British Museum blog

Communicating with the dead?

Neal Spencer, British Museum

Sandstone bust (front)

Excavating ancient houses in the Nile Valley typically yields masses of pottery, simple stone tools and other modest objects.

Though unspectacular, these provide an important insight into the technologies, dietary customs and even religious beliefs of the ancient inhabitants, and sometimes help tell us how different spaces were used.

Project team member René Kertesz revealing the sandstone bust

Occasionally, however, a more spectacular find appears. Last season, digging the back room of a narrow three-roomed house dating to the time of Ramesses III or shortly after (around 1150 BC), the windblown sand parted to reveal a small sandstone bust of a male figure, still perched atop the pedestal constructed to support it.

Only 29.2cm high, the bust shows a male figure with a short wig. Remnants of blue and red paint on the chest and upper back suggest he was shown wearing a collar of beads and pendants.

Around 150 similar ancestor busts have been found – some are on display in the British Museum but this one is unusual in being found where the ancient inhabitants had placed it.

The back of the sandstone bust

Not all were placed in houses: some come from near temples, chapels and even tombs. Inscribed stelae show individuals offering to similar busts, and it has been suggested that these allowed the living to communicate and request the intervention of the deceased in earthly matters (disease, disputes and so on).

Narrow three-roomed house – the bust was found in the near room

Four examples are inscribed with the names of individuals, but the majority do not bear a name – like the Amara West example – and could perhaps have fulfilled different meanings for different people. Intriguingly, the rear room of the house was blocked up with the ancestor bust still inside, while people continued to live in the other two rooms.

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  1. […] In fact, the inhabitants may have slept in the central room, warmed by the hearth. The back of one house clearly functioned as a space for ritual activity – an ancestor bust was found there. […]

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This week we’re highlighting the work of our #AfricanRockArt image project. The project team are now in the third year of cataloguing, and have uploaded around 19,000 digital photographs of rock art from all over #Africa to the Museum’s collection online database.

This photograph shows an engraving of a large, almost life-sized elephant, found on the Messak Plateau in #Libya. This region is home to tens of thousands of depictions, and is best known for larger-than-life-size engravings of animals such as elephants, rhino and a now extinct species of buffalo. This work of rock art most likely comes from the Early Hunter Period and could be up to 12,000 years old.

Follow the link in our bio and explore 30,000 years of stunning rock art from Africa. Watch the incredible discovery of this colossal statue, submerged under the sea of thousands of years. This colossal 5.4-metre statue of Hapy was discovered underwater in what was the thriving and cosmopolitan seaport of Thonis-Heracleion. It once stood in front of a temple and would have been an impressive sight for traders and visitors arriving from the Mediterranean.

Come face to face with the ancient Egyptian god Hapy for yourself in our‪ #SunkenCities exhibition, until 27 November 2016.

Colossal statue of Hapy. Thonis-Heracleion, Egypt. About 380-250 BC. Maritime Museum, Alexandria. © Franck Goddio/Hilti Foundation. The discovery of this stela, which once stood at the entrance of the main entry port into ancient Egypt, was an extraordinary moment. Its inscription detailing taxes helped solve a 2,000-year-old mystery!

This magnificent monument was crucial to revealing that Thonis (in Egyptian) and Heracleion (in Greek) were in fact the same city. The decree was issued by the pharaoh Nectanebo I, regarding the taxation of goods passing through the cities of Thonis and Naukratis, and it originally stood in the Temple of Amun-Gereb. The inscription states that this slab stood at the mouth of the ‘Sea of the Greeks’ (the Mediterranean) in Thonis.

A bilingual decree found in 1881 refers in its Greek inscription to ‘the Temple of Heracleion’ and in hieroglyphs to ‘the Temple of Amun-Gereb’. Together these objects revealed that Thonis and Heracleion were the same place.

Learn more about the deep connections between the great ancient civilisations of Egypt and Greece in our #SunkenCities exhibition.
Stela commissioned by Nectanebo I (r. 380–362 BC), Thonis-Heracleion, Egypt, 380 BC. © Franck Goddio/Hilti Foundation. For centuries nobody suspected that the #SunkenCities of Thonis-Heracleion and Canopus lay beneath the sea. Recorded in ancient writings and Greek mythology, the ancient Egyptian cities were believed to be lost.

Over the last 20 years, world-renowned archaeologist Franck Goddio and his team have excavated spectacular underwater discoveries using the latest technologies. The amazing rediscovery of these lost cities is transforming our understanding of the deep connections between the great ancient civilisations of Egypt and Greece.

See more magical moments of discovery in our #SunkenCities exhibition, until 27 November 2016. © Franck Goddio/Hilti Foundation.

#archaeology #diving #ancientEgypt This week we’re highlighting some of the incredible clocks and watches on display in the Museum. Mechanical clocks first appeared in Europe at some time between 1200 and 1300. Their introduction coincided with a growing need to regulate the times of Christian prayer in the monasteries. Telling the time with a sundial was especially difficult in western Europe with its unreliable weather. From the end of the 13th century, clocks were being installed in cathedrals, abbeys and churches all around Europe.

The design of turret clocks (public clocks) changed little over the following three centuries and this particular example, made around 1600, has similar characteristics to clocks made for churches in the medieval period. The maker of this clock was Leonard Tenant, one of the most prolific makers of church clocks in the first half of the 17th century. The clock was installed in Cassiobury Park, a country house near Watford.

See this incredible clock in Rooms 38-39 
#clocks #watches #horology When clocks and watches were invented around 1200, sound, touch and illumination were all used to read the time in darkness. This was significant because electric lighting did not become widespread until the 20th century.

This photograph shows a detail from a night clock by Pietro Tomasso Campani made in 1683. When it is dark, light from an oil lamp behind the dial shines through the cut-out Roman numerals enabling the time to be read. Each hour, the numeral for that hour moves round the dial. This ‘wandering hour’ dial was invented by the makers of this clock.

You can see this clock in a new display of clocks and watches in our Members’ Room, just one of the many benefits of becoming a Member of the British Museum. Find out more about Membership at www.britishmuseum.org/membership
#clock #watch #nightclock #horology
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