To celebrate the opening of our new gallery of China and South Asia, eight of our curators have each picked a key object on display.
14 December 2017
9 November 2017
On 8 November 2017, we were delighted to welcome Her Majesty The Queen to officially open the Sir Joseph Hotung Gallery of China and South Asia.
26 July 2017
Angus Lockyer discusses the impact on modern art of Katsushika Hokusai – an artist whose work effortlessly moved between seen and unseen worlds.
15 June 2017
Japanese woodblock prints in the 18th and 19th centuries were often produced using inks which can fade dramatically when exposed to light. Scientist Capucine Korenberg explains how she investigated the risks of displaying some of Hokusai’s most iconic prints.
10 June 2017
Traditional Japanese woodblock prints are renowned for their exquisite detail and colour. Curator Alfred Haft reveals how the skilled block cutter and printer helped to create these beautiful works of popular art.
24 May 2017
Did you know that the Museum has a conservation studio just for East Asian paintings? The Hirayama Studio opened in 1994 and continues to use traditional techniques to preserve, protect and display these amazing works. Here, student Matthias Sotiras writes about his five months spent in this unique work environment.
28 January 2017
Happy Chinese New Year 2017! Today millions of people across the world are preparing to gather with family, get out the firecrackers and celebrate the Spring Festival. Here’s a handy guide to the most anticipated event in the Chinese calendar – from the origins of the Chinese zodiac to the traditions and the superstitions surrounding the celebrations. May the Year of the Rooster be prosperous and happy for you – Gong Xi Fa Cai!
26 January 2017
As the year of the rooster approaches, the Chinese scroll mounters in the Hirayama Studio have plenty to crow about…
10 January 2017
The new special exhibition for 2017, Hokusai: beyond the Great Wave (25 May – 13 August 2017), explores the work of Katsushika Hokusai (1760–1849), considered by many to be Japan’s greatest artist.
8 December 2014
Carole Weiss and Jin Xian Qiu reveal the work that took place behind the scenes in the Hirayama Studio to prepare a Ming dynasty silk painting by artist Zhu Bang to go on display.