British Museum blog

Ancient human remains from Sudan: training future specialists


Michaela Binder, Durham University

Sudan has perhaps one of the richest and most fascinating archaeological records in the world. Construction projects such as roads and dams are an increasing threat to its cultural heritage which prompts a large number of salvage excavations by Sudanese and international teams. Accordingly, as a large number of archaeological sites are cemeteries, the amount of human remains housed in museums and universities for use in research is steadily growing.

The pyramid cemetery at Meroe

The pyramid cemetery at Meroe, a UNESCO World Heritage site since April 2011

Despite the fact Sudan has many excellent archaeologists, the scientific potential of human remains – which can increase our knowledge about many aspects of past human cultures – is not fully harnessed. This is mainly due to the fact that there is relatively little training in the study of human remains within the country itself.

Recognising this problem, the British Museum’s Amara West project has instigated a Bioarchaeology Field School, generously funded by the Institute of Bioarchaeology. I am currently in Khartoum running a one-week workshop at the National Council of Antiquities and Museums (NCAM). Over the course of the workshop, nine participants, including senior members of NCAM and archaeologists from the universities of Khartoum, Shendi, Bahri (Juba) and Wadi al-Nil, will gain a basic understanding of the study of human remains, the methods involved and the potential information that can be obtained.

Workshop participants learning anatomy using a plastic skeleton.

Workshop participants learning anatomy using a plastic skeleton.

During the first few days, we have been busy learning about the anatomy of the human skeleton. Following practice on a plastic skeleton, the participants get hands-on experience with skeletons excavated at the Meroitic cemetery at Berber, by workshop participant Mahmoud Suleiman Bashir, an inspector at NCAM.

We have also visited excavations at al-Khiday near Khartoum, a multi-period site with cemeteries of the Pre-Mesolithic, Neolithic and Meroitic periods, where Tina Jakob of Durham University, who works on the human remains of Al-Khiday, gave a talk about her research.

Site visit to Al-Khiday. Tina Jakob showing participants the Meroitic burial she is excavating

Site visit to Al-Khiday. Tina Jakob showing participants the Meroitic burial she is excavating

You can read more about our discoveries at Amara West on the British Museum website where we have uploaded new pages about the excavation of a Ramesside house at the town, and post-New Kingdom burials in cemetery C.

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In 1966 the Beatles were number one with Paperback Writer, Lyndon Johnson was asked to ‘get out’ of Vietnam, and a gallon of gas cost $0.32. American artist Ed Ruscha travelled 1,400 miles on Route 66 from LA to his hometown of Oklahoma, recording the gas stations dotted along the road. Influenced by graphic design and advertising, he transformed everyday images like this into dramatic works of art.

See this work on loan from @themuseumofmodernart in our #AmericanDream exhibition – follow the link in our bio to book tickets.

Edward Ruscha (b. 1937), Standard Station. Screenprint, 1966. @themuseumofmodernart New York/Scala, Florence. © Ed Ruscha. Reproduced by permission of the artist.

#EdRuscha #Route66 #USA #graphicdesign #advertising #print #art #LA #1960s #westcoast #printmaking Today marks 30 years since the death of Andy Warhol, hailed as the ‘Pope of pop art’. One of the most recognisable images in the world, Warhol’s Marilyn series remains sensational after five decades. This series of 10 individual screenprints, made in 1967, is on loan from @tate for our #AmericanDream exhibition – opening 9 March. Warhol used a cropped and enlarged publicity still as the source image for this work, taken by photographer Gene Kornman for Monroe’s 1953 film ‘Niagara’. Behind the glamour and fame of the Marilyn series lay tragedy. Recently divorced from playwright Arthur Miller, Marilyn had taken her own life with a drug overdose in August 1962. Warhol’s depiction of the alluring screen goddess became a memorial to a fallen idol.

See some of Warhol’s most iconic works in our major exhibition. Follow the link in our bio to find out more.

#Warhol #AndyWarhol #PopArt #1960s #USA #art #MarilynMonroe Sweets, ice creams and cakes feature heavily in the sugary, colourful work of American artist Wayne Thiebaud. This piece is called ‘Gumball Machine’ and was made in 1970. His works are characterised by his focus on mass-produced objects.

You can see some of his prints in our upcoming #AmericanDream exhibition – book your tickets by following the link in our bio.

Wayne Thiebaud (b. 1920), Gumball Machine. Colour linocut, 1970. © Wayne Thiebaud/DACS, London/VAGA, New York 2016.
#WayneThiebaud #popart #art #Americanart #🍭 #🍬 This beaded #wedding blanket was made around the 1950s in South Africa by a Ndebele artist. Under apartheid the Ndebele were forced to live in ethnically defined rural reserves. In response to losing their ancestral lands, Ndebele women began to make distinctive beadwork for significant events.

They also adapted these designs and painted them on their homesteads, to include ever more intricate and colourful patterns. As a form of protest, these artworks had the effect of making Ndebele identity highly visible at a time when the government was attempting to make them effectively invisible through rural segregation.

See this beautiful beaded blanket in our special exhibition #SouthAfricanArt, which traces the history of this nation over 100,000 years. Follow the link in our bio to book your tickets before the exhibition closes on 26 Feb.
#SouthAfrica #history #design #beads #Ndebele #blanket In 19th-century southern Africa, people wore different designs, colours and materials to communicate their power, wealth, religious beliefs and cultural community.

This beautiful beaded necklace is made of brass, glass and fibre, and is known as an ingqosha, a traditional necklace worn by the Xhosa people. Young Xhosa women and men traditionally wear the ingqosha at weddings and ceremonial dances.

During apartheid, necklace designs from the 1800s were used as a form of political and cultural protest. While on the run in 1961, Nelson Mandela was photographed wearing a beaded collar, and after his capture his then wife Winnie reportedly chose one for him to wear during sentencing. By wearing this necklace Mandela made a powerful cultural and political statement about his Xhosa ancestry.

Learn more about the fascinating history of this nation in our #SouthAfricanArt exhibition, closing 26 Feb 2017. Follow the link in our bio to find out more.
#SouthAfrica #necklace #jewellery #beads #history #art #xhosa We love this great shot of Esther Mahlangu’s stunning BMW Art Car taken by @bitemespice. It’s currently in the Great Court as part of our #SouthAfricanArt exhibition, charting the fascinating history of a nation through its art. The car was painted in 1991 to mark the end of apartheid in South Africa, and the brightly coloured geometric shapes are inspired by the traditional house-painting designs of the Ndebele people.

Mahlangu’s Art Car combines tradition and history with contemporary art and politics; themes  that are explored in our #SouthAfricanArt exhibition. Catch it before it ends on 26 February 2017 – you can book tickets by following the link in our bio.
#SouthAfrica #mybritishmuseum #britishmuseum #regram #repost
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