British Museum blog

Back in the lab: analysing skeletal remains from Amara West


Michaela Binder, Durham University

Since early July, I’ve been in London, finally getting to analyse the human remains we excavated last season at Amara West. The human skeleton acts as a unique database about a number of different aspects of past human life. It can reveal information about a person’s life such as sex, age at death, diet or health – even a few thousand years after the person died.

Tracing this information is part of my job as a physical anthropologist.

Working in the bioarchaeology laboratory in the Department of Ancient Egypt and Sudan, British Museum

Working in the bioarchaeology laboratory in the Department of Ancient Egypt and Sudan, British Museum

This does not necessarily require special technical equipment or analysis but can usually be deduced from visible inspection of the bones alone. For example, while certain shape traits in the skull and pelvis give information about whether the individual was male or female, attrition of the teeth and degenerative changes in specific parts of the hip bone can tell us how old a person was when he or she died.

Currently, I’m working on the human remains from the chamber of Grave 234. One of the more challenging tasks working on the burials from this grave is to find out how many people were actually buried there. Since the grave was re-used so many times, many of the burials had become jumbled together. Attributing all elements to an individual is unfortunately not always possible. Nevertheless, I can identify two more adult men and a juvenile, in addition to the four intact burials in the centre of the chamber.

Commingled burials in Grave 234 at Amara West

Commingled burials in Grave 234 at Amara West

One of the most interesting aspects of my work is when we find evidence of injuries or diseases. Even though we usually don’t find out how a person died, some injuries and diseases that occur during lifetime leave a well visible imprint on the bones. One particularly striking example from Grave 234 is a hip bone which was fractured in three different places.

The right pelvis of an adult male with fractures in three locations. Note the tiny holes – these were caused by termites.

The right pelvis of an adult male with fractures in three locations. Note the tiny holes – these were caused by termites.

Injuries of this type require high energy and are nowadays mainly associated with motor vehicle accidents or falls from great heights. Moreover they often lead to serious complications and death if the internal organs are affected as well. Although we will never know the causes of this individual’s injuries, we can speculate that it may have been a fall that occurred during building work or agricultural labour.

Such injuries are very painful but nevertheless, with two-three months rest and stabilisation, they usually heal well and do not lead to any significant walking problems. The same apparently happened in this person as the injuries are well healed, indicating that he lived on for at least several months – if not for years.

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Filed under: Amara West, Archaeology, , , , , ,

2 Responses - Comments are closed.

  1. hecallaghan says:

    Very interesting – one wonders what the patient’s recovery instructions were – whatever they were, they must have worked!

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  2. Fascinating stuff – amazing to think that a fall whilst at work nowadays would perhaps result in a claim but back then they just rested and coped with the pain – and it worked! I think we could all learn a lot from their strength of character!

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Our #AfricanRockArt project team is cataloguing and uploading around 25,000 digital images of rock art from throughout the continent. Working with digital photographs has allowed the Museum to use new technologies to study, preserve, and enhance the rock art, while leaving it in situ.

As part of the cataloguing process, the project team document each photograph, identifying what is depicted. Sometimes images are faded or unclear. Using photo manipulation software, images can be run through a process that enhances the pigments. By focusing on different sets of colours, we can now see the layers that were previously hidden to the naked eye.

This painted panel, from Kondoa District in #Tanzania, shows the white outline of an elephant’s head at the right, along with some figures in red that it is possible to highlight with digital enhancement.

Tanzania contains some of the densest concentrations of rock art in East Africa, mainly paintings found in the Kondoa area and adjoining Lake Eyasi basin. The oldest of these paintings are attributed to hunter-gatherers and may be 10,000 years old.

Follow the link in our bio to learn more about the project and see stunning #rockart from Africa. This week we’re highlighting the work of our #AfricanRockArt image project. The project team are now in the third year of cataloguing, and have uploaded around 19,000 digital photographs of rock art from all over #Africa to the Museum’s collection online database.

This photograph shows an engraving of a large, almost life-sized elephant, found on the Messak Plateau in #Libya. This region is home to tens of thousands of depictions, and is best known for larger-than-life-size engravings of animals such as elephants, rhino and a now extinct species of buffalo. This work of rock art most likely comes from the Early Hunter Period and could be up to 12,000 years old.

Follow the link in our bio and explore 30,000 years of stunning rock art from Africa. © TARA/David Coulson. Watch the incredible discovery of this colossal statue, submerged under the sea of thousands of years. This colossal 5.4-metre statue of Hapy was discovered underwater in what was the thriving and cosmopolitan seaport of Thonis-Heracleion. It once stood in front of a temple and would have been an impressive sight for traders and visitors arriving from the Mediterranean.

Come face to face with the ancient Egyptian god Hapy for yourself in our‪ #SunkenCities exhibition, until 27 November 2016.

Colossal statue of Hapy. Thonis-Heracleion, Egypt. About 380-250 BC. Maritime Museum, Alexandria. © Franck Goddio/Hilti Foundation. The discovery of this stela, which once stood at the entrance of the main entry port into ancient Egypt, was an extraordinary moment. Its inscription detailing taxes helped solve a 2,000-year-old mystery!

This magnificent monument was crucial to revealing that Thonis (in Egyptian) and Heracleion (in Greek) were in fact the same city. The decree was issued by the pharaoh Nectanebo I, regarding the taxation of goods passing through the cities of Thonis and Naukratis, and it originally stood in the Temple of Amun-Gereb. The inscription states that this slab stood at the mouth of the ‘Sea of the Greeks’ (the Mediterranean) in Thonis.

A bilingual decree found in 1881 refers in its Greek inscription to ‘the Temple of Heracleion’ and in hieroglyphs to ‘the Temple of Amun-Gereb’. Together these objects revealed that Thonis and Heracleion were the same place.

Learn more about the deep connections between the great ancient civilisations of Egypt and Greece in our #SunkenCities exhibition.
Stela commissioned by Nectanebo I (r. 380–362 BC), Thonis-Heracleion, Egypt, 380 BC. © Franck Goddio/Hilti Foundation. For centuries nobody suspected that the #SunkenCities of Thonis-Heracleion and Canopus lay beneath the sea. Recorded in ancient writings and Greek mythology, the ancient Egyptian cities were believed to be lost.

Over the last 20 years, world-renowned archaeologist Franck Goddio and his team have excavated spectacular underwater discoveries using the latest technologies. The amazing rediscovery of these lost cities is transforming our understanding of the deep connections between the great ancient civilisations of Egypt and Greece.

See more magical moments of discovery in our #SunkenCities exhibition, until 27 November 2016. © Franck Goddio/Hilti Foundation.

#archaeology #diving #ancientEgypt This week we’re highlighting some of the incredible clocks and watches on display in the Museum. Mechanical clocks first appeared in Europe at some time between 1200 and 1300. Their introduction coincided with a growing need to regulate the times of Christian prayer in the monasteries. Telling the time with a sundial was especially difficult in western Europe with its unreliable weather. From the end of the 13th century, clocks were being installed in cathedrals, abbeys and churches all around Europe.

The design of turret clocks (public clocks) changed little over the following three centuries and this particular example, made around 1600, has similar characteristics to clocks made for churches in the medieval period. The maker of this clock was Leonard Tenant, one of the most prolific makers of church clocks in the first half of the 17th century. The clock was installed in Cassiobury Park, a country house near Watford.

See this incredible clock in Rooms 38-39 
#clocks #watches #horology
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