British Museum blog

Amara West 2012: excavating a burial


Milena Grzybowska, physical anthropologist

Once documentation of the chapel and pyramid of grave G309 was complete, we started excavation of the substructure. As expected, a shaft leads to two burial chambers carved into schist bedrock, all arranged on an east-west axis.

Milena excavating at the base of the shaft in G309

Milena excavating at the base of the shaft in G309

However, some details of construction were unusual for this cemetery: a schist slab was used as a door jamb for the western chamber, and the shaft was partly lined with mudbrick and then plastered.

Near the base of the 2.5 metre deep shaft, an intact burial was found. This skeleton of a 15-20 year-old female was found in a prone position (lying on her front), extended with her arms placed along her sides. This suggests the body was tightly wrapped in a shroud – or possibly mummified.

The woman was found on a mat, probably of reed, which will be confirmed by botanical analysis. Blue, red and white beads were found around her neck, while both of her hands were adorned with bracelets of faience beads.

A scarab, found in her left hand, is carved with a depiction of two baboons greeting the sun – symbolised by an obelisk.

Establishing the sex of an individual is often problematic in osteology, but the skeleton of a foetus, found still within the pelvic area of the mother, left no doubts. According to a preliminary skeletal analysis, the baby reached the 28th week of its intrauterine life and did not exhibit any skeletal abnormalities.

Burial of a woman at the base of the shaft in G309

Burial of a woman at the base of the shaft in G309

The reason of death for both individuals might never be established. The foetus was found in a position not suggestive of a child-birth death, and ff the mother succumbed to some other pregnancy-related complications it might not leave evidence on the skeleton. A thorough analysis of potential pathological conditions identifiable in the mother’s remains might, however, shed some light on this matter in the future. For example, on the basis of healed porosity of the cranium and orbits, we might suspect that the mother had suffered and recovered from anaemia during her life.

Find out more about the Amara West research project

If you would like to leave a comment click on the title

Filed under: Amara West, Archaeology

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 16,358 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
#hoard #gold #jewellery #turquoise #treasure Continuing our exploration of the golden objects in the Museum, this amazing inlaid plaque is from 15th-century China. Lined with semi-precious stones, this piece would have formed part of a pair sewn into a robe. We can tell this belonged to an emperor of the Ming dynasty because only he would have been allowed to use items decorated with five-clawed dragons.
#Ming #gold #jewellery #China #BritishMuseum Our next trio of objects shows off some of the shimmering gold in the Museum’s collection. This stunning piece of jewellery comes from Egypt and was made around 600 BC. It was worn across the chest – this type of accessory is known as a ‘pectoral’. Popular throughout ancient Egypt, pectorals have been found from as early as 2600 BC. This example is made from gold and is inlaid with glass, showcasing the incredible level of craftsmanship in Egypt at the time, and asserting the status of the wearer. Falcons were important symbols in ancient Egypt – the god Horus took the form of a falcon.
#AncientEgypt #gold #jewellery #BritishMuseum
Follow

Get every new post delivered to your Inbox.

Join 16,358 other followers

%d bloggers like this: