From the ancient Egyptians to the Sámi people of northern Europe, music has been an integral part of societies around the world. To celebrate the Museum’s first major musical festival this April, here are 15 extraordinary instruments from history that hit just the right note!

The world’s oldest bridge, located in the south of Iraq, is soon to be to be saved for future generations thanks to the Museum’s pioneering emergency heritage management project.

In the latest in our series on the Museum’s history, Archivist Francesca Hillier takes a look at the iconic Round Reading Room at the centre of the Bloomsbury building.

Curator Sushma Jansari explains Holi, and highlights some of the remarkable paintings in the Museum’s collection depicting aspects of this Hindu festival.

Ben Alsop, Curator of the Citi Money Gallery at the British Museum, looks at objects in the collection relating to the female suffrage movement.

Tavian Hunter explores the Museum’s Asia collection to uncover six examples of black presence and connections within Asian works of art.

For Valentine’s Day, we’ve compiled 14 sensational smooches and other symbols of love from around the world. Pucker up…

Author and historian Diane Atkinson reveals some of the stories of the women who fought for the vote, and how the British Museum became a target for their efforts.

We mark time in many different ways. One unit – the month – has been in use for thousands of years. We use their names all the time, but what do the months’ names mean and where do they come from? Take a closer look…

Curator Ilona Regulski reveals how a British Museum research project is using new ways to connect people in Egypt with their incredible past.

From pediments to capitals, we take a look at some of the key features of ancient Greek architecture and how it has inspired our own building in Bloomsbury

From Boudicca to the Amazons, historian, author and broadcaster Bettany Hughes uncovers the truth behind some of the most famous warrior women in history.

When the Museum’s World Conservation and Exhibitions Centre was built, it meant that many objects could be moved from off-site stores to the Bloomsbury site. Assistant Storage Manager Jolyon Drew explains this intricate process.

The written word is central to the Baha’i Faith, the youngest of the world religions, whose Prophet-Founder Bahá’u’lláh was born 200 years ago. Hilary Freeman of the UK National Baha’i Archives Team tells the story behind some of the original writings of Bahá’u’lláh, currently on display in the Museum.

Jennifer Wexler and Neil Wilkin trace the roots of supernatural stories told today by studying two unique objects from a misty period of our ancient past.

Alex Oma-Pius is Artistic Director of IROKO Theatre Company, who are regular performers at the Museum. For Black History Month, he tells the stories of some of the highlight objects he’s encountered in the Sainsbury African Galleries.

It’s never too early to start learning about history! Melany Rose and Jane Batty talk about how the Museum is engaging kids (and their families) with some of our special exhibitions.

Playwright, producer and director Patricia Cumper is also a British Museum Trustee. Here, she looks at what Black History Month has meant to her, and how the British Museum can help to tell these stories to the world.

Find out what a dental anthropologist does all day, and how tooth decay can lead to exciting new discoveries.

Senior Curator Judith Swaddling uncovers the ancient Greek origins of the long-distance endurance race, revealing the original ‘marathon runner’.

Millions of Muslims make the journey to Mecca each year. Here are a few of the key things you should know about this incredible pilgrimage.

Photography is not even 200 years old, and yet has changed the way we think about the world. Archivist Francesca Hillier and Senior Photographer Kevin Lovelock reveal the intriguing history of photography at the British Museum.

Curator St John Simpson explores how the Museum’s collection of postcards from the port city of Aden in Yemen capture snapshots of social history.

The Museum’s objects from Egypt span from prehistory to the present. In 2016 the modern Egypt project was launched to bring the collection into the 21st century. Objects from housewares and everyday items to ephemera and photographs can tell stories about historical, economic and cultural developments in Egypt over the past century.

Assistant Collections Manager George Benson talks about hoisting the Rainbow Flag over the British Museum for Pride, and why its importance isn’t just restricted to LGBTQ people.

In an age when talking about ‘the birds and the bees’ doesn’t cut it anymore, Education Manager Melany Rose explains an important new offering at the Museum for schools.

Museum Archivist Francesca Hillier takes us through the fascinating history of the first building to house the British Museum’s collection, Montagu House.

Head of Interpretation Stuart Frost explains how his team collaborates with colleagues across the organisation to help develop new permanent exhibits and temporary special exhibitions.

Artist Bern O’Donoghue explains the moving story behind her work Dead Reckoning ahead of its installation in the Museum as part of Refugee Week 2017.

Did you know that the Museum has a conservation studio just for East Asian paintings? The Hirayama Studio opened in 1994 and continues to use traditional techniques to preserve, protect and display these amazing works. Here, student Matthias Sotiras writes about his five months spent in this unique work environment.

We’re celebrating two decades of the Portable Antiquities Scheme – the organisation recording archaeological finds in England and Wales – with our new Treasure 20 campaign. Treasure Registrar Ian Richardson introduces the project and outlines how you can vote for your favourite dazzling discovery from the last 20 years!

Museum Archivist Francesca Hillier explains how the collection got too big for one institution, and why you won’t find dinosaurs in Bloomsbury.

Inspiration for Indiana Jones? No, not our curator Jago Cooper, but Colonel Percy Fawcett, whose incredible true story is now told through a new film, The Lost City of Z. Curators Jago Cooper and Kate Jarvis take a look at some of the objects associated with his expeditions to the Amazon.

How do you capture the ancient resonances of phrases that mean nothing to modern audiences? How do you invest them with meaning and emotion without a set of explanatory footnotes that kill all spontaneity? Oxford University professor Richard Bruce Parkinson worked with actress and writer Barbara Ewing to record a dramatic reading of one of the finest works of Egyptian poetry The Tale of Sinuhe. 

Did you know that the word ‘museum’ literally means a temple to the muses, all of whom were female (albeit allegorical)? This International Women’s Day, take a look at some of the very real women represented in the Museum’s collection today. Your guides are some of the many women curators who are continuing to tell these important stories to the world.

For World Book Day, we’re celebrating all things literary. From some of the earliest writing from 5,000 years ago to our favourite fiction, discover the different ways people around the world have shared ideas through books in their many forms!

The Beatles sang ‘All you need is love’. Curator Lloyd de Beer isn’t convinced. There’s also room for lust and sex, apparently…

Kyoko Kusunoki joined the Hirayama Studio last year as Conservator of Japanese Paintings. In this blog Kyoko discusses some of the projects she has been working on, including preparing for the exhibition Hokusai: beyond the Great Wave.

Happy New Year! Today millions of people across the world are gathering with family and celebrate the Lunar New Year. Here’s a handy guide to how this is celebrated in China – from the origins of the Chinese zodiac to the traditions and superstitions surrounding the festivities.

As the year of the rooster approaches, the Chinese scroll mounters in the Hirayama Studio have plenty to crow about…

You may think you know the British Museum, but there’s always more to discover. Here, we highlight a few secrets to delight and surprise even the most enthusiastic Museum fan. Never afraid to jump on a bandwagon, we’ve compiled a handy listicle of some of the weird and wonderful facts that make the British Museum unique. Maybe you knew it all already? If you did, you probably work here already…

Chris Michaels, Head of Digital and Publishing, introduces our refreshed British Museum blog, and discusses the role of the blog as part of our digital strategy.

Nick Harris, Digital Creative Producer chats with Curator of Modern Money, Tom Hockenhull, and Museum Historian, Marjorie Caygill, about how the Museum dealt with the threat from German bombers during the Blitz. 

Pairing drawings of BA Fine Art students from Central Saint Martins with the works that inspired them during their visit to the Prints and Drawings Study Room Wayfinding explores drawing as a tool that artists, both emerging and established, use to find their way.

Amelia Dowler discusses the mystery of the Fetter Lane hoard, and how coins minted in Alexandria, Egypt between AD 58 and AD 284 ended up in Roman Britannia. 

Carole Weiss and Jin Xian Qiu reveal the work that took place behind the scenes in the Hirayama Studio to prepare a Ming dynasty silk painting by artist Zhu Bang to go on display. 

To celebrate the 250th anniversary of the State Hermitage Museum in St Petersburg, the British Museum loaned the sculpture of the river-god Ilissos from the West pediment of the Parthenon.  Neil MacGregor, Director of The British Museum shares some of the history of the long standing friendship between the first great museums of the European Enlightenment. 

Computer 3D technology is being increasingly adopted in museums to aid with conservation, curatorial research and interpretation. Here Matthew Cock explains how scans of the British Museum’s collection of Assyrian reliefs take by a team CyArk provide a fantastic resource that we can use to help people better understand and engage with these objects.

Clarissa von Spee explains the significance of German expressionist sculptor Ernst Barlach’s most important work, Der Schwebende (The Hovering),  and how the work managed to survive the First World War. On display as part of the exhibition Germany: memories of a nation, 16 October 2014 to 25 January 2015.   

Colourful beads for collars and wigs or earrings? Anna Hodgkinson has been updating over 200 of the Collections online record of items of glass jewellery from the New Kingdom in the Department of Ancient Egypt and Sudan.

Due to the nature of human remains from ancient Egypt and Nubia, evidence for tattooing is scarce. However in the Ancient lives, new discoveries exhibition, one of the mummies on display is so well preserved the British Museum has located a tattoo and other marks on her skin. Marie Vandenbeusch discusses the significance of this discovery. 

Amandine Mérat and Emily Taylor have been working on reordering the Museum’s Egyptian textiles collection not by provenance or date but by technique. By conducting a close visual examination of technique, and drawing on knowledge of their cultural background, they hope to determine the possible original function of many of the textiles.

Martin Findell is a Research Associate at the University of Leicester. He is particularly interested in the problems of understanding the relationship between spelling and sound change in the early Germanic languages, and in the uses and abuses of runes in the twentieth and twenty-first centuries. In this blog Martin discusses some of the runic writing on display in Vikings: life and legend.

Cancer is one of the world’s most common causes of death today, but there is little evidence from before industrialisation: almost nothing is known about the history of the disease in the past. Michaela Binder and Neal Spencer discuss illuminating new evidence of early human cancer.

In May 2013 a team of scientists led by the British Museum, Natural History Museum and Queen Mary University of London discovered a series of footprints left by early humans in ancient estuary mud over 800,000 years ago at Happisburgh, Norfolk. Nicholas Ashton, Curator of Palaeolithic and Mesolithic collections at the British Museum has been working on the Happisburgh Palaeolithic excavations.

In the next blog by Sally Grainger, chef and author of The Classical Cookbook, Sally experiments with cooking in replica of a clibanus oven.

Jago Cooper has just returned from an exploratory research visit to the uninhabited national park on the island of Mona in Puerto Rico. In this blog, Jago details his findings which were rather unexpected. 

Researcher Michaela Binder reflects on four months of analysis on skeletons from the ancient Egyptian town of Amara West, and what this new research can tell us about how they lived.

Using some of the latest imaging technology we now know that about 5500 years ago (about 3500 BC) the natural mummy known as Gebelein Man was stabbed in the back.

This year, British Museum curators have collaborated with scientists and medical experts to perform a CT scan of a naturally-preserved mummy know as the Gebelein Man. Detailed images created from the scans’ high resolution X-rays allow us to look inside his body and learn about his life – and death – in ways never before possible. Daniel Antoine tells us what we have been able to discover about the Gebelein Man.

The Hallaton helmet was shown in public today for the first time since it was buried 2,000 years ago. JD Hill reveals to us the significance of this discovery and the work behind the scenes that has led up to its display.

Valentina Marabini has just returned from a year in China, spent studying with the conservators at the Shanghai Museum. 

With Grayson Perry: The Tomb of the Unknown Craftsman opening in two months, the British Museum has asked contributors from the craft world to share their thoughts on the importance of craft today. First up is Teleri Lloyd-Jones is Assistant Editor of Crafts Magazine. Crafts is an editorially independent bi-monthly magazine published by the Crafts Council, the national development agency for contemporary craft in the UK.