Tavian Hunter explores the Museum’s Asia collection to uncover six examples of black presence and connections within Asian works of art.

To celebrate the opening of our new gallery of China and South Asia, eight of our curators have each picked a key object on display.

On 8 November 2017, we were delighted to welcome Her Majesty The Queen to officially open the Sir Joseph Hotung Gallery of China and South Asia.

Angus Lockyer discusses the impact on modern art of Katsushika Hokusai – an artist whose work effortlessly moved between seen and unseen worlds.

Japanese woodblock prints in the 18th and 19th centuries were often produced using inks which can fade dramatically when exposed to light. Scientist Capucine Korenberg explains how she investigated the risks of displaying some of Hokusai’s most iconic prints.

Traditional Japanese woodblock prints are renowned for their exquisite detail and colour. Curator Alfred Haft reveals how the skilled block cutter and printer helped to create these beautiful works of popular art.

Did you know that the Museum has a conservation studio just for East Asian paintings? The Hirayama Studio opened in 1994 and continues to use traditional techniques to preserve, protect and display these amazing works. Here, student Matthias Sotiras writes about his five months spent in this unique work environment.

Kyoko Kusunoki joined the Hirayama Studio last year as Conservator of Japanese Paintings. In this blog Kyoko discusses some of the projects she has been working on, including preparing for the exhibition Hokusai: beyond the Great Wave.

Happy New Year! Today millions of people across the world are gathering with family and celebrate the Lunar New Year. Here’s a handy guide to how this is celebrated in China – from the origins of the Chinese zodiac to the traditions and superstitions surrounding the festivities.

As the year of the rooster approaches, the Chinese scroll mounters in the Hirayama Studio have plenty to crow about…

The new special exhibition for 2017, Hokusai: beyond the Great Wave (25 May – 13 August 2017), explores the work of Katsushika Hokusai (1760–1849), considered by many to be Japan’s greatest artist.

Carole Weiss and Jin Xian Qiu reveal the work that took place behind the scenes in the Hirayama Studio to prepare a Ming dynasty silk painting by artist Zhu Bang to go on display. 

Valentina Marabini has just returned from a year in China, spent studying with the conservators at the Shanghai Museum.