British Museum blog

The British Museum: A Museum for the World

Neil MacGregor, Director, British Museum

The British Museum was founded in 1753 by an act of Parliament and is the embodiment of Enlightenment idealism. In a revolutionary move, it was from its inception designed to be the collection of every citizen of the world, not a royal possession and not controlled by the state. Over the succeeding 260 plus years it has gathered and exhibited things from all over the globe – antiquities, coins, sculptures, drawings – and made them freely available to anyone who was able to come and see them. Millions have visited and learned, and have been inspired by what they saw. Today the Museum is probably the most comprehensive survey of the material culture of humanity in existence.

The world today has changed; the way we access information has been revolutionised by digital technology. We live in a world where sharing knowledge has become easier, we can do extraordinary things with technology which enables us to give the Enlightenment ideal on which the Museum was founded a new reality. It is now possible to make our collection accessible, explorable and enjoyable not just for those who physically visit, but to everybody with a computer or a mobile device. Our partnership with Google allows us to further our own – extraordinary – mission: to be a Museum of and for the World, making the knowledge and culture of the whole of humanity open and available to all.

MuseumOfTheWorld

Screen grabs of the microsite

History connected: ‘The Museum of the World’ microsite allows users to explore and make connections between the world’s cultures.

But this isn’t just about putting the collection ‘online’. Through our partnership with Google, we hope to give people new ways to experience and enjoy the Museum, new ways to learn, new ways to share and new ways to teach. Thousands of objects from the Museum’s collection will be available to view through the Google Cultural Institute site and through a special microsite ‘The Museum of the World’ which will allow users to explore and make connections between the world’s cultures. One of the Museum’s most important Chinese scrolls, the 6th-century Admonitions Scroll has been captured in super high-resolution to give you a closer and more intimate view than could be achieved with the naked eye. We’ve captured the whole Museum via Street View, meaning that if you can’t get to the Museum in person, you can do a virtual walking tour of every permanent gallery, and all its outdoor buildings. And virtual exhibits allow you to see Celtic objects from across UK museums brought together in a unique tour, or a thematic exhibition detailing Egypt’s history after the pharaohs. None of this is to deny the power of seeing an object in the flesh in a gallery, nothing will replace that experience, but it does allow a far greater public access to the Museum and its unparalleled collection.

streetview

Take a tour: all of the British Museum’s permanent galleries are now on Street View.

Virtual exhibits: snapshots of a specially curated tour of Celtic objects from museums across the UK (above) and

Virtual exhibits: snapshots of a specially curated tour of Celtic objects from museums across the UK (above) and a thematic exhibition on Egypt’s history after the pharaohs (below).

egypt_exhibit

And this is just the beginning. We’re in a brave new world of information dissemination. As we are transformed by globalisation, it is more important than ever to understand the past of the whole world. The breadth of the British Museum’s collection, the authority of the Museum’s scholarship and the skill with which it is presented and mediated: all these are now ready and available for anyone anywhere on the planet. The more we can work with partners in the technology sphere, and the more we rise to the challenge of making our world a digital one, the greater will be our impact on community cohesion and understanding, domestically and internationally. Through technology, the Museum’s collection can become the private collection of the entire world. And so our great Enlightenment vision moves into a phase our founders in the 18th century couldn’t even have dreamed of.

Visit the British Museum on the Google Cultural Institute

Visit the Museum of the World microsite

Take a tour of the Museum via Street View

Egypt: faith after the pharaohs virtual exhibit

Celtic life in Iron Age Britain virtual exhibit

See more exhibits

Take a closer look at the Admonitions Scroll

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In this second watercolour from the ‘Flower Book’ of Pre-Raphaelite artist Edward Burne-Jones, we can see the goddess Venus walking through the night’s sky with doves. This painting is titled ‘Rose of heaven’ – a name given to the plant campion, a small pink flower. Burne-Jones took inspiration from the name of the flower and its connotations, rather than what the flower actually looks like. The depiction of Venus seems to be heavily influenced by Botticelli’s ‘Birth of Venus’, with flowing blonde hair and a dynamic pose.
#EdwardBurneJones #BurneJones #PreRaphaelite #flowers To mark the birthday of Pre-Raphaelite artist Edward Burne-Jones (1833–1898) this week, we’re featuring paintings from his ‘Flower Book’ – a sketchbook full of watercolours and drawings that contained fantasy artworks inspired by the names of flowers. This painting is titled ‘Love in a tangle’ – a name sometimes used for the climbing plant clematis. The scene suggests the story of Ariadne, who gave Greek hero Theseus a ball of golden thread to unwind as he wandered through the labyrinth in search of the minotaur (a mythological creature – half-man and half-bull). Here she waits anxiously for her lover to follow the thread back out of the maze. The clematis and its maze of tangled foliage inspired Burne-Jones to represent this story from ancient Greek mythology in his Flower Book.
#EdwardBurneJones #BurneJones #PreRaphaelite #flowers #mythology Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
#hoard #gold #jewellery #turquoise #treasure
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