British Museum blog

The role of maps in Shakespeare’s England


Peter Barber, Head of Map Collections, British Library

The most obvious place a person in Shakespeare’s England would have encountered a map would have been in a Bible. Protestant Bibles in particular contained maps to prove the veracity of the scriptures, and this tells us a lot about the role of maps in society. Maps were used sometimes (but not often) to get from A to B, and from about the 1520s onwards for administration purposes, but most of all they were regarded, quite consciously, as stages for human history.

If you were lucky enough, you might have been invited into the home of a merchant. It’s quite likely you would have seen wall maps adorning his parlour and his dining room. The most common maps would have shown the Holy Land as well as maps of the continents of the world. These maps were not there to show where his ships were travelling – their purpose was to show that its owner was a man who knew about the world.

Most wall maps served propagandas purposes. On the whole maps, whatever their size, were much more useful for merchants than for seamen. The merchant could use them for planning purposes but, as English sailors told the authorities repeatedly in the 16th century, charts weren’t much use once you were actually at sea because in the northern Atlantic it was usually so misty you couldn’t see any coastlines: it was far more practical to navigate using a plumb line to measure the depth of the sea, rather like a mole on land.

So rather than maps being navigational tools, maps – when not being used for practical purposes on land – tended to be symbolic, and educational. In 1570 the first modern atlas of printed maps was published, called The Theatre of the Lands of the World. This idea of the world as a stage, picked up by Shakespeare, was around long beforehand.

Shakespeare’s Restless World is on BBC Radio 4
from 16 April to 11 May, at 13.45 and 19.45 weekdays.

Listen to today’s programme England Goes Global:
Drake’s Circumnavigation Medal

Find out more:
The unveiling of Britain – maps of the British Isles
Maps at the British Library
Maps at the National Maritime Museum
British Library

Filed under: Shakespeare's Restless World, What's on, ,

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  1. From childhood, I felt fascinated by maps.. and had this feeling that knowing them would make me knowledgeable about that country/world! So, I too agree that perhaps the ancient merchants too showed their wealth of knowledge in terms of maps.

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Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
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#AncientEgypt #gold #jewellery #BritishMuseum
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