British Museum blog

Telling the human story of Pompeii and Herculaneum

Telling the human story of Pompeii and HerculaneumVanessa Baldwin, exhibition project curator, British Museum

Many of the objects on display in the exhibition Life and death in Pompeii and Herculaneum, are not artefacts, they are people’s possessions. The people living in these two cities saw them and used them every day; they commissioned them or bought them for each other, and for themselves.

After years of researching, planning, designing and building, the exhibition is now open and it’s all about the people – people going through their daily lives with no idea of what was coming; the volcanic eruption in AD 79 that destroyed their cities, their lives over in an instant.

My favourite object, at the moment – because it does change from moment to moment – is a marble plaque from Herculaneum. It was set up between two houses and on one side it reads: ‘this is the property of Marcus Nonius Dama, private and in perpetuity’. And on the other side it reads, ‘this is the wall of Julia, private and in perpetuity’.

Marcus and Julia were ex-slaves, and they were living next door to each other. They must have had some sort of dispute about the boundary between their houses and this plaque was set up to resolve it. The extraordinarily human stories like this one are what I love most in the exhibition: to know people’s names, know who they were living next door to, and how they might have lived.

Seeing the trucks full of objects arriving from Italy really took our breath away. To then see them emerge from their crates to become part of a design that we’d only ever seen on paper has been the most special experience.

Over the 15 months I’ve been working on the exhibition, it has been a privilege to share the process of staging an exhibition with the curator Paul Roberts and the many fantastic people in the Museum who’ve worked alongside us. To go from object research and selection to their arrival and installation has been a whirlwind that I’ll never forget.

And now we get to share the stories, the objects and the people of Pompeii and Herculaneum with everyone.

Life and death in Pompeii and Herculaneum is open from 28 March 2013.

The exhibition is sponsored by Goldman Sachs.
In collaboration with Soprintendenza Speciale per I Beni Archeologici di Napoli e Pompei.

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New treasure!


Richard Hobbs, curator, British Museum

‘New treasure!’ was the title of an email I received two weeks ago from a colleague. It refers to a new hoard, or ‘treasure’, of late Roman silver plate, recently discovered in Croatia at Vinkovci. In Roman times the town was known as Colonia Aurelia Cibalae (Cibalae for short) in the Roman province of Pannonia. Cibalae was the birthplace of the Roman emperors Valentian I and his younger brother Valens (both AD 364-375). The Cibalae treasure dates to around a similar time, i.e. the fourth century AD.

My Croatian being non-existent I’ve managed via ‘Google Translate’ to glean that the treasure was discovered during rescue excavations in advance of construction right in the centre of Vinkovci, then transported under armed guard to the Mimara Museum in Zagreb where it is now on display to the public. It consists of about 50 items of silver tableware weighing a total of around 30 kilos. For comparison, the Mildenhall treasure, the treasure I am currently researching, has about half that number of objects, but weighs almost as much (around 26kg). It is clear from the images that many of the objects are rather damaged and heavily tarnished, but cleaning and restoration over the coming months will no doubt do much to rectify this.

The Cibalae Treasure. Photo courtesy Steve Gaunt

The Cibalae Treasure. Photo courtesy Steve Gaunt

A more perfect set of circumstances surrounding the discovery of such a treasure could not be dreamed of. It is, to put it mildly, highly unusual for a silver treasure of this magnitude to be found at all, let alone by professional archaeologists. Such discoveries are exceedingly rare: the daily diet of most archaeologists is lots of pottery and animal bone, the occasional find of low value metalwork (perhaps an iron nail, or a copper brooch or coin). Even single finds of gold and silver objects are rarely found, let alone entire hoards. And because it has been excavated by professionals, we are likely to know a great deal more about it: we know exactly where it was buried, how deep it lay in the ground, and how it might have been buried, for example there might still be traces of a container in which it had been placed. In contrast such information relating to the burial circumstances of the Mildenhall treasure is sadly lacking.

Photo courtesy Steve Gaunt

Photo courtesy Steve Gaunt

The exact contents of the treasure will become clear in the next few weeks, months and years as the painstaking process of conservation and research is carried out. At the moment, I have to content myself with scrutinising the few images which have emerged from TV and newspaper reports. I can see, for example, that the Cibalae treasure has three large platters and at least two wide and deep bowls – in comparison the Mildenhall treasure has only two platters. It has at least another dozen smaller bowls and dishes – Mildenhall has six. It has many other vessels which are not represented in the Mildenhall treasure, but are paralleled in other treasures: these include silver beakers, also known from the Kaiseraugst treasure, discovered in Switzerland in the early 1960s; at least two silver jugs, also known in other treasures; and a number of spoons and ladles, again similar in appearance to ones known in other treasures. Most intriguingly, there are some pieces which are nicely decorated: one shows what appears to be Bellerophon slaying the chimera. This scene is in the centre of a platter with a very unusual flat rim decorated with a dozen recesses in the shape of scallop shells.

Even more exciting perhaps is a pastoral scene in the centre of another platter, which shows a shepherd leaning on a crook and surrounded by sheep: as my colleague Chris Entwistle, the curator of our Byzantine collections suggested, it would be tempting to think of the Parable of the Good Shepherd. If this is the case, it would be a very rare example of a Biblical scene on late Roman silver plate.

It’s early days in the life of this new discovery. Maybe in the next few months I will be able to see the treasure for myself.

Richard Hobbs is curator of Romano-British collections and is currently on a British Academy Mid-Career Fellowship to publish the Mildenhall treasure

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Filed under: Archaeology, Mildenhall treasure, Research, , ,

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