British Museum blog

Amara West: season six is nearly upon us….

Looking down a 3,000 year-old alley at Amara West (2012)Neal Spencer, British Museum

In the next few days, our sixth excavation season begins.

Amara West was the pharaonic capital of conquered Upper Nubia in the late second millennium BC. Thus far, we have gained important insights into how houses were modified over time to suit individual needs, religious practises in the home, but also the impact of a changing landscape.

Looking down a 3,000 year-old alley at Amara West (2012)

Looking down a 3,000 year-old alley at Amara West (2012)

Analyses undertaken by a range of specialists, both inside the British Museum and at universities involved in the project, are casting light on plant exploitation practises, technologies for producing ceramics, the presence of luxurious imports from afar, and the complex array of funerary traditions evident in the cemeteries, including pyramid tombs and funerary masks, but also Nubian tumulus graves.

Faience necklace (F6436) from a house at Amara West (2012)

Faience necklace (F6436) from a house at Amara West (2012)

Highlights from Amara West will continue to be featured on this blog, as in previous years, but for more regular updates as the season progresses – the discovery of buildings, objects, burials that shed light on life in a pharaonic town in occupied Nubia – follow our dedicated project blog: blog.amarawest.britishmuseum.org.

So far, you can read a preview of upcoming excavations in the ancient town, including excavation of a villa outside the town wall, and of the last house remaining in neighbourhood E13.3. And, across a now-dry Nile channel, Michaela Binder describes the excavations she will be leading in cemetery C, a burial ground providing fascinating insights into the mixture of Egyptian and Nubian funerary cultures in the early first millennium BC.

Follow @NealSpencer_BM on Twitter for further updates from the excavations.

Leave a comment or tweet using #amarawest

Filed under: Amara West, Archaeology, Egypt and Sudan, Research, , ,

One Response - Comments are closed.

  1. V.H says:

    Was it a settlement or a colony. In that a settlement would have a core of survivability while a colony would need constant victualing.

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Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
#hoard #gold #jewellery #turquoise #treasure Continuing our exploration of the golden objects in the Museum, this amazing inlaid plaque is from 15th-century China. Lined with semi-precious stones, this piece would have formed part of a pair sewn into a robe. We can tell this belonged to an emperor of the Ming dynasty because only he would have been allowed to use items decorated with five-clawed dragons.
#Ming #gold #jewellery #China #BritishMuseum Our next trio of objects shows off some of the shimmering gold in the Museum’s collection. This stunning piece of jewellery comes from Egypt and was made around 600 BC. It was worn across the chest – this type of accessory is known as a ‘pectoral’. Popular throughout ancient Egypt, pectorals have been found from as early as 2600 BC. This example is made from gold and is inlaid with glass, showcasing the incredible level of craftsmanship in Egypt at the time, and asserting the status of the wearer. Falcons were important symbols in ancient Egypt – the god Horus took the form of a falcon.
#AncientEgypt #gold #jewellery #BritishMuseum In 1991, BMW invited South African artist Esther Mahlangu to make a work of art in their Art Car project to mark the end of apartheid. Her work, with its brightly coloured geometric shapes, draws on the traditional house-painting designs of Ndebele people in South Africa. Under apartheid the Ndebele were forced to live in ethnically defined rural reserves – their designs are an expression of cultural identity, and can be read as a form of protest against racial segregation and marginalisation.

See this incredible Art Car as part of our #SouthAfricanArt exhibition, which opens 27 October 2016. You can book your tickets now by following the link in our bio.

Esther Mahlangu (b. 1935), detail of BMW Art Car 12, 1991. © Esther Mahlangu. Photo © BMW Group Archives.
#SouthAfrica #history #art #design
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