British Museum blog

The Salcombe Bay treasure

Shakespeare’s Restless World is currently being broadcast on BBC Radio 4. Today’s episode From London to Marrakech looks at sunken treasure and global trade networks.


Venetia Porter, curator, British Museum

This extraordinary find, discovered at Salcombe Bay in Devon in 1994, provides a glimpse into a fascinating period of history. In 1585, during the reign of Queen Elizabeth I, the Barbary Company was established to facilitate trade between England and Morocco. English merchants were excited by the commercial possibilities of obtaining sugar, saltpetre for making gunpowder and gold which was in short supply in Europe at this time.

Stories of the Moroccan ruler Ahmad al-Masur’s 1591 conquest of gold-rich Timbuktu and Gao in West Africa filtered out to the West and increased the desire for trade. A letter from one Laurence Madoc to Anthony Dassel (called ‘a merchant of London’ in Richard Hakluyt’s Principal Navigations) describes the feat of the conquest: ‘there went… for those parts seventeen hundred men: who passing over the sands for want of water perished one third part of them: and at their coming the Negroes made some resistance but to small purpose.’ Madoc marvels at the quality of gold available to the Moroccan ruler: ‘The rent of Tomboto [Timbuktu] is 60 quintals of golde by the yeere’ (approximately 600 kilos).

Ahmad al-Mansur (r.1578-1603) was known as al-Dhahabi, ‘the golden one’. He is said to have paid his functionaries in pure gold; his palace supposedly had golden walls. Legend also has it that during his reign, ‘1,400 hammers continuously struck coins at the palace gate.’ He had excellent relations with Elizabeth I. About a quarter of the coins from the wreck – more than a hundred – were struck by this ruler, and another hundred were struck by one of his sons Mawlay Zaydan (r.1608-27). The rest are mostly coins of other members of the family, down to the 1630s.

How were they acquired? In the souk of any city in the Islamic world, money-changers and dealers in jewellery would have been located together and often conducted both businesses. The fact that much of the jewellery is in pieces suggests that out merchant or sea captain obtained this as bullion to be melted down.

Receive notifications of new posts by email.

Join 12,987 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

The Roman emperor Marcus Aurelius was born #onthisday in AD 121.

Marcus Aurelius (AD 161-80), who appears on the coin set in this ring, is best known for his philosophical work, The Meditations. Although he was the most powerful man in the Roman Empire, he dwelt on the emptiness of glory: 'Shall mere fame distract you? Look at the speed of total oblivion of all and the void of endless time on either side of us and the hollowness of applause... For the whole earth is but a point, and of this what a tiny corner is our dwelling-place, and how few and paltry are those who will praise you.' It is ironic that such sentiments as these have preserved his fame to this day.
#ancientRome #emperor #history #museum #BritishMuseum Good luck to all in the #LondonMarathon today! Be inspired by this Spartan running girl from 520-500 BC, which features in our exhibition #DefiningBeauty It’s World #PenguinDay! This handsome King Penguin on display in the Enlightenment Gallery is on loan from the @natural_history_museum
#penguin #museum #BritishMuseum Born #onthisday in 1599: Oliver Cromwell. Here’s a terracotta portrait bust from around 1759
#history #Cromwell #art #bust Greece lightning: this exquisite bronze depicts Zeus, chief of the Greek gods #FridayFigure

In ancient Greece, powerful, shape-shifting gods provided compelling subjects for artists. The famous sculptor Phidias created a gold and ivory statue of Zeus, ruler of the gods, that was over 13 metres high for his temple at Olympia. One of the Seven Wonders of the Ancient World, it symbolised the awesome presence of the god at his sanctuary site. There was also drama to be found in the gods’ ability to change their form as a means of disguise. Zeus, ruler of the Olympian gods, could take animal form – he seduced Leda as a swan, carried away Europa as a bull and Ganymede as an eagle.

This bronze statuette splendidly represents the majesty of Zeus, ruler of the gods on Mount Olympus and lord of the sky. Zeus holds a sceptre and a thunderbolt, showing his control over gods and mortals, and his destructive power. Although just over 20cm high, this exquisite work appears to be a copy of a much grander statue that does not survive.

You can see this figure in our exhibition #DefiningBeauty, until 5 July 2015.
Bronze statuette of Zeus. Roman period, 1st–2nd century AD, said to be from Hungary.
#art #museum #exhibition #ancientGreece #Zeus #gods This beautiful watercolour of Tintern Abbey is by J M W Turner, thought to have been born #onthisday in 1755.

Even before he had entered the Royal Academy schools at the age of 14, Turner had worked as an architectural draughtsman. This training is evident in his fascination with the details of the famous ruins of this twelfth-century Cistercian Abbey in Monmouthshire, which he visited in 1792, and again in 1793. Tourists of the time were as much impressed by the way that nature had reclaimed the monument as by the scale and grandeur of the buildings. Turner's blue-green washes over the abbey's far wall blend stone and leaf together, and on the near arch the spiralling creepers seem to make the wind and light tangible. 
#art #artist #Turner #history #watercolour
Follow

Get every new post delivered to your Inbox.

Join 12,987 other followers