British Museum blog

The tempo of the working day gathers pace…

Tom Lyons, archaeologist

Sunrise on the Nile at Ernetta, before boarding for the commute to Amara West

Being a new member of the British Museum’s excavation team at Amara West I’ve had to adapt to a different set of working conditions including a new set of colleagues, unfamiliar archaeology, wide-ranging temperatures and a spectacular dawn commute to work on a crowded boat down the Nile.

Having left behind my regular archaeological job in Britain where one typically investigates ditches, field systems and scant remains of housing I now find myself in one of the best preserved pharaonic towns (chiefly thanks to 3000 years of windblown sand).

Collapsed doorway from an earlier house, found beneath later architecture of house E13.3-N

As I’ve worked on other archaeological projects in the near east I have encountered buildings constructed in mud brick before. Many archaeological principles remain the same and now that the excavation is nearing a close I’m very familiar with the process of revealing buried architecture among collapsed buildings, and clay floor surfaces and recovering a variety of domestic objects such as large grinding stones, ovens and masses and masses of pottery.

My task is to supervise the excavation of a narrow house dating to about 1100 BC with local workmen removing the archaeological structures and deposits after I identify, draw and describe them. This task is complicated by the fact that several different phases of architecture still exist in the same space. Distinguishing them and reconstructing the original sequence of events is a crucial component of the work.

Beginning the excavation of house E13.3-N, four weeks ago

Now that the end of this season is approaching, the tempo of the working day gathers pace – while the number of as yet unanswered questions increases.

After excavating three rooms in the building almost completely, only the standing architecture and the very earliest floors (and deposits) remain, my attention now turns to the rest of the house next door, partly excavated in 2010 during last year’s season.

Tom Lyons cleaning a door blocking in front of the house

At present we think there are three architectural phases, although identifying each one and its true extent sometimes feels like informed speculation at best – or at worst a confusing set of circular relationships. A simple sketch plan of the archaeology as you interpret it can be much more constructive than unsatisfying discussions of the buildings under the glare of the midday Saharan sun.

In most cases the answers usually reveal themselves with further digging…

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology, , ,

One Response - Comments are closed.

  1. Tom Phillips says:

    ‘my regular archaeological job in Britain where one typically investigates ditches, field systems and scant remains of housing’ – which is what Im doing at this very moment! Lovely stuff.

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 16,341 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

This is an exquisitely decorated purse lid from the Anglo-Saxon burial at #SuttonHoo, which was brought to the world's attention #onthisday in 1939. In this object the quality of craftsmanship can really be appreciated. The lid is only 19cm in length but it must have been incredibly valuable. The outstanding nature of the finds at Sutton Hoo points to this being the burial of a leading figure in East Anglia, possibly a king. The landowner Mrs Edith Petty donated the discovery to the British Museum in 1939.
#SuttonHoo #Gold #Archaeology #AngloSaxon Today we’re celebrating the unearthing of the beautiful Anglo-Saxon objects from #SuttonHoo, which were found #onthisday in 1939. Arguably the most iconic of all the objects, this helmet was an astonishingly rare find. Meticulous reconstruction has allowed us to see its full shape and some of the complexity of the fine detailing after it was damaged in the burial chamber. The gold areas of the helmet reveal a dragon or bird-like figure – the moustache forms the tail, the nose forms the body and the eyebrows form the wings, with a head just above. Another animal head can be seen facing down towards this.
#SuttonHoo #AngloSaxon #Gold #Helmet #Archaeology #onthisday in 1939, just before the outbreak of the Second World War, archaeologists discovered the treasures of #SuttonHoo. It was one of the most important historical discoveries of the 20th century, and contained a wealth of Anglo-Saxon objects which greatly enhanced the understanding of the early medieval period. One of the most significant things to be found was an undisturbed ship-burial, the excavation of which can be seen in this photo. The 27-metre-long impression the ship left in the earth is highly detailed and was painstakingly recorded. The centre of the ship contained a burial chamber housing some spectacular objects – we’ll be sharing some highlights today.
#SuttonHoo #AngloSaxon  #archaeology #archive #blackandwhite This photograph shows a mountainside in #Angola featuring large engravings which may be thousands of years old. This rock art is found at Tchitundu-Hulu Mulume, one of a group of four rock art sites located in the south-west corner of Angola, by the edge of the Namib desert. The area is a semi-arid plain characterised by the presence of several inselbergs (isolated hills rising from the plain). Of the four sites, Tchitundu-Hulu Mulume is the largest, located at the top of an inselberg, 726 metres in height. There are large engravings on the slopes of the outcrop, most of them consisting of simple or concentric circles and solar-like images.

Our #AfricanRockArt image project team have now completed cataloguing 19,000 rock art images from Northern, Eastern and Southern Africa, and will be completing work on sites from Southern African countries in the final phase of the project. Follow the link in our bio to find out more about our African #rockart image project and the incredible images being catalogued.
Photograph © TARA/David Coulson. Our #AfricanRockArt project team is cataloguing and uploading around 25,000 digital images of rock art from throughout the continent. Working with digital photographs has allowed the Museum to use new technologies to study, preserve, and enhance the rock art, while leaving it in situ.

As part of the cataloguing process, the project team document each photograph, identifying what is depicted. Sometimes images are faded or unclear. Using photo manipulation software, images can be run through a process that enhances the pigments. By focusing on different sets of colours, we can now see the layers that were previously hidden to the naked eye.

This painted panel, from Kondoa District in #Tanzania, shows the white outline of an elephant’s head at the right, along with some figures in red that it is possible to highlight with digital enhancement.

Tanzania contains some of the densest concentrations of rock art in East Africa, mainly paintings found in the Kondoa area and adjoining Lake Eyasi basin. The oldest of these paintings are attributed to hunter-gatherers and may be 10,000 years old.

Follow the link in our bio to learn more about the project and see stunning #rockart from Africa. This week we’re highlighting the work of our #AfricanRockArt image project. The project team are now in the third year of cataloguing, and have uploaded around 19,000 digital photographs of rock art from all over #Africa to the Museum’s collection online database.

This photograph shows an engraving of a large, almost life-sized elephant, found on the Messak Plateau in #Libya. This region is home to tens of thousands of depictions, and is best known for larger-than-life-size engravings of animals such as elephants, rhino and a now extinct species of buffalo. This work of rock art most likely comes from the Early Hunter Period and could be up to 12,000 years old.

Follow the link in our bio and explore 30,000 years of stunning rock art from Africa. © TARA/David Coulson.
Follow

Get every new post delivered to your Inbox.

Join 16,341 other followers

%d bloggers like this: