British Museum blog

Will the penny drop?

Gold medal of Elizabeth I by Nicholas Hilliard. England, c. 1580–1590Barrie Cook, exhibition curator, British Museum

Perhaps there should be an official warning: working in a museum can spoil your fun. Well, not really and I don’t want it put anyone off a museum career, but while a little knowledge can be a dangerous thing, too much knowledge can sometimes put a damper on things.

I spent the autumn and winter of 2011 preparing the exhibition running now in Gallery 69a until 25 November 2012, Crowns and ducats: Shakespeare’s money and medals, and the accompanying book. As a result, I have moved from having a vague awareness of Shakespeare’s use of coin and money references to, at least for a while, a pretty comprehensive knowledge of the subject.

So now I can’t see a Shakespeare play without a constant internal running commentary – and it’s usually: ‘Oh no! They’ve cut that out!’ But, in way, this points up why the exhibition is there in the first place. Shakespeare uses the coins and monetary units of his time constantly (native and foreign): angels and ducats, drachmas and doits, groats and crowns, dollars and pennies. He also makes metaphoric use of the ways in which coins are made, used and abused and he does this in every play he wrote. And all this was to help the audience, to give them an idea of value, to demonstrate character (Falstaff makes money-jokes constantly), to make a joke about what they had in their purses and what they all knew so well.

But, what was put there to help the audience is now more of an obstacle. Jokes based on what a three-farthings looks like are hardly going to bring the house down and will instead be utterly baffling. So it’s hardly a surprise when a performing edition trims them out on the ground that we don’t know that an angel is a coin, let alone how much it is worth; that we don’t routinely weigh our coins or check if the metal content is right. But if you come to the exhibition, you will know this and have the chance to get frustrated too.

Crowns and ducats: Shakespeare’s money and medals is on display at the British Museum until 25 November 2012.

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Filed under: Exhibitions, Shakespeare: staging the world

3 Responses - Comments are closed.

  1. Hope to come visit your museum next year.🙂

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  2. James Coyle says:

    Do any of your exhibtions go on to other places ?

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Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
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See this incredible Art Car as part of our #SouthAfricanArt exhibition, which opens 27 October 2016. You can book your tickets now by following the link in our bio.

Esther Mahlangu (b. 1935), detail of BMW Art Car 12, 1991. © Esther Mahlangu. Photo © BMW Group Archives.
#SouthAfrica #history #art #design
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