British Museum blog

In search of ancient Nile channels

Mark Macklin, University of Aberystwyth and
Jamie Woodward, University of Manchester

Pit dug through the ancient Nile channel at Amara West

As part of a wider international project investigating the evolution of the Nile and its major tributaries over the last 30,000 years (funded by the Australian Research Council since 2008, and more recently by The Leverhulme Trust), we have been reconstructing past river environments, channel movements, and flooding in the desert Nile of Northern Sudan.

We are especially interested in the impact that environmental change has had on riverine societies over the last 7,000 years or so.

Our research has focussed on two sections of the Sudanese Nile and involves collaboration with two British Museum field projects. The first is centred on Dongola, between the fourth and third Nile cataracts, and the second at Amara West.

The primary aim of our work at Amara West is to establish the relationship between the settlement of the New Kingdom town (about 1290-1070 BC), which is located on a former island within the River Nile, and the river channels that surround it.

Map showing the original island position of Amara West

During a reconnaissance visit in 2009 we began to investigate the sedimentary record preserved in the now abandoned channel immediately to the north of the town.

Two key questions we are hoping to answer include:

    Was the channel flowing during the New Kingdom as suggested by the town layout?
    Did the drying up of the channel affect the viability of settlement at Amara West?

This year a four metre-deep pit, shored up with 82 sandbags, was dug into the sediments infilling the now dry channel, which revealed a detailed record of past Nile floods.

Mark Macklin and Jamie Woodward examining layers of sand and river silt

On the basis of preliminary dating of sediment samples collected in 2009, this sequence begins around 1100 BC, close to the end of Egyptian occupation of the area, and spans several centuries.

Additional samples have been collected in the last few days to provide more precise dating for the drying out of the channel. These will allow us to better understand the relationship between changing river environments and the archaeological record of Amara West.

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , , , ,

One Response - Comments are closed.

  1. Arun Nigudkar says:

    similarly , I am on the look out of why Alexander the Great lost huge army in 326BC while returning from India. , via Sindh desert. Whether it was food , fodder and water problem , or total defeat at Jhelam River at the hands of Porus? Has any British History Man done physical research of the dry channels of Sindhu river in Sindh desert? Do you have any archaeological/ land sat Imagery pictures to enlighten ? P;. do.

    Arun Nigudkar

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 16,380 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Our #SunkenCities exhibition is the first at the British Museum on underwater archaeology. Over the last 20 years, world-renowned archaeologist Franck Goddio and his team have excavated spectacular underwater discoveries using the latest technologies. 
At the mouth of the Nile, the city of Thonis-Heracleion flourished as the main entry point into Egypt. Underwater excavations have found a large harbour, numerous ships and anchors, proving this was an international port. This magnificent monument was crucial to revealing that Thonis (in Egyptian) and Heracleion (in Greek) were in fact the same city. The decree was issued by the pharaoh Nectanebo I, regarding the taxation of goods passing through Thonis and Naukratis. A copy was found in the main Egyptian temple in each port. The inscription states that this slab stood at the mouth of the ‘Sea of the Greeks’ (the Mediterranean) in Thonis. 
Learn more about the connections between the ancient civilisations of Egypt and Greece in our #SunkenCities exhibition - until 30 November. Follow the link in our bio to find out more about it. 
Stela commissioned by Nectanebo I (r. 378–362 BC), Thonis-Heracleion, Egypt, 380 BC. On loan from National Museum, Alexandria. Photo: Christoph Gerigk. © Franck Goddio/Hilti Foundation. For centuries nobody suspected that Thonis-Heracleion and Canopus lay beneath the sea. Recorded in ancient writings and Greek mythology, the cities were believed to be lost. After sightings from a plane, a diving survey was organised in 1933 to explore submerged ruins. But it was only from 1996, with the use of innovative techniques and a huge survey covering 42 square miles of the seabed, that underwater archaeologists rediscovered the lost cities. 
Thonis-Heracleion and Canopus were thriving cities long before the foundation of the great port of Alexandria in 331 BC. Finds suggest that they were still inhabited into the AD 700s. The cities’ disappearance was caused by gradual subsidence into the sea – much like Venice today – coupled with earthquakes and tidal waves. This triggered a phenomenon known as land ‘liquefaction’, when the ground turns into liquid. 
This reconstruction shows what the port of Thonis-Heracleion could have looked like, dominated by the Temple of Amun-Gereb. Follow the link in our bio to book your tickets to our #SunkenCities exhibition. © Yann Bernard. © Franck Goddio/Hilti Foundation. Recent underwater excavations at the mouth of the Nile in Abukir Bay, Egypt, have revealed two ancient cities, perfectly preserved beneath the sea. Our #SunkenCities exhibition tells of the extraordinary rediscovery of the international port Thonis-Heracleion, and the city of Canopus, famed for their temples which attracted religious devotees from Egypt and beyond. 
Since 1996, underwater investigation using state-of-the-art technology has uncovered spectacular objects, including colossal statues, religious offerings and ancient ships. The finds shed new light on the interaction between ancient Egypt and the Greek world at a crucial period in their history, from the arrival of Greeks in Egypt around 650 BC, to the reign of the Greco-Macedonian Cleopatra VII, the last pharaoh of Egypt (51–30 BC). With only a fraction of these sites explored so far, annual excavations are continuing to uncover the cities’ long-hidden secrets. 
This 2,000-year-old bust depicts Neilos, the Nile river god. Neilos appealed to Egyptians and Greeks alike – he was the Greek version of Hapy, the Egyptian personification of the annual Nile flood that brought prosperity and fertility to the land. This bust was once mounted into a large decorative shield and adorned a temple in the ancient Egyptian city of Canopus. It was discovered by underwater archaeologists at the base of the wall on which it once hung. 
Follow the link in our bio to find out more about our unmissable exhibition. 
Bust of Neilos. Canopus, AD 100–200. On loan from Maritime Museum, Alexandria. Photo: Christoph Gerigk. © Franck Goddio/Hilti Foundation. This astonishingly detailed miniature altarpiece has been photographed by @micahfoundaquarter. Made in 1511 in the Netherlands, it’s only 25cm tall but contains incredibly intricate carvings that show Christian religious scenes in triptych form (in three parts). Aside from the masterful craftsmanship, this object is notable for its use of both Gothic and Renaissance stylings. It offers an insight into the spread of ideas and styles into northern Europe from the birthplace of the Renaissance, Italy.
Share your photos with us using #myBritishMuseum
#carving #Gothic #Renaissance #Netherlands #detail This photo by @ozemile captures the pensive expression of Marsyas, a figure from Roman and Greek mythology. Marsyas was a satyr, male companions of the Greek god of wine, Dionysus (Roman: Bacchus). Among other things they were associated with playing the aulos, an ancient type of wind instrument. In this Roman statue, Marsyas is portrayed making the fateful decision to pick up the pipes that had been invented and discarded by the goddess Athena. Later, he accepted a musical challenge against Apollo’s lyre (a small harp-like instrument). Unfortunately for Marsyas, he lost, and suffered a grisly demise for daring to challenge a god!
Share your photos with us using #myBritishMuseum
#Roman #statue #Greek #sculpture #mythology We’re highlighting some of our favourite photos taken by visitors. Don’t forget to share your photos with us using #myBritishMuseum. Here’s a great shot of the Discobolus – that means ‘discus thrower’ – by @everyjoon. The photo captures the majestic scale of the athlete, and his dynamic pose. Sculpted during the 2nd century AD in Roman Italy, the statue is in fact a copy of a Greek bronze original, made around 700 years earlier. It was found in Hadrian’s villa at Tivoli, near Rome. Among other things, it is famous for having a head that doesn’t belong to the original body. The head is very close in age and style, and uses marble that is exceptionally well-matched to the torso, but it has been attached at the wrong angle! Complete statues from the time reveal the head to be turned to look towards the discus, rather than the floor.
#Discobolus #sculpture #Roman #Greek #statue #discus
%d bloggers like this: