British Museum blog

President Karzai opens Afghanistan exhibition

St John Simpson, Exhibition Curator

On 22 February 2011, we began a week of previews for the exhibition, including a communities day for groups we regularly engage with through exhibitions such as this. We had a very good turn-out from members of the Afghan community in London for whom this was a very special event. Omer Sultan, the visiting deputy Minister for Culture and Information in Afghanistan, led a special tour of the exhibition and it was touching to see and hear comments from young Afghans who had never seen such items before or believed they would see their country’s treasures in London.

British Museum Director, Neil MacGregor, with Afghanistan's President Karzai and British Foreign Secretary William Hague at the exhibition opening. © Benedict Johnson

This event was followed by back-to-back press interviews with a special press release about the Begram ivories and a press launch for the exhibition. During this time we had over 200 media organisations represented, including print, radio, TV and web, and the coverage has already been global and very positive.

Once the last reporters had left, the final stages of preparations were made for the official opening of the exhibition on 1 March. Well over a thousand invitations had been sent out months in advance but the organisation of the speeches was kept a surprise until the last minute. While the guests were assembling, President Hamid Karzai and William Hague, the British Foreign Secretary, arrived at the British Museum and were greeted by the director Neil MacGregor, who led them into the exhibition on a special preview. The delegation also included members of the Afghan Ulema and Sir William Patey, the British ambassador to Afghanistan who has been a great supporter of this exhibition.

Community groups at the exhibition preview. © Benedict Johnson.

The following evening was reserved for the exhibition supporters Bank of America Merrill Lynch and another was given to the Patrons of the British Museum and on 3 March the exhibition opened to the public – the culmination of four years of planning.

The work isn’t finished though. Throughout the next four months that the exhibition is open we have a very varied public programme. It begins next weekend (12 – 13 March) with a two-day conference with papers given by some of the world’s specialists on ancient Afghanistan and its connections with the ancient world. There are some exciting surprises in store for anyone who wants to attend, including how the wonderful glass fish from Begram were made or where Alexander the Great met his future wife Roxane.

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Filed under: Afghanistan: Crossroads of the Ancient World, Exhibitions

One Response - Comments are closed.

  1. enilla says:

    i really like the crown i wonder wot wud happen if i put it on my head how would i look?

    Like

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Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
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#Ming #gold #jewellery #China #BritishMuseum Our next trio of objects shows off some of the shimmering gold in the Museum’s collection. This stunning piece of jewellery comes from Egypt and was made around 600 BC. It was worn across the chest – this type of accessory is known as a ‘pectoral’. Popular throughout ancient Egypt, pectorals have been found from as early as 2600 BC. This example is made from gold and is inlaid with glass, showcasing the incredible level of craftsmanship in Egypt at the time, and asserting the status of the wearer. Falcons were important symbols in ancient Egypt – the god Horus took the form of a falcon.
#AncientEgypt #gold #jewellery #BritishMuseum
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