British Museum blog

Virtual reality: how the Samsung Digital Discovery Centre created a virtual Bronze Age roundhouse

Lizzie Edwards and Juno Rae co-manage the learning programme for the Samsung Digital Discovery Centre, British Museum

It’s the Monday after the Samsung Digital Discovery Centre’s (SDDC) virtual reality weekend and we’re reflecting on the process of developing a virtual reality experience, which puts 3D scans of two British Museum objects from our Bronze Age collection, and one from an item of Treasure that we hope to acquire, into the context of a virtual Bronze Age roundhouse. It’s been a really exciting project to work on, and lots of people have contributed – so we want to share the process behind making it happen.

Samsung virtual reality weekend event, 8 August 2015, British Museum. (Photo: Benedict Johnson)

Samsung virtual reality weekend event, 8 August 2015, British Museum. (Photo: Benedict Johnson)

The SDDC at the British Museum was created in 2009 in partnership with Samsung to provide a state-of-the-art technological hub for children and young people to learn about and interact with the Museum’s collection through school and family sessions. The Museum’s work with Samsung ensures that it remains at the forefront of digital learning, and when Samsung launched its Gear VR headsets we were eager to explore how virtual reality technologies could be used to engage a new generation with British Museum objects. When you put on a Samsung Gear VR headset you feel like you are in a virtual world. When you look up with the headset on, within the virtual world you also look up. You can also ‘walk’ forward and backwards, using a touch pad on the side of the headset. It is a mesmerising experience.

To explore the potential of virtual reality we decided to develop a bespoke experience of a Bronze Age roundhouse, which could be included across the SDDC’s programme for families and schools. We identified the Bronze Age for our virtual reality experience, because it presented a number of opportunities. Firstly, the Museum already has 3D scans available of some of our Bronze Age collection, and finds reported as Treasure, created by the MicroPasts project. MicroPasts is a groundbreaking project that creates open data sources of scanned objects, and crowd sources ‘photo-masking’ to create 3D versions of them. Second, prehistory is a statutory requirement as part of the National Curriculum for primary schools, but we know that teachers sometimes find this subject difficult to teach. The difficultly experienced by teachers is mirrored by families too. We spoke with Dr Neil Wilkin, Curator of the Bronze Age Collection at the Museum, and together defined the potential values of virtual environments for exploring this period with our schools and families audience.

Interior of virtual reality Bronze Age roundhouse. (© Soluis Group Limited)

Interior of virtual reality Bronze Age roundhouse. (© Soluis Group Limited)

Virtual environments present an opportunity to address misconceptions about prehistory head on, and this period is particularly difficult to grasp for our younger visitors. For example, a virtual Bronze Age experience allows you to convey in a visual way that at this time people had developed complex settlement practices, that they advanced technologies for their purposes, like developing methods to manufacture bronze, and that they had talented craftspeople who created beautiful jewellery. Virtual environments also allow you to present the mysteries and multiple interpretations of objects in a visual way. Questions around the function, purpose and possible ritual practices associated with Bronze Age objects can be presented to the visitor in context, close up and in 3D. Across our SDDC learning programme we try to convey that interpretations of objects are never fixed – they develop and change as new research is undertaken. We often show that multiple interpretations and varied significances for one object can exist at the same time, but 3D virtual environments make conveying this much easier.

To create our virtual reality roundhouse, we recruited Soluis Group Limited, who are experts in creating virtual environments. We chose three fascinating objects from those that had been scanned in the MicroPasts project to be interpreted in our virtual Bronze Age roundhouse – the Woolaston gold bracelet, a Sussex loop bracelet and a large dirk (a short dagger). The three objects are linked by the mystery that they share – there is no certain interpretation of how each was used, or if it had ritual significance.

Developing the experience was a collaborative process. The Museum worked closely with the virtual reality developers to ensure that the Bronze Age roundhouse depicted in our virtual reality experience was based on the latest curatorial research in this area. For this process, two students, Lydia Woolway and Emily Glynn-Farrell, assisted Neil in compiling a research document about Bronze Age settlements and roundhouses. This document included the fact that many roundhouses across Britain have been found with doorways facing in the same direction, seemingly in line with the sun’s path through the sky. Archaeologist Mike Parker-Pearson in particular has suggested that light and dark, and the alignment of roundhouses, had ritual significance to Bronze Age Britons. We were keen to incorporate this into our virtual reality roundhouse. The experience also contains audio content, which Neil recorded in the SDDC – turning it into a sound recording studio for an afternoon and using our green screen as a backdrop to get the best sound quality possible. We were delighted with the experience that was created, and the virtual reality weekend was testament to its success.

Dr Neil Wilkin recording audio for the virtual reality experience. (Photo: Lizzie Edwards)

Dr Neil Wilkin recording audio for the virtual reality experience. (Photo: Lizzie Edwards)

Today, we’re looking at visitor feedback from the event and considering how we can integrate their comments into our digital learning programme. But having been in the Great Court all weekend, talking to visitors and seeing their excitement at engaging with this experience, we’re delighted with what we’ve created, and how much our visitors have enjoyed it!

Thanks are due to everyone who has been involved in this project, and our amazing team of SDDC facilitators and volunteers who helped out over the weekend.

The Samsung Digital Discovery Centre is sponsored by Samsung

Filed under: British Museum, Samsung Digital Discovery Centre, ,

Mummies, mobiles and 3D printing

Katherine Biggs, Education Manager, Digital Learning Programmes, British Museum

As the doors open on the new exhibition Ancient lives, new discoveries, the Samsung Digital Discovery Centre (SDDC) has launched its own Egyptian season to complement the exhibition’s technological focus. The launch could not have been better timed, with the fantastic news this week that the British Museum and Samsung have been awarded an Arts & Business Award for their long-term partnership through the SDDC.

Talk like an Egyptian – 24 May 2014

The SDDC’s Egyptian season features a series of activities for families and teenagers throughout the exhibition run, and showcases some of the innovative ways in which technology can be used to engage young audiences with the Museum. The first event of the season, Talk like an Egyptian, launched on 24 May, and encouraged children as young as five to put themselves in the shoes of different Egyptian characters from the collection. They then used computer software, microphones and their imagination to bring them to life.

In the Egyptian Galleries. Photo © Benedict Johnson

This week, a completely different activity launches as part of the Marvellous Mummies half term event for families. Families will borrow mobile phones to collect the different objects needed to furnish an Egyptian tomb. Exploring the galleries, children will scan QR codes to understand ancient Egyptian funerary beliefs. Mobile technology continues to be hugely popular with visitors, and for this reason we will also be running our augmented reality trail Passport to the afterlife.

As the summer dawns, so will new activities. In June we will be launching Exploring ancient mummies, a drop-in session for families based in the Samsung Centre where children can use different digital technology to find out more about the Museum’s mummies. Expect digital microscopes, video footage and exciting exploration through our interactive surface table. The activity includes some fascinating case studies from the Conservation and Scientific Research team, which never fail to amaze our young audiences.

3d printer

3D printer at work in the SDDC

Replica amulets and 3D printed copies

Replica amulets and 3D printed copies

The most eagerly anticipated event of the season is our 3D printing weekend. As I write, the printers are in and the filament warming up. Inspired by the exhibition’s beautifully reconstructed 3D amulets, we will be asking children to recreate a choice of three amulets using computer aided design technology: an eye of Horus, a heart scarab or a djed pillar. They will be able to decide on their chosen amulet after handling examples from the collection and discovering the different spells associated with each. The amulets will then be printed in the Great Court, where visitors can also learn about 3D printing and how it is used within different parts of the Museum. To complement this activity, children will then be able to design their own amulet, and ascribe them special powers. These amulets will be brought to life using 3Doodler pens, which create 3D shapes from plastic filament as you draw.

A second day of 3D activities is aimed at our 13-18 audience. Working with a professional 3D artist, participants will animate an Egyptian river scene, using techniques and computer aided design software commonly used by the games industry. They will also have the chance to 3D-print their models. This event was fully booked shortly after it went online, with many adults disappointed that they are too old to join in. 3D printing continues to wow and stimulate thought, and we hope that next weekend will do both.

So that the grown-ups don’t feel left out, we will be opening the SDDC doors as part of the BM/PM Curse of the Mummy event when the Centre will play host to a pop-up Egyptian photo booth using green screen technology, Photoshop and of course props to transport visitors to ancient Egypt. This led us to think that a similar activity for families would be brilliant using a series of five different photo booths with different technology and collection pieces in each one. Hopefully the exhibition will extend its run so that we have even more time to try out new ideas!

The Samsung Digital Discovery Centre is sponsored by Samsung

Ancient lives, new discoveries is at the British Museum until 30 November 2014.
The exhibition is sponsored by Julius Baer. Technology partner: Samsung

Filed under: Ancient lives: new discoveries, Samsung Digital Discovery Centre, , , , , ,

New technology in the Samsung Digital Discovery Centre

A group of children using tablets in the museum gallery
Richard Woff, Head of Schools and Young Audiences, British Museum

We have recently re-opened the Samsung Digital Discovery Centre (SDDC) after three months spent installing a range of new digital equipment and developing exciting sessions for the Museum’s young audiences. This activity has been prompted by our participation in a project initiated by Samsung, which aims to unleash the educational power of digital technologies, specifically through the use of tablet devices in schools and in other learning hubs.

Back in July, we had a touch-enabled e-board installed in the SDDC and took delivery of more than thirty of Samsung’s newest touchscreen tablets, as well as 24 new wireless-enabled digital cameras. We then transformed some of the teaching sessions we’d been running in the SDDC to take full advantage of the new devices. Having used a range of mobile technology across our offering for young audiences, we had a good idea of what worked well. For example, we know that revealing tablets in a session always produces gasps of excitement and requests to take the devices home at the end of the day; beyond this excitement, we have also seen that tablet devices can promote collaboration between students, thanks in part to the size of the screen.

A group of children using a tablet in a Museum gallery

A group using a tablet in a Museum gallery

The touchscreen interactivity of the tablets can involve students in a way that paper resources cannot, and can also provide links to a range of media, including sound and video. As well as providing the students with information through tablets, one huge benefit for us is that they can also capture their findings on the same device. The photos, text, videos, drawings or voice recordings that are captured on the tablets in the sessions are instantly uploaded to our cloud storage, making it quick and easy for us to send this work back to schools for further study. This is especially valuable in the activities we run in galleries, where the tablets serve to guide the students, prompt responses and investigation and record their findings and experiences.

Children working on the floor, with paper, pencils and a tablet

Children using a tablet as part of an SDDC activity

One of our sessions focuses on Greek temples and aims to introduce children to the styles of Greek architecture and the functions of a temple, as well as to highlight the diverse nature of the Greek world. Previously, children used laptops to build a virtual temple using the British Museum’s Ancient Greece website with the added challenge of a fixed budget which determined how extravagant they could be in the materials they used and the decoration they applied. We have redeveloped the session so that pairs of children use tablets to test their growing understanding of the architectural styles, and then vote on how they want their communal temple to look – as they vote on the tablets, the scores appear on the e-board until a final decision becomes clear. The children also scan QR codes with their tablets to find out more about the city state they represent and to build their temple. All of the children’s tablets are linked to the e-board, so the session leader can easily select temples that demonstrate the diversity of the groups’ responses to the task.

We have kept the overall aims of the session: the children learn lots about temples; they use maths in a practical context; they learn collaboratively; they get to understand something of the extent and diversity of the ancient Greek world and the politics of temple-building – groups of students that go under budget are usually surprised to learn that this might not delight their city’s rulers any more than going over budget. What has changed is the level of engagement through the tablets. The children’s contributions to the session are more meaningful and apparent, all of them are able to contribute equally rather than a small number children dominating, and they are noticeably even more motivated and enthusiastic than they used to be. The teachers are in no doubt about the richness of the experience: “What amazing technology!” one of them commented, unprompted, as her class left the Centre.

Looking to the future, we aim to maximise the capability of these tablet devices even further. For example, we will be piloting the use of tablets for our digital sessions for students with special educational needs, using the range of media they can showcase for interactive gallery visits. We are also looking to expand our family offering across the devices, including a session planned for the New Year where families will make digital sketches of some of the Museum’s Neolithic collection, and then use these sketches to create their own 3D models.

In the middle of our busy summer preparing to re-open, we received the news that Samsung have agreed to fund the SDDC for a further five years until 2019. This not only secures the existing sessions and activities in the SDDC, it offers us the chance to build on an already large and highly innovative programme to make even more imaginative use of digital technologies to engage young people with the Museum’s objects and the cultures they represent.

The Samsung Digital Discovery Centre is sponsored by Samsung

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Here @edoardofanfani captures the youthful look and friendly expression of this statue of Amenhotep III. The colossal limestone statue originally stood with hundreds of others in the temple of Amenhotep III, which was on the west bank of the River Nile near the ancient city of Thebes. 
Statues depicting the pharaoh often show him with his eyes appearing to look down on the viewer, and a slight smile emerging from his lips. He is wearing heavy makeup, with sweeping eyeliner that nearly touches the temples, and stylised eyebrows. Share your photos with us using #myBritishMuseum 
#AncientEgypt #Sculpture #Statue #Pharaoh #Egypt #eyebrowsonfleek This great photo by @comertcomi shows one of ancient Egypt’s most highly respected animals. Cats were associated with the goddess Bastet and she is often represented as a domestic cat. This statue is a particularly fine example, with gold rings and silver decoration. The collar also contains a silver wedjat-eye and sun-disk which are protective symbols. It also has a scarab on its head – scarabs were associated with rebirth in ancient Egypt. The eyes were perhaps originally inlaid with glass or stones. 
Share your photos with us using #myBritishMuseum
#AncientEgypt #Sculpture #Statue #Cat #Egypt #🐱 #catsofinstagram #regram #repost This week we’re focusing on Egyptian statues and sculpture at the Museum. This great shot by @sisterofpopculture shows the majestic statue of Ramesses II. Made of pink and grey granite, the sculptor has skilfully used the natural colours in the stone to suggest the difference between the face and body. 
This colossal statue was originally part of a pair that stood outside the Ramesseum (the pharaoh’s huge memorial temple). He is also known as ‘Ramesses the Great’ – he ruled for 66 years and his influence reached to the furthest corners of the realm. 
Share your photos with us using #myBritishMuseum
#AncientEgypt #Sculpture #Statue #Pharaoh #Egypt #regram Opening in March 2017, our #AmericanDream exhibition presents the Museum’s outstanding collection of modern and contemporary American prints for the first time. These will be shown with important works from museums and private collections around the world.

From Andy Warhol, Jasper Johns and Robert Rauschenberg to Ed Ruscha, Kara Walker and Julie Mehretu – all boldly experimented with printmaking.  With over 200 works by almost 70 artists, trace the creative momentum of a superpower across six decades. Click the link in our bio to book your tickets now! 
Edward Ruscha (b. 1937), Made in California. Colour lithograph, 1971. © Ed Ruscha. Reproduced by permission of the artist.
#print #printmaking #art #🇺🇸 Taking inspiration from the world around them – billboard advertising, politics, Hollywood, and household objects – American artists created highly original prints to rival their paintings and sculptures. #Printmaking brought their work to a much wider and more diverse audience.

Many of these works also address the deep divisions in society that continue to resonate with us today. This screenprint by Andy Warhol was commissioned by the Democratic Party for the 1972 presidential campaign. Instead of portraying the Democratic candidate McGovern, Warhol chose to represent his opponent Richard Nixon. He appropriated the image from the cover of Newsweek magazine, using the colours from Nixon's wife's outfit for his face, creating a demonic look.

See this new acquisition by the Museum, and many other extraordinary works in our #AmericanDream exhibition, opening March 2017. Click the link in our bio for more info.

Andy Warhol (1928-1987), Vote McGovern. Screenprint, 1972. © 2016 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London.
#art #Warhol #AndyWarhol #🇺🇸 #print #Democrats #politics America. Land of the free. Home of the brave...
We are delighted to announce our #AmericanDream exhibition – opening in March 2017!

The past six decades have been among the most dynamic and turbulent in US history, from JFK’s assassination, Apollo 11 and Vietnam to the AIDS crisis, racism and gender politics. Responding to the changing times, American artists produced prints unprecedented in their scale and ambition. 
Experience this extraordinary history in ‘The American Dream: pop to the present’. This major new exhibition is sponsored by Morgan Stanley and supported by the Terra Foundation for American art. Click the link in our bio to book your tickets now.

Jasper Johns (b. 1930), Flags I. Screenprint, 1973. Collection of Johanna and Leslie Garfield. © Jasper Johns/VAGA, New York/DACS, London 2016. © Tom Powel Imaging.
#🇺🇸 #art #JasperJohns #printmaking
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