British Museum blog

Reflections on Hajj


In November 2011, Altaf and Rashida went on Hajj.
Here, Altaf reflects on the experience.

The end of Hajj
After our third night at Mina, we travelled by coach back to Mecca where the adventure continued. The coach driver took a wrong turning and headed in the wrong direction for 20 minutes. He then did a three point turn on the motorway and then a few miles later ran out of diesel! So a short journey of 40 minutes turned into a three hour saga! Even though everyone was extremely tired, the group stayed in good spirits as this was the first and only real hiccup in the whole trip.

Once we finally arrived in Mecca we checked into a 5 star hotel for a well-deserved rest. The hotel felt so luxurious and clean after having roughed it for a week. The hotel was less than a five minute walk to the Ka’ba so we made frequent trips for prayer and tawaf. Tawaf was very difficult as the Ka’ba was packed full of worshipers. We did the circumambulation on the top floor which increased the distance of each circuit to almost double.

One evening I went to do a tawaaf and half way through I felt peckish so I went and got a cheese burger from Burger King, sat over looking the holy mosque containing the Ka’ba. It was 2am, the temperature was 27 degrees centigrade…it was surreal experience, two different worlds with me in the middle.

After Hajj

After Hajj was over, we went to Jeddah to spend some time with my older brother who lives there with his wife and son. We were eager to see them as it had been a long while and we had never met the baby.

What a contrast! One day being in the holiest Islamic site in the world, the next in an ultra-modern busy city with the latest technology and all the designer shops you can imagine. However the remembrance of Allah is never far away – life revolves around the prayer times. When we were in one of the traditional open souks we heard the call to prayer – the shops shut their doors and the market stalls just covered their goods with a sheet and went off for prayer. Ten minutes later it’s all back to normal.

Back in London

Having completed one of the pillars of Islam, I feel the need to protect the remaining four even more than I had before I went on Hajj. The experience has changed lots of things. I feel a lot more connected to the creator and have a stronger visual connection between the text of the Quran and the knowledge that I have completed an ancient rite.

I was really missing Saudi so I logged on to the Ka’ba web site and the area around the Ka’ba was virtually empty, just a few hundred people doing tawaf. It looked very different to what I had experienced with millions of people.

Doing the Hajj has reinforced my strength in my faith and helps me remember Allah more regularly.

Altaf and Rashida Abbas went on Hajj this year and blogged about the experience for the British Museum. Find out more about the exhibition Hajj: journey to the heart of Islam

Filed under: Exhibitions, Hajj: journey to the heart of Islam

One Response - Comments are closed.

  1. jessie says:

    Beautiful…

    Like

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Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
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#AncientEgypt #gold #jewellery #BritishMuseum In 1991, BMW invited South African artist Esther Mahlangu to make a work of art in their Art Car project to mark the end of apartheid. Her work, with its brightly coloured geometric shapes, draws on the traditional house-painting designs of Ndebele people in South Africa. Under apartheid the Ndebele were forced to live in ethnically defined rural reserves – their designs are an expression of cultural identity, and can be read as a form of protest against racial segregation and marginalisation.

See this incredible Art Car as part of our #SouthAfricanArt exhibition, which opens 27 October 2016. You can book your tickets now by following the link in our bio.

Esther Mahlangu (b. 1935), detail of BMW Art Car 12, 1991. © Esther Mahlangu. Photo © BMW Group Archives.
#SouthAfrica #history #art #design
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