British Museum blog

Perspectives on the world

Jonathan Williams, Keeper of Prehistory and Europe

The Museum’s latest exhibition exploring spiritual journeys closes in the next couple of weeks. Treasures of Heaven is all about what it was like to be human in medieval Europe, and an inherent part of medieval European life was religion. Whether you were a woman or a man, young or old, rich or poor, Christianity was part of everyday life and the exhibition explores the role of worship and the objects associated with it – and how these objects were thought to provide a bridge between heaven and Earth.

The way that Christianity permeated all elements of medieval European life is one of the big things that make medieval Europeans different from us, and that’s why we need to know about it. For better or worse, medieval people lavished their money and time, their art and their passion on their religion above all else, and made some extraordinarily beautiful and moving things along the way, many of which feature in the show.

It’s been an amazing opportunity to gain a new insight not just into the craftsmanship and sophistication of the middle ages but, more importantly, into the minds and hearts of people in a particular moment in time.

You can say something similar about the Museum’s next big show, Hajj: journey to the heart of Islam, about the great annual Muslim pilgrimage to Mecca, which will also give all of us a way into understanding a phenomenon that is central to the lives and imaginations of millions of people around the world, and millions of Britons too. The exhibition will explore the history of this famous pilgrimage through rarely-seen objects from across the world and will shed light on how the pilgrimage continues to be experienced today.

To explore human history is to explore human beliefs and experiences. This is what the British Museum is for – to enable us to see the world from different perspectives.

Treasures of Heaven: saints, relics and devotion in medieval Europe is open until 9 October 2011.
Book tickets now.
Sponsored by John Studzinski

Hajj: journey to the heart of Islam is open from 26 January to 15 April 2012. Find out more

In partnership with King Abdulaziz Public Library, Riyadh, Saudi Arabia.

HSBC Amanah has supported the exhibition’s international reach outside the Kingdom of Saudi Arabia.

Filed under: Exhibitions, Hajj: journey to the heart of Islam, Treasures of Heaven

Receive notifications of new posts by email.

Join 16,358 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
#hoard #gold #jewellery #turquoise #treasure Continuing our exploration of the golden objects in the Museum, this amazing inlaid plaque is from 15th-century China. Lined with semi-precious stones, this piece would have formed part of a pair sewn into a robe. We can tell this belonged to an emperor of the Ming dynasty because only he would have been allowed to use items decorated with five-clawed dragons.
#Ming #gold #jewellery #China #BritishMuseum Our next trio of objects shows off some of the shimmering gold in the Museum’s collection. This stunning piece of jewellery comes from Egypt and was made around 600 BC. It was worn across the chest – this type of accessory is known as a ‘pectoral’. Popular throughout ancient Egypt, pectorals have been found from as early as 2600 BC. This example is made from gold and is inlaid with glass, showcasing the incredible level of craftsmanship in Egypt at the time, and asserting the status of the wearer. Falcons were important symbols in ancient Egypt – the god Horus took the form of a falcon.
#AncientEgypt #gold #jewellery #BritishMuseum
Follow

Get every new post delivered to your Inbox.

Join 16,358 other followers

%d bloggers like this: