British Museum blog

Stunt double trouble


Janet Larkin, Curator of the Enlightenment Gallery

I’ve had an exciting time these last few months managing the installation of the objects for Grayson Perry’s exhibition. As part of this, I have also been tasked with changing the stunt double teddy bears on the back of Grayson motorbike, which you can see on display just outside the exhibition entrance. I usually work in the Department of Coins and Medals and look after the Enlightenment Gallery, and so getting up close to this fantastic motorbike is a real change for me!

Hundreds of bears entered their CVs and photos for Grayson Perry’s competition to find a stunt double for Alan Measles, who is of course Grayson’s teddy bear and ‘god of his imaginary world’. Grayson shortlisted the candidates to find his top 12 and then the public voted for their three favourites. The final three reminded us of The Story of the Three Bears, there was “a Little, Small, Wee Bear” called Dr Schmoo, “a Middle-sized Bear” called Pinny, and “a Great, Huge Bear” called John Duggan.

Last week, early one morning before the Museum opened to the public, we tried John Duggan out for size by placing him in the shrine on the back of Grayson’s motorbike. Dressed up in his leathers and wearing a fantastically ornate eye patch, he really looked the part. However, John was slightly too tall for the shrine and so, very sadly, he won’t be able to take up his place as the stand-in for Alan Measles after all.

This is incredibly disappointing for John Duggan of course. He had so wanted to sit in the shrine and for all to come and see him. However, we know that he will take comfort in knowing that he has been an internet star with thousands of votes. He now even has his own Facebook page, so do go and make friends with him! He will certainly go on to have many more adventures I’m sure. Whilst he was here, and in true stunt teddy bear spirit, he did try out a few poses on the motorbike which we caught on camera and which he wanted you to see…

John Duggan prepares for a ride on Grayson Perry's motorbike

Displaying his fine balancing skills on the handlebars

Enjoying the scenery

Posing like a true stunt double

And so, we now need a stand-in for the stand-in! The next bear on the shortlist from the final stages of the competition will be contacted and asked to take John Duggan’s place. Keep an eye out (not literally, like John Duggan) on Twitter for the announcement of who that lucky bear will be.

You may have seen Pinny and Alan Measles on Harry Hill’s TV Burp. Pinny is thrilled to have been on television. Have you seen Pinny or Dr Schmoo on display yet? Dr Schmoo is proudly wearing his Grayson Perry badge, and I’ve even found him a cushion so that he can sit on that big throne much more comfortably.

Find out more about the Grayson Perry Late event.

Grayson Perry: The Tomb of the Unknown Craftsman
is supported by AlixPartners, with Louis Vuitton.
Book tickets now

Filed under: Exhibitions, Grayson Perry: The Tomb of the Unknown Craftsman

One Response - Comments are closed.

  1. Archie says:

    Just returned from the British Museum today. I specifically went to see Grayson’s exhibition. Both my wife and I were bowled over by his huge talent. The exhibition was really well put together, showing how he was influenced by the other pieces of work on display. It was a treat and a perfect day.

    The museum hold such a vast array of pieces that I’ll never be able to have enough time in m y life to see everything. Well done.

    Like

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Our #AfricanRockArt project team is cataloguing and uploading around 25,000 digital images of rock art from throughout the continent. Working with digital photographs has allowed the Museum to use new technologies to study, preserve, and enhance the rock art, while leaving it in situ.

As part of the cataloguing process, the project team document each photograph, identifying what is depicted. Sometimes images are faded or unclear. Using photo manipulation software, images can be run through a process that enhances the pigments. By focusing on different sets of colours, we can now see the layers that were previously hidden to the naked eye.

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Tanzania contains some of the densest concentrations of rock art in East Africa, mainly paintings found in the Kondoa area and adjoining Lake Eyasi basin. The oldest of these paintings are attributed to hunter-gatherers and may be 10,000 years old.

Follow the link in our bio to learn more about the project and see stunning #rockart from Africa. This week we’re highlighting the work of our #AfricanRockArt image project. The project team are now in the third year of cataloguing, and have uploaded around 19,000 digital photographs of rock art from all over #Africa to the Museum’s collection online database.

This photograph shows an engraving of a large, almost life-sized elephant, found on the Messak Plateau in #Libya. This region is home to tens of thousands of depictions, and is best known for larger-than-life-size engravings of animals such as elephants, rhino and a now extinct species of buffalo. This work of rock art most likely comes from the Early Hunter Period and could be up to 12,000 years old.

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Come face to face with the ancient Egyptian god Hapy for yourself in our‪ #SunkenCities exhibition, until 27 November 2016.

Colossal statue of Hapy. Thonis-Heracleion, Egypt. About 380-250 BC. Maritime Museum, Alexandria. © Franck Goddio/Hilti Foundation. The discovery of this stela, which once stood at the entrance of the main entry port into ancient Egypt, was an extraordinary moment. Its inscription detailing taxes helped solve a 2,000-year-old mystery!

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A bilingual decree found in 1881 refers in its Greek inscription to ‘the Temple of Heracleion’ and in hieroglyphs to ‘the Temple of Amun-Gereb’. Together these objects revealed that Thonis and Heracleion were the same place.

Learn more about the deep connections between the great ancient civilisations of Egypt and Greece in our #SunkenCities exhibition.
Stela commissioned by Nectanebo I (r. 380–362 BC), Thonis-Heracleion, Egypt, 380 BC. © Franck Goddio/Hilti Foundation. For centuries nobody suspected that the #SunkenCities of Thonis-Heracleion and Canopus lay beneath the sea. Recorded in ancient writings and Greek mythology, the ancient Egyptian cities were believed to be lost.

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See more magical moments of discovery in our #SunkenCities exhibition, until 27 November 2016. © Franck Goddio/Hilti Foundation.

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See this incredible clock in Rooms 38-39 
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