University

We’re now halfway through the season in the cemeteries of Amara West and we have excavated 10 tombs (four still ongoing) and made a number of exciting new discoveries. One of the more surprising discoveries so far was the tumulus dating to the early-middle Kerma period excavated by Ashild Vagene and Mohammed Saad at the start of the season.

Remains of a pyramid and tomb-chapel (G309)

Remains of a pyramid and tomb-chapel (G309)

Another major part of this season’s works is the pyramid tomb G309, only the third known at Amara West. Though of distinctive Egyptian appearance on the outside, underneath the surface the grave provides a particular mixture of Egyptian and Nubian cultural elements – a characteristic encountered in so many aspects of life at Amara West.

Difficult working conditions for Philip Kevin consolidating the coffin in G309

Difficult working conditions for Philip Kevin consolidating the coffin in G309

In G309 this is exemplified through a pottery assemblage which features several examples of Egyptian vessel types produced with a technique more typical of local Nubian pottery. At present, Philip Kevin, conservator in the Department of Conservation and Scientific Research at the British Museum, is working to preserve parts of a wooden coffin decorated with painted plaster.

No less interesting is G314, the grave Laurel Engbring has been working on for the past few weeks. Underneath a low burial mound, the grave features a shaft with two small burial chambers. While the western one still awaits investigation the eastern chamber is now almost fully exposed.

Mohammed Saad with workmen Rami Mohammed Abdu and Nayel Terab excavating Grave 319

Mohammed Saad with workmen Rami Mohammed Abdu and Nayel Terab excavating Grave 319

Inside we were able to document for the first time an almost complete wooden burial bed. Thanks to Philip, several large side elements could be consolidated and preserved. A female, placed on the bed in a flexed position – characteristic of Nubian funerary traditions – appears to have been covered in a coarse woven textile.

Elsewhere in the cemetery Mohammed Saad, after his exciting discoveries of an almost intact burial container in G317, has moved on to another, slightly different tomb with a nicely carved rock-cut burial chamber. A first glimpse into it leaves us with high expectations: three well-preserved skulls are visible, alongside pottery, all partly covered in sand…

 


 

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Amara West 2012: a new pyramid chapel


Milena Grzybowska

As my area of expertise is osteology (the scientific study of bones), I’m working in Cemetery D under Michaela Binder’s supervision. This is my first season on the Amara West project and the second day onsite has already brought the excitement I was hoping for.

Remains of a pyramid and tomb-chapel (G309)

Remains of a pyramid and tomb-chapel (G309)

I completed the pre-excavation documentation of feature G309 on Friday, and yesterday started excavating its central portion, with four local workmen, Nail, Mohammed, Ashmi and Akasze. The south-west interior corner of a building appeared very quickly. Brushes and trowels in hands, we were eager to define the extent of this structure.

Milena cleaning the remains of the chapel

Milena cleaning the remains of the chapel

The surviving remains, although presently not very high – 40 centimetres at the southern edge – still suggest a structure of impressive scale. Eight metres long and four metres wide, it is larger than the examples exposed previously. Constructed on an east-west axis, the grave originally consisted of a chapel, at the western edge of which stood a small brick pyramid.

Cleaning back sand from around the small pyramid base (right)

Cleaning back sand from around the small pyramid base (right)

What next? We will excavate the burial shaft, which might be over two metres in depth. Judging from the extent of the buildings and the adjacent mound of debris, whose height should reflect the depth of the grave, this phase of excavation might take some time. Let’s hope our patience will be rewarded with intact human remains and associated burial assemblages.

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In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

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You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
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#art #artist #Turner #history #watercolour ‪#IndigenousAustralia is now open. Discover a remarkable 60,000 years of continuous culture in our new special exhibition.
This show is the first major exhibition in the UK to present a history of Indigenous Australia through objects, celebrating the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders. See spectacular objects like Torres Strait Islander masks alongside significant paintings.
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#history #Australia #museum #BritishMuseum Happy #StGeorgesDay! Here he is killing the dragon and rescuing Lady Una on a medieval pilgrim badge
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