British Museum blog

Illustrating the discovery of the Mildenhall treasure

Mildenhall Great Dish Ralph Steadman, artist

Who knows when one ploughs a field what may be unearthed? This is what attracted me to the Roald Dahl story of the Mildenhall treasure.

Illustration of the discovery of the Mildenhall treasure. Images and text courtesy of Ralph Steadman

Illustration of the discovery of the Mildenhall treasure.

The ploughman, Gordon Butcher, was the lucky finder of the treasure that was unexpectedly revealed and now resides in the British Museum. When Roald Dahl first read the newspaper account of it, he called on Mr Butcher who at first was reluctant to talk to him as he thought he was just another reporter.

The Great dish from the Mildenhall treasure. Images and text courtesy of Ralph Steadman

The Great dish from the Mildenhall treasure.

Dahl assured Butcher that he was a short story writer and promised that he would sell the story to the US magazine The Saturday Evening Post. They would share the fee. Mr Butcher was delighted and wrote to tell him so on receipt of the cheque.

I got to know Liccy Dahl who allowed me to visit Roald’s small shed at the bottom of their garden and his writing chair that had been adapted to support the weakness in his back and which was still in place. I imagined him going there daily to write.

Illustration of the discovery of the Mildenhall treasure. Images and text courtesy of Ralph Steadman

Illustration of the discovery of the Mildenhall treasure.

I visited a local farm museum and sketched different pieces of farm machinery that would have been used at the time. I spent a few days at Mildenhall and its environs, including the museum, to capture how it would have been in the 1940s. It was important to give my drawings the authentic feeling for the flat Suffolk landscape and its inhabitants. Finally I went to see the Mildenhall treasure itself at the British Museum and was stunned by the richness and craftsmanship of the collection.

Images and text courtesy of Ralph Steadman

Silver service: fine dining in Roman Britain is on display at the British Museum
until 4 August 2013.

The Asahi Shimbun Displays

STEADman@77, a Ralph Steadman Retrospective, is on display at London’s Cartoon Museum until 21 July.

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In 2000, the Queen Elizabeth II Great Court designed by Foster and Partners transformed the Museum’s inner courtyard into the largest covered public square in Europe. We love this striking photo by @adders77 showing this incredible space at night #regram #repost
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum This wonderful photo by @what_fran_saw captures the stunning Great Court #regram #repost
The two-acre space of the Great Court is enclosed by a spectacular glass roof made of 3,312 unique pieces!
Share your photos of the British Museum with us using #mybritishmuseum and tag @britishmuseum The roaring lions on the walls of King Nebuchadnezzar II’s palace represented the Babylonian king himself and were intended to astonish approaching visitors. Nebuchadnezzar commissioned major building projects in Babylon to glorify the capital of his empire. Glazed bricks in bright shades of blue, yellow and white were favoured for public monuments in order to emphasise both divine and royal power. These works displayed the might of the city and its king, who commanded unlimited resources.
Glazed brick panel showing a roaring lion from the Throne Room of Nebuchadnezzar II, 605–562 BC. From Babylon, southern Iraq. On loan from Vorderasiatisches Museum, Berlin.
Share your photos using #mybritishmuseum and tagging @britishmuseum.
#lion #art #history #BritishMuseum Lions have perhaps been adopted as a symbol more than any other animal. They are seen as proud, fierce and magnificent – characteristics that made kings and countries want to associate themselves with these charismatic big cats. As well as being the national symbol of England and Scotland, the lion is in many ways the symbol of the British Museum. Lions guard both entrances to the building. At the Montague Place entrance are the languid lions carved by Sir George Frampton, and on the glass doors of the Main entrance are the cat-like beasts designed by the sculptor Alfred Stevens in 1852.
This lion can be found on the wooden doorframe at the south entrance to the Museum, and its nose is polished smooth by the many visitors who rub it for luck on their way in. Share your photos using #mybritishmuseum and tagging @britishmuseum This colossal lion in the Great Court is one of the most photographed objects in the Museum. It weighs more than 6 tons and comes from a tomb in the ancient cemetery of Knidos, a coastal city now in south-west Turkey. The tomb stood on the edge of a cliff overlooking the approach to Knidos harbour. The building was 18 metres high and the lion was on top of its pyramid roof. The hollow eyes of the lion were probably originally inset with coloured glass, and the reflection of light may have been an aid to sailors navigating the notoriously difficult coast. It is carved from one piece of marble, brought across the Aegean Sea from Mt Pentelikon near the city of Athens. Opinions vary as to when it was built. One suggestion is that it commemorated a naval battle off Knidos in 394 BC.
We’ll be sharing more lovely lions this week! Share your photos using #mybritishmuseum and tagging @britishmuseum. Our next special exhibition will explore the remarkable story of Sicily. Discover an island with a cosmopolitan history and identity – a place where the unique mix of peoples gave rise to an extraordinary cultural flowering.
Norman Sicily was a centre of multiculturalism and its art reveals a unique mix of influences. The Norman kings invited Byzantine mosaicists from Constantinople to decorate their cathedrals and palaces. Spectacular golden mosaics can still be found in Roger II’s palace chapel and the cathedrals at Cefalù and Monreale. This mosaic, depicting the Virgin Mary, is all that remains of the extensive mosaics that once decorated Palermo Cathedral.
Book now for #SicilyExhibition, opening 21 April 2016 at britishmuseum.org/sicily 
Mosaic of the Madonna originally from Palermo Cathedral. Sicily, AD 1130–1189. © Museo Diocesano di Palermo.
#Sicily #Italy #art #mosaic #exhibition #BritishMuseum
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