British Museum blog

AD 79 in HD: broadcasting Pompeii Live

Preparations for Pompeii LiveTim Plyming, Head of Digital Media and Publishing,
British Museum

At time of writing we are under a week away from two live cinema events for the British Museum exhibition Life and death in Pompeii and Herculaneum, and I wanted to give you a bit more detail about what we are planning, as well as a glimpse behind the scenes at the huge amount of activity now taking place.

Pompeii Live presenters Bettany Hughes and Peter Snow

Pompeii Live presenters Bettany Hughes and Peter Snow

Our ambition from the beginning has been to provide an exclusive ‘private view’ experience of the exhibition. We realised the best way to experience the exhibition was to have a ‘private guided tour’ in the presence of experts able to bring the objects to life through the stories they tell. This ‘private tour’ experience is of course not one that we can offer every visitor to the Museum but through a special event such as Pompeii Live we can, for one night and using the power of live satellite broadcasting, bring that experience directly into cinemas across the UK.

We are thrilled at visitors planning to join us from as far afield as Thurso, Swansea, Belfast, Plymouth and Norwich. Over 80% of the available tickets have been sold, so we are telling visitors to make sure they have their ticket in advance if they want to join us live.

Preparations for the Pompeii Live broadcast

Preparations for the Pompeii Live broadcast

Over the 80-minute broadcast, visitors will be led by our main presenters, Peter Snow and Bettany Hughes. They will be joined by specialist contributors including historians Mary Beard and Andrew Wallace-Hadrill, chef Giorgio Locatelli and, broadcaster and gardening expert, Rachel De Thame. We feel very privileged to have such an amazing line-up who will take us much closer to the people of these tragic cities and what their daily lives were like. Giorgio Locatelli, for example, has been experimenting in his kitchen in central London with a recipe for the carbonised loaf of the bread – one of the star objects in the exhibition.

Chef, Giorgio Locatelli and broadcaster Peter Snow making plans for the event

Chef, Giorgio Locatelli and broadcaster Peter Snow making plans for the event

We have already started our rehearsals and preparations for the show and feel certain that audiences are in for a real treat when they join us live on the night. On Monday, the outside broadcast vehicles arrive at the Museum and we start the process of – overnight – building a live broadcast studio in the heart of the British Museum. On Tuesday 18 June we rehearse the event and are then live to over 280 cinemas across the UK at 19.00 BST.

Following the live broadcast, over 1,000 cinemas across the world in over 60 territories will show a recorded ‘as live’ version of the event. This will be shown in cinemas as far flung as China, India and the USA.

Preparations for Pompeii Live

Preparations for Pompeii Live

In addition to our main broadcast event on Tuesday 18 June, our team has developed a live cinema event for school audiences. This will allow schools across the UK to go to their local cinema and be transported live to the British Museum to explore the objects in the exhibition as well as content designed to link to Key Stage two subject areas. They’ll be guided by presenters Naomi Wilkinson and Ed Petrie, as well as a cast of specialist contributors.

You can find your nearest participating cinema, in the UK and across the world, on our website at britishmuseum.org/pompeiilive and follow preparations for both live events on Twitter using #PompeiiLive.

Life and death in Pompeii and Herculaneum is at the British Museum until 29 September 2013.

Exhibition sponsored by Goldman Sachs.
In collaboration with Soprintendenza Speciale per I Beni Archeologici di Napoli e Pompei.

Tweet using #PompeiiExhibition and @britishmuseum

If you would like to leave a comment click on the title

Filed under: At the Museum, Exhibitions, Life and death in Pompeii and Herculaneum,

19 Responses - Comments are closed.

  1. Serenity says:

    Splendid! Wish we could see it here stateside via free live streaming internet feed. I would ♡ to see this!

    Like

    • Tim Plyming says:

      Hi – sure that will come. In the meantime over 400 venues in the USA will be showing it in movie theatres in coming months

      Like

  2. Will it be released on DVD for those of us unable to get to the live show?

    Like

  3. Dave Jones says:

    Perhaps there should be

    Like

  4. Liz Darcy says:

    I thought the event was wonderful and the production was superb. I really need to hear that wonderful music at the end again so please can you tell me how to get hold of it. It was breathtaking. Thank you.

    Like

  5. Diana says:

    Disappointed that did not see enough of the exhibits themselves. Felt we had gone to the cinema to see a television documentary and not got an impression of the exhibit.

    Like

  6. Keith Mansford says:

    Magnificent exhibition but commentaries were too breathless and overstuffed with superlatives . Peter Snow mis-cued by trying to switch to Women when the subject was still Slaves . Camera work at the start was hysterical and unpleasant to watch but soon settled down . . All in all a Curates egg for the commentary but full marks to the Exhibition Curator

    Like

  7. Peter says:

    Watched this at a birmingham cinema last night. Was very dissapointed £15 a ticket for a poor documentry, didnt see much of the exhibits at all. You wouldnt want to buy this on dvd if it was released. Truely a big let down.

    Like

  8. mario says:

    Too much chat and emphasis on experts showing off and not enough hard information and shots of the exhibits. I did not learn anything I did not already know,

    Like

  9. Pia Paganelli says:

    I enjoyed the live event on Tuesday and in particular the insights given by the experts as this really helped to bring the exhibits to life. I too would have liked to have seen even more of the exhibits. As I am unable to travel to London to see the exhibition I would like to know if the live event has been recorded for television as I would love to see it again. Many of my friends were unable to attend the viewing so a televised version would enable a greater audience to see it.

    Like

  10. Barbara Ann says:

    I share Diana’s sentiments, I came out of the cinema with a feeling of disappointment

    Like

  11. Karen Anderson says:

    I see my area, Atlanta, Georgia, USA, somewhat lit with a dot on the map of places the movie will be shown. Clicking the dot has not produced any connections. I would like to get tickets and dates right away. How can I find out more?

    Like

  12. Cherie Gibbs says:

    I can’t wait to see it . It will be at our local Cinema on the 29/8/13.
    I believe after the World wide Screening DVDs should be made as other World wide features have e.g : Les Miserables, Phantom of the Opera , all of these were telecast on the same Date.
    Such huge appeal would help the Museum as well. Plus many People who can’t make it.
    This is once in a Lifetime.

    Like

  13. Wendy Kimber says:

    Any chance this will be repeated in UK? Missed it originally and can’t get tickets for the exhibition

    Like

  14. Arron Martin says:

    Surely a DVD makes sense, there must be many of us who couldn’t make the exhibition who would be delighted to contribute a fair sum to see this outstanding spectacle.

    Like

  15. Enrique Azcarraga says:

    I tried seeing it in Mexico City, could not get tickets, all were sold days before it is to be showed (today and next Saturday), no new showings programmed, Will it be available in DVD or itunes?

    Like

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 16,381 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Our #SunkenCities exhibition is the first at the British Museum on underwater archaeology. Over the last 20 years, world-renowned archaeologist Franck Goddio and his team have excavated spectacular underwater discoveries using the latest technologies. 
At the mouth of the Nile, the city of Thonis-Heracleion flourished as the main entry point into Egypt. Underwater excavations have found a large harbour, numerous ships and anchors, proving this was an international port. This magnificent monument was crucial to revealing that Thonis (in Egyptian) and Heracleion (in Greek) were in fact the same city. The decree was issued by the pharaoh Nectanebo I, regarding the taxation of goods passing through Thonis and Naukratis. A copy was found in the main Egyptian temple in each port. The inscription states that this slab stood at the mouth of the ‘Sea of the Greeks’ (the Mediterranean) in Thonis. 
Learn more about the connections between the ancient civilisations of Egypt and Greece in our #SunkenCities exhibition - until 30 November. Follow the link in our bio to find out more about it. 
Stela commissioned by Nectanebo I (r. 378–362 BC), Thonis-Heracleion, Egypt, 380 BC. On loan from National Museum, Alexandria. Photo: Christoph Gerigk. © Franck Goddio/Hilti Foundation. For centuries nobody suspected that Thonis-Heracleion and Canopus lay beneath the sea. Recorded in ancient writings and Greek mythology, the cities were believed to be lost. After sightings from a plane, a diving survey was organised in 1933 to explore submerged ruins. But it was only from 1996, with the use of innovative techniques and a huge survey covering 42 square miles of the seabed, that underwater archaeologists rediscovered the lost cities. 
Thonis-Heracleion and Canopus were thriving cities long before the foundation of the great port of Alexandria in 331 BC. Finds suggest that they were still inhabited into the AD 700s. The cities’ disappearance was caused by gradual subsidence into the sea – much like Venice today – coupled with earthquakes and tidal waves. This triggered a phenomenon known as land ‘liquefaction’, when the ground turns into liquid. 
This reconstruction shows what the port of Thonis-Heracleion could have looked like, dominated by the Temple of Amun-Gereb. Follow the link in our bio to book your tickets to our #SunkenCities exhibition. © Yann Bernard. © Franck Goddio/Hilti Foundation. Recent underwater excavations at the mouth of the Nile in Abukir Bay, Egypt, have revealed two ancient cities, perfectly preserved beneath the sea. Our #SunkenCities exhibition tells of the extraordinary rediscovery of the international port Thonis-Heracleion, and the city of Canopus, famed for their temples which attracted religious devotees from Egypt and beyond. 
Since 1996, underwater investigation using state-of-the-art technology has uncovered spectacular objects, including colossal statues, religious offerings and ancient ships. The finds shed new light on the interaction between ancient Egypt and the Greek world at a crucial period in their history, from the arrival of Greeks in Egypt around 650 BC, to the reign of the Greco-Macedonian Cleopatra VII, the last pharaoh of Egypt (51–30 BC). With only a fraction of these sites explored so far, annual excavations are continuing to uncover the cities’ long-hidden secrets. 
This 2,000-year-old bust depicts Neilos, the Nile river god. Neilos appealed to Egyptians and Greeks alike – he was the Greek version of Hapy, the Egyptian personification of the annual Nile flood that brought prosperity and fertility to the land. This bust was once mounted into a large decorative shield and adorned a temple in the ancient Egyptian city of Canopus. It was discovered by underwater archaeologists at the base of the wall on which it once hung. 
Follow the link in our bio to find out more about our unmissable exhibition. 
Bust of Neilos. Canopus, AD 100–200. On loan from Maritime Museum, Alexandria. Photo: Christoph Gerigk. © Franck Goddio/Hilti Foundation. This astonishingly detailed miniature altarpiece has been photographed by @micahfoundaquarter. Made in 1511 in the Netherlands, it’s only 25cm tall but contains incredibly intricate carvings that show Christian religious scenes in triptych form (in three parts). Aside from the masterful craftsmanship, this object is notable for its use of both Gothic and Renaissance stylings. It offers an insight into the spread of ideas and styles into northern Europe from the birthplace of the Renaissance, Italy.
Share your photos with us using #myBritishMuseum
#carving #Gothic #Renaissance #Netherlands #detail This photo by @ozemile captures the pensive expression of Marsyas, a figure from Roman and Greek mythology. Marsyas was a satyr, male companions of the Greek god of wine, Dionysus (Roman: Bacchus). Among other things they were associated with playing the aulos, an ancient type of wind instrument. In this Roman statue, Marsyas is portrayed making the fateful decision to pick up the pipes that had been invented and discarded by the goddess Athena. Later, he accepted a musical challenge against Apollo’s lyre (a small harp-like instrument). Unfortunately for Marsyas, he lost, and suffered a grisly demise for daring to challenge a god!
Share your photos with us using #myBritishMuseum
#Roman #statue #Greek #sculpture #mythology We’re highlighting some of our favourite photos taken by visitors. Don’t forget to share your photos with us using #myBritishMuseum. Here’s a great shot of the Discobolus – that means ‘discus thrower’ – by @everyjoon. The photo captures the majestic scale of the athlete, and his dynamic pose. Sculpted during the 2nd century AD in Roman Italy, the statue is in fact a copy of a Greek bronze original, made around 700 years earlier. It was found in Hadrian’s villa at Tivoli, near Rome. Among other things, it is famous for having a head that doesn’t belong to the original body. The head is very close in age and style, and uses marble that is exceptionally well-matched to the torso, but it has been attached at the wrong angle! Complete statues from the time reveal the head to be turned to look towards the discus, rather than the floor.
#Discobolus #sculpture #Roman #Greek #statue #discus
%d bloggers like this: