British Museum blog

Introducing our new, fully-operational, beta collection search

‘Town and Country’ dinnerware, designed by Eva Zeisel, 1945-46Matthew Cock, Head of web, British Museum

'Town and Country' dinnerware, designed by Eva Zeisel, 1945-46

‘Town and Country’ dinnerware, designed by Eva Zeisel, 1945-46

In a recent post, I wrote about the launch of our new collection search beta. Well, we’ve now gone a bit further, and released an overhaul of the ‘advanced search’ functionality.

At heart, it works the same as before – users begin their search by selecting the ‘controlled terms’ that are used by our curators and cataloguers when creating the records, and retrieve all objects in the database that have been tagged with that term, or set of terms in combination. So, for example, you can find groups of objects for any combinations of terms – all the prints made in Japan between AD 1800 and 1835 perhaps, or all objects from London, Exeter and Glasgow made of bronze and so on.

Most of the lists of terms are also structured in hierarchies – for example, Paris is under France – so a search for objects from France retrieves all objects tagged with France, and any objects tagged with one of the many place names that are nested under France. In addition, we allow people to filter on the different ‘associations’ after they have made a search, for example, they can choose whether or not to include objects based on whether they are made by, attributed to, a depiction of, an artist.

In the current collection search interface (launched 2007), the user had to follow quite a process to build up their search terms and get to a page of results, and the interface wasn’t very intuitive. Only a small proportion of people used the advanced search, and most people we talked to said it wasn’t obvious how to use it.

There are two main changes that we have made to improve it. Firstly, we are using “auto-complete” – so that as you write the first few letters of your search term, a set of possible complete terms is shown based on the terms that we have in the database, along with some description so you can be sure it is the term you intended (for example, dates to help distinguish several artists with the same surname).

Secondly, we have kept the search criteria and the results showing on the same page. The user doesn’t have to travel back and forth between different pages to update their search.

We’re very aware that we have been looking at this for quite a while, and it is about time it was let loose and tested in the wild. We are really interested in any comments or questions that you have on how it works – whether you are a regular user, or using it for the first time. We hope to release this as the main interface to the collection database in the Spring.

Please add a comment below, or email us at web@britishmuseum.org and include COL Beta in the subject line.

If you would like to leave a comment click on the title

Filed under: At the Museum, Collection

3 Responses - Comments are closed.

  1. Lisa says:

    This is fantastic news for researchers and writers. Thank you!

    Like

  2. jeffhatt says:

    I’ve used the search facility for the last few months researching Iron Age bucket mounts, the Hounslow Hoard, monumental brass letters, et al, and with surprisingly good results just recently! My only reservation is that links often lead to nowhere but by backwinding it’s all available one way or the other. The three Welwyn burial heads appeared as if by magic just at the weekend — I’d tried for ages to get info on them but failed before.

    My hearty thanks to Julia Farley who on request made pictures of the Alchurch bucket mounts, sent me the lot and then published them on the database for all to see. For research purposes such detail as they revealed was absolutely invaluable and really answered every question I could possibly ask — where the beautiful studio pictures of the same objects were just that — lovely — but uninformative.

    This is going to be a great resource, please keep up the good work!

    Jeff Hatt

    Like

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Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
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#Ming #gold #jewellery #China #BritishMuseum Our next trio of objects shows off some of the shimmering gold in the Museum’s collection. This stunning piece of jewellery comes from Egypt and was made around 600 BC. It was worn across the chest – this type of accessory is known as a ‘pectoral’. Popular throughout ancient Egypt, pectorals have been found from as early as 2600 BC. This example is made from gold and is inlaid with glass, showcasing the incredible level of craftsmanship in Egypt at the time, and asserting the status of the wearer. Falcons were important symbols in ancient Egypt – the god Horus took the form of a falcon.
#AncientEgypt #gold #jewellery #BritishMuseum
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