British Museum blog

From ancient coins, to Medieval gold: public archaeological finds revealed

Michael Lewis, Portable Antiquities Scheme, British Museum
Today, we launched the latest Portable Antiquities and Treasure Annual Report at the British Museum, with the help of Ed Vaizey, Minister for culture, communications and creative industries.

The report outlines the thousands of archaeological objects discovered and reported by members of the public through the Portable Antiquities Scheme (PAS) in 2008 and to mark the occasion we had some of the more important or interesting finds on show.

Late Iron Age coin hoard of 840 gold staters, about AD 15-20.

Late Iron Age coin hoard of 840 gold staters, about AD 15-20. © Portable Antiquities Scheme

Among them was a Late Iron Age coin hoard of 840 gold staters from the Wickham Market area in Suffolk, dating to about AD 15-20. The coins were discovered in March 2008; and more were later found during an excavation of the findspot by Suffolk County Council’s Archaeology Service. It’s the largest hoard of Iron Age gold coins discovered since a similar hoard – the Whaddon Chase Hoard (Buckinghamshire) – was unearthed in 1849.

Unfortunately the Whaddon Chase Hoard was partially dispersed following its discovery, making it difficult to estimate the number of coins found. It is hoped that Colchester and Ipswich Museums will be able to raise the funds to acquire it, which is currently on display in Room 41 at the British Museum.

Roman knife handle from Syston, Lincolnshire.

Roman knife handle from Syston, Lincolnshire. © Portable Antiquities Scheme

Another intriguing find is a Roman knife handle from Syston, Lincolnshire. Its precise date in unknown. It was found by a man named David Barker and depicts an erotic scene involving two males and a female, and a decapitated head.
Only a handful of erotic knife handles are known from Britain, and this is of a new type. The significance of the decapitated head is unclear. The find has been acquired by The Collection, Lincoln.

On 7 August 2008 Darren Hoyle found a Medieval gold locket in Rolleston, Nottinghamshire, which dates to about AD 1450-1500. It has an inscription, which reads cauns [sauns] repentir (without regret), which may have been an amatory phrase. It is closely comparable to a similar object found as part of the Fishpool Hoard (also from Nottinghamshire), in 1966, which is on display in the British Museum.

The Fishpool Hoard is thought to have been deposited in May 1464, during the Wars of the Roses, and it is possible the Rolleston and Fishpool lockets were made by the same workshop. The Rolleston locket has been acquired by the British Museum.

Medieval gold locket found in Rolleston, Nottinghamshire, about  AD 1450-1500

Medieval gold locket found in Rolleston, Nottinghamshire, about AD 1450-1500. © Portable Antiquities Scheme

The PAS was established in 1997 to record archaeological objects found by the public, to coincide with the passing of the Treasure Act 1996, under which finders have a legal obligation to report precious Treasure finds. The British Museum now manages the PAS and administers the Treasure Act.

Since 1997 there has been a significant increase in the reporting of both Treasure and non-Treasure finds. In 2010, 90,146 archaeological objects were recorded through the PAS – a 36% increase on 2009 – and 859 Treasure cases, up 10%. These finds, are important clues for understanding the past, telling us where and how people lived, and what they did. They also offer a tangible link with everyday people, often ignored in written sources.

The finds recorded are of many different types, including flints worked into tools, coins and tokens, pottery, copper-alloy dress accessories (brooches, pins, buckles etc), as well as high-status gold and silver objects. Some are complete, but many are incomplete, broken and/or worn. Even so all have archaeological value.

Group of Early Medieval gold objects from West Yorkshire, about AD 600-1100.

Group of Early Medieval gold objects from West Yorkshire, about AD 600-1100. © Portable Antiquities Scheme

Most importantly, all finds recorded with the PAS have good findspot information. Archaeologists need to know exactly where a find was found to fully unleash its archaeological potential.

Without a findspot, the most spectacular discovery has almost no archaeological value. Conversely, if the findspot is known then it is possible to compare an object with others of that type, to see if there are distribution patterns, or learn more about the area where the find was discovered. Indeed, some common finds can be rare for a particular place, and therefore the findspot is of crucial importance.

A majority of the finds recorded by the PAS or reported Treasure have been found by members of the public; in fact the PAS only records object found by the public, though archaeologists too have a legal obligation to report Treasure.

Most archaeological finds nowadays are found by metal-detectorists, but now and again someone out walking or digging in their garden will make a chance discovery, and should take it to their local museum so it can be recorded with the PAS.

Now the funding of the PAS has been secured for the next four years there is great potential for the Scheme to further advance our knowledge of the past. Over the past few years there have been some amazing finds – such as the Staffordshire Hoard and Frome Hoard – and it is almost certain others will be found before long. But only if the finds are properly recovered and recorded will they have the potential to change the archaeological map of the country…

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  1. Pauline says:

    I find that the gold objects from West yorrkshire very well done, and so fine for this period. Would the gold have come from Wales perhaps?

    Like

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Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
#hoard #gold #jewellery #turquoise #treasure Continuing our exploration of the golden objects in the Museum, this amazing inlaid plaque is from 15th-century China. Lined with semi-precious stones, this piece would have formed part of a pair sewn into a robe. We can tell this belonged to an emperor of the Ming dynasty because only he would have been allowed to use items decorated with five-clawed dragons.
#Ming #gold #jewellery #China #BritishMuseum Our next trio of objects shows off some of the shimmering gold in the Museum’s collection. This stunning piece of jewellery comes from Egypt and was made around 600 BC. It was worn across the chest – this type of accessory is known as a ‘pectoral’. Popular throughout ancient Egypt, pectorals have been found from as early as 2600 BC. This example is made from gold and is inlaid with glass, showcasing the incredible level of craftsmanship in Egypt at the time, and asserting the status of the wearer. Falcons were important symbols in ancient Egypt – the god Horus took the form of a falcon.
#AncientEgypt #gold #jewellery #BritishMuseum In 1991, BMW invited South African artist Esther Mahlangu to make a work of art in their Art Car project to mark the end of apartheid. Her work, with its brightly coloured geometric shapes, draws on the traditional house-painting designs of Ndebele people in South Africa. Under apartheid the Ndebele were forced to live in ethnically defined rural reserves – their designs are an expression of cultural identity, and can be read as a form of protest against racial segregation and marginalisation.

See this incredible Art Car as part of our #SouthAfricanArt exhibition, which opens 27 October 2016. You can book your tickets now by following the link in our bio.

Esther Mahlangu (b. 1935), detail of BMW Art Car 12, 1991. © Esther Mahlangu. Photo © BMW Group Archives.
#SouthAfrica #history #art #design Mapungubwe was the capital of the first kingdom in southern Africa from AD 1220 to 1290. This gold rhinoceros, alongside four other gold sculptures, was discovered in three royal graves there. They are among the most significant sculptures in Africa today. They depict animals of high status – an ox, a wild cat, and a rhinoceros – and also objects associated with power – a sceptre and a bowl or crown. These treasures were discovered alongside hundreds of gold objects, including bracelets and beads. Gold was mined in the regions around Mapungubwe for trade with the coast, as part of an international trade network stretching as far as China, becoming a status symbol for the kingdom’s rulers.

On loan from the University of Pretoria @upmuseums, these gold treasures will be a highlight of our #SouthAfricanArt exhibition, opening 27 October 2016. Find out more about the exhibition by following the link in our bio.
#SouthAfrica #rhino #art #history Our special exhibition this autumn will explore the fascinating history of South Africa through art, telling a story that stretches back 100,000 years.

Rock art is one of South Africa’s oldest artistic traditions. It was first made by the ancestors of San|Bushmen and Khoekhoen, South Africa’s first peoples, at least 30,000 years ago.

This rock painting will feature in the exhibition. It depicts San|Bushmen running between eland, a type of antelope that is spiritually important. Hunter-gatherer rock paintings such as this are understood to relate to a ritual practice named ‘the great healing’ or ‘trance dance’, which continues today in the Kalahari outside of South Africa. 
The paintings address the relationship between healers, or shamans, and the worlds of the living and the dead. In the painting some eland are bleeding from the nose and frothing at the mouth. Eland do this when they are close to death, and shamans show similar symptoms when they are metaphorically ‘dying’ and entering the world of the dead during the great trance dance.

Find out more about our #SouthAfricanArt exhibition by clicking on the link in our bio.

The Zaamenkomst Panel. Detail of rock art depicting San|Bushmen running between eland. Made before 1900. On loan from Iziko Museums of South Africa, Social History Collections and SARADA. Photo: Neil Rusch.
#rockart #SouthAfrica #painting
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