British Museum blog

Spreading the word

Shakespeare’s Restless World is currently being broadcast on BBC Radio 4. Today’s episode Treason and Plot examines a fascinating collection of stories about royal murder plots.

A print of the Lopez Plot from the book A Thankfull Remembrance of God's Mercy by George Carleton, first published in 1624. © British Library


Adam Fox, University of Edinburgh

There were a number of centres in which news was generated. At the Royal Exchange, opened by Elizabeth I in 1571, merchants and brokers from around the nation and across the world met to do business and to exchange gossip and news.

The second crucial centre would have been Paul’s Walk, the central aisle of the old St Paul’s Cathedral, in which the great and good would promenade, meet each other and gossip. The churchyard outside was the centre of the book trade in the Elizabethan period, where books and pamphlets were sold and news items were dispersed in printed as well as in oral form.

The third place would perhaps be the Great Hall of Westminster, a wonderful medieval hall where political information was exchanged and swapped. `Men will tell you all the world between Paul’s the Exchange and Westminster’, one contemporary tells us, but of course from London that news radiated out along the streets and alleyways and along the major thoroughfares going across the country in the mouths of tradesmen, pedlars, itinerants and merchants of various sorts.

`What news at London?’ was the classic opening gambit whenever anyone met anyone else and by that means oral communication helped to spread what may have originated in London to the various corners of the land. However, the information available at these places was often highly unreliable, so they could be centres of information and also of misinformation.

Shakespeare’s Restless World is on BBC Radio 4
from 16 April to 11 May, at 13.45 and 19.45 weekdays.

Listen to today’s programme Treason and Plot

Filed under: Shakespeare's Restless World, What's on

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 16,358 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
#hoard #gold #jewellery #turquoise #treasure Continuing our exploration of the golden objects in the Museum, this amazing inlaid plaque is from 15th-century China. Lined with semi-precious stones, this piece would have formed part of a pair sewn into a robe. We can tell this belonged to an emperor of the Ming dynasty because only he would have been allowed to use items decorated with five-clawed dragons.
#Ming #gold #jewellery #China #BritishMuseum Our next trio of objects shows off some of the shimmering gold in the Museum’s collection. This stunning piece of jewellery comes from Egypt and was made around 600 BC. It was worn across the chest – this type of accessory is known as a ‘pectoral’. Popular throughout ancient Egypt, pectorals have been found from as early as 2600 BC. This example is made from gold and is inlaid with glass, showcasing the incredible level of craftsmanship in Egypt at the time, and asserting the status of the wearer. Falcons were important symbols in ancient Egypt – the god Horus took the form of a falcon.
#AncientEgypt #gold #jewellery #BritishMuseum
Follow

Get every new post delivered to your Inbox.

Join 16,358 other followers

%d bloggers like this: